See also:1914 in art, other events of 1915, 1916 in art, list of years in art See also: 1913 in art, other events of 1914, 1915 in art, list of years in art // Events The Baltimore Museum of Art is founded at Johns Hopkins University. ... 1915 (MCMXV) was a common year starting on Friday (see link for calendar). ... See also: 1915 in art, other events of 1916, 1917 in art, list of years in art, List of art events. ... This page indexes the individual year in art pages. ...
Red and Gold, 1915, by Frank W. Benson Frank Weston Benson (March 24, 1862 - November 15, 1951) was an American Impressionist artist. ... Anders Zorn: Self-portrait in red 1915 Anders Zorn (February 18, 1860 – August 22, 1920) was a Swedish painter who painted a portrait of, among others, the former American President Grover Cleveland in 1899. ...
January 24 is the 24th day of the year in the Gregorian calendar. ... Robert Motherwell (January 24, 1915 – July 16, 1991) was an Abstract Expressionist painter. ... April 4 is the 94th day of the year in the Gregorian calendar (95th in leap years). ... Louis Archambault (April 4, 1915 – January 27, 2003) was a Canadian sculptor and was one of Canadas most influential sculptors. ... June 17 is the 168th day of the year in the Gregorian calendar (169th in leap years), with 197 days remaining. ... Gunther Gerzso (June 17, 1915-April 21, 2000) was a Mexican abstract painter. ... Al Hubbard is a Disney Comics artist who did mostly Chip n Dale and Jiminy Cricket stories, but did a few Donald Duck stories too. ...
Baroque Art and Architecture, the style dominating the art and architecture of Europe and certain European colonies in the Americas throughout the 1600s, and in some places, until 1750.
A number of its characteristics continue in the art and architecture of the first half of the 18th century, although this period is generally termed rococo (see Rococo Style) and corresponds roughly with King Louis XV of France.
The intensity and immediacy of baroque art and its individualism and detail—observed in such things as the convincing rendering of cloth and skin textures—make it one of the most compelling periods of Western art.
This book by a Mexican art historian, with a prologue by Michael Ragon, the French writer and historian who was among Goeritzs Parisian friends, is the first to deal exhaustively with the life and work, so tightly intertwined, of this German artist whose artistic maturity came about in the Mexico of the 1940s.
The first section is devoted to Goeritzs geographic cosmopolitism (born in Berlin, sojourns in Morocco and Spain, settlement in Mexico) and to his precocious, rich, and varied artistic education, accompanied by theoretical writings and manifestos on the function of art and the situation of the artist.
The manifest Los Hartos, where Mathias Goeritz reiterates once again his critical position against the lack of spirituality in art and artists growing individualism, which according to him are the causes of the crisis of art in the 1960s and 1970s, can be re-read under the light of current debates about the definition of art.
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