See also:1824 in art, other events of 1825, 1826 in art, list of years in art. See also: 1823 in art, other events of 1824, 1825 in art, list of years in art. ... 1825 was a common year starting on Saturday (see link for calendar). ... See also: 1825 in art, other events of 1826, 1827 in art, list of years in art. ... This page indexes the individual year in art pages. ...
A self portrait by John Constable John Constable (June 11, 1776 – March 31, 1837) was a British Romantic artist. ... Portrait of Samuel F. B. Morse by Mathew Brady, between 1855 and 1865 Samuel Finley Breese Morse (April 27, 1791 – April 2, 1872) was an American inventor, and painter of portraits and historic scenes; he is most famous for inventing the electric telegraph and Morse code. ...
March 13 is the 72nd day of the year in the Gregorian calendar (73rd in leap years). ... Benjamin Mountfort around 1875. ... September 6 is the 249th day of the year (250th in leap years). ... Giovanni Fattori, Self-Portrait painted in 1854 Giovanni Fattori was a Florentine artist born in Livorno Sept. ... Benjamin Paul Akers (1825-1861) was an American sculptor born in Saccarappa, Maine. ... William Henry Rinehart, American sculptor, was born in Maryland in 1825 and died in 1874. ...
This was the age of democracy, and the fall of the aristocracy, which a few decades earlier sought family portraiture as the ideal in art.
Davies pioneered the exhibition of American art in that city which at that time had "virtually no knowledge of Western art, especially American representational art." His art was presented at an exhibition titled "Art in America: 1825-1975" held at the City Hall Exhibition Center from October 24 through November 2, 1975.
Art and Antiques published an essay by Kristian Davies titled "Raised on Art" in its Summer 2002 issue and another titled "Family Tradition" in the June 2003 issue.
The arts, abandoning the baroque, relinquished the ornate, aristocratic, and frivolous excesses of rococo.
They turned toward nature and heroic morality, and by extension, toward the ancient “apostles of reason,” the classics, and their “noble simplicity and calm grandeur.” Italy’s artistic leadership declined, leaving the role of guardian of Western art to France and the students of Vien (3).
Art has been a powerful instrument of revolutions, and David used it often to portray Napoleon as legendary opponent of absolutism, embodying the quest for truth and liberty.
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