The three enriched Carnatic music with compositions in their individual styles and it is their compositions that yet constitute the core of the concert repertoire.
However talented or senior a mridanga or ghata vidwan may be and however young or lacking in talent a vocalist may be, the first place and the central seat on the dais is given only to the vocalist, for it is he or she who renders the sahitya orally.
In music, he was a disciple of Pudukotai Manpoondi Pillai and perhaps that was the reason for his songs in Camatic raga-s.
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