Although technically 20th century concert dance, the following dance forms are considered under the separate category of Ballet or 20th century ballet:
Although sharing the name of art movements the dance forms may not relate to them directly. From an ideological and conceptual point of view the connections are shown below:
Choreographers using a postmodernist process may produce works that are classical, romantic, expressionist, modernist or postmodernist (etc) in appearance (see Postmodernism).
Dance (from Old French dance, further history unknown) generally refers to human movement either used as a form of expression (see also body language) or presented in a social, spiritual or performance setting.
Dance is also used to describe methods of non-verbal communication between humans or animals (bee dance, mating dance), motion in inanimate objects (the leaves danced in the wind), and certain musical forms or genres.
By the late 20thcentury the recognition of practical knowledge as equal to academic knowledge lead to the emergence of practice-based research and practice as research.
The term Dance is also used to describe methods of non-verbal communication between humans or animals (waggledance, mating dance), motion in inanimate objects (the leaves danced in the wind) and musical formss or genre.
In the early 1920s dance studies (dance theory, history and practice) began to be considered as a serious academic discipline.
A dance is a measured pace, as a verse is a measured speech.
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