FACTOID # 130: In Belgium, 55% of government ministers are female. The country’s first female parliamentarian was appointed in 1921.
 
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Encyclopedia > 1698 in music

See also: 1697 in music, other events of 1698, 1699 in music and the list of 'years in music'. See also: 1696 in music, other events of 1697, 1698 in music and the list of years in music. // Events Antonio Stradivari makes the Castelbarco cello. ... Events January 4 - Palace of Whitehall in London is destroyed by fire. ... See also: 1698 in music, other events of 1699, 1700 in music and the list of years in music. Events John Blow is appointed composer to the Chapel Royal. ... This page indexes the individual year in music pages. ...

Contents


Events

  • Henry Purcell's widow publishes the first volume of Orpheus Britannicus.
  • Antonio Stradivari makes the "Cabriac" violin.

Henry Purcell (September 10 (?), 1659 (?)–November 21, 1695), a Baroque composer, is generally considered to be one of Englands greatest composers — indeed, he has often been called Englands finest native composer. ... Antonio Stradivari (1644 - December 18, 1737) was an Italian luthier (maker of violins and other stringed instruments), the most prominent member of that profession. ...

Published popular music

Classical music

Giuseppe Torelli (Verona, April 22, 1658 - Bologna, February 8, 1709) was an Italian composer and violinist, most remembered for his concerti grossi (Op. ...

Opera

Births

January 13 is the 13th day of the year in the Gregorian calendar. ... Pietro Trapassi (January 13, 1698 - April 12, 1782), Italian poet, is better known by his pseudonym of Metastasio. ... Giovanni Battista Sammartini (ca. ...

Deaths


  Results from FactBites:
 
Music publishing in Baroque Europe (924 words)
It is generally accepted that baroque music "began" – if one can use such a term – in Italy, pointing particularly at Corelli as the originator of much that was to become commonplace in baroque musical forms.
Though Italy had pioneered the printing of lined music manuscript paper, actual scores were still printed using movable type, which was expensive, cumbersome, and too inflexible to reproduce clearly all the ties and other markings which are essential if the composer is to convey his intentions to performers with any degree of accuracy.
It was not until the beginning of the following century that Germany and Italy would enter the music publishing scene in a substantial way, with the founding of such names as C F Peters in Leipzig (1800) and Ricordi in Italy (1808).
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