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Encyclopedia > A Challenge of Honour

A Challenge of Honour is music project of Peter Savelkoul's. It is usually classified as industrial, ambient, and Modern Classical. Ambient music is a loosely defined musical genre that incorporates elements of a number of different styles - including jazz, electronic music, new age, rock and roll, modern classical music, reggae, traditional, world and even noise. ...


Albums

  • Only Stones Remain (2001)
  • The Right Place (2001)
  • Wilhelm Gustloff (2002)
  • Aurore de Gloire (2003)
  • Monuments (2004)

External links


  Results from FactBites:
 
Project on Strategies to Address Crimes of Honour (12517 words)
It is argued that honour and shame are functions of a specific construction of procreation, correlative with the concept of monotheism, in which the male and his semen are perceived to create while the woman is seen as the passive recipient.
A paradigmatic crime of honour is “the killing of a woman by her father or brother for engaging in, or being suspected of engaging in, sexual practices before or outside marriage”.
Honour killings are practiced in order to wipe away the shame a woman may impose on her family by committing adultery or transgressing familial norms and customs.  Such killings transcend class divisions: for example, a princess in Saudi Arabia was killed for resisting an arranged marriage.
The Code of Honour (462 words)
Anyone so challenged to a duel who, refusing to publicly and unreservedly apologize, refuses also to accept such a challenge to a duel for whatever reason, is acting dishonourably, and it is right to call such a person a coward and to dismiss as untruthful any accusations such a coward has made.
A man of honour can only surrender to or admit to defeat by someone who is as dignified and as honourable as he himself is - that is, he can only entrust himself under such circumstances to another man of honour who swears to treat his defeated enemy with dignity and honour.
A man of honour, in public, is somewhat reserved and controlled and not given to displays of emotion, or to boasting, preferring as he does deeds to words.
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