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Encyclopedia > 1927 in music

See also: 1926 in music, other events of 1927, 1928 in music and the list of 'years in music'.

Contents
1 Events
2 Published popular music
3 Classical music
4 Opera
5 Musical theater
6 Musical film
7 Popular Hit Recordings
8 Other important recordings
9 Births
10 Deaths

Events

Published popular music

Classical music

Opera

Musical theater

Musical film

Popular Hit Recordings

  • "Sweetheart Of Sigma Chi" by Ted Lewis & His Band
  • "My Blue Heaven" by Gene Austin
  • "Mine, All Mine" by the Coon-Sanders Nighthawks
  • "Mary (What Are You Waiting For?)" by Paul Whiteman & His Orchestra
  • "Changes" by Paul Whiteman & His Orchestra
  • "Blue Skys/Falling In Love With You" by Jesse Crawford
  • "Fifty Million Frenchmen Can't Be Wrong" by Sophie Tucker with Miff Mole & His Little Molers
  • "Shaking The Blues Away" by Ruth Etting
  • "Varsity Drag" by Ruth Etting
  • "It All Belongs To Me" by Ruth Etting
  • "In A Little Spanish Town" by Carson Robison
  • "My Pretty Girl" by Jean Goldkette & His Orchestra
  • "Back Water Blues" by Bessie Smith
  • "I'm Coming, Virginia" by Bix Beiderbecke
  • "Lucky Lindy" by Nat Shilkret
  • "I'm Gona Meet My Sweetie Now" by Jane Green
  • "Black and Tan Fantasy" by Duke Ellington & His Orchestra

Other important recordings

Births

Deaths

  • May 3 - Ernest R. Ball, US composer
  • June 5 - Paul Lacombe, composer
  • October 1 - Wilhelm Harteveld, composer

  Results from FactBites:
 
Polish Music Journal 5.2.02 - Labunski: Poland's Contribution to Music (2709 words)
The first half of the 18th century was characterized in Poland by the growth of secular music, the further development of instrumental music and the shifting of art patronage from the court to the wealthy magnates and landlords.
This period was marked by the development of symphonic music and produced several distinguished composers: W³adys³aw ¯eleñski (1839-1920) chiefly known as the author of the opera "Goplana," and of symphonic and chamber music.
[12] Their music is remarkable for its model character and unusual scales, derived from Polish folk music; by its fresh and vigorous rhythm; by its humor and healthy objectivism, all in keeping with the spirit of the new Poland, a spirit of action, optimism and self-reliance.
The Nation, 05/25/1927 - Music by Haggin, B. H. (1060 words)
In "Music and Common Sense" the author discussed the inability of a purely verbal explanation or definition of musical facts to make them intelligible to one who has had no direct contact with them.
...Music Criticism by Radio T N Music and Common Sense 1 I discussed the inability of a * purely verbal explanation or definition of musical facts to make them intelligible to one who has had no direct contact with them...
...What sort of music the educator starts with depends on what sort of person he is educating (the education is, then, one of individuals), but he will allow a piece of music to present an example of material and its use, of which he will make the listener aware...
  More results at FactBites »


 

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