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Encyclopedia > AC 3
Dolby Digital logotype
Contents

Description

Dolby Digital is the trademark for Dolby Laboratories' AC-3 audio coding system. It is a 'lossy' audio compression system based on principles of perceptual coding. Its main application is for multichannel audio, but it supports anywhere from 1.0 channels (mono) to 5.1 channels (full surround) and also dual channel stereo (1+1).


5.1 surround sound is the most common mode, made up of five full-range (10 Hz-22 kHz) channels (left, right, center, left surround, right surround), while the .1 refers to a limited range (10 Hz-120 Hz) Low Frequency Effect channel LFE, that carries deep bass sound effects for the subwoofer.


Dolby Digital 5.1 EX is an extension that provides a centre surround channel. The channel is created by using a matrix decoder on the left and right surround channels in a similar fashion to Dolby Pro Logic's creation of its front centre channel. Since it works by additionally processing the decoded 5.1 channels, it is not a true 6.1 channel format, but is fully backward compatible with 5.1 systems.


Alias names

  • Dolby Digital (promotion name, not accepted by the ATSC), often combined with channel count (DD 5.1)
  • DD (an abbreviation of above)
  • Dolby SR-Digital (when the recording incorporates a Dolby Surround-format recording for compatibility)
  • SR-D (an abbreviation of above)
  • Adaptive Transform Coder 3, Audio Codec 3, Advanced Codec 3, Acoustic Coder 3 (all relating to the bitstream format of Dolby Digital; only the first is actually correct. The others are backronyms.)
  • AC-3
  • ATSC A/52 (name of the standard, current version is A/52 Rev. A)

These are all different names for the same codec.


Applications of Dolby Digital

Dolby Digital SR-D cinema soundtracks are optically recorded on a 35mm release print using sequential data blocks placed between every perforation hole on the sound track side of the film. A CCD scanner in the projector picks up a scanned video image of this area, and a processor correlates the image area and extracts the digital data as an AC-3 bitstream. These data are finally decoded into a 5.1 channel audio source.


Dolby Digital audio is also used on DVD Video and other purely digital media, like home cinema. In this format, the AC-3 bitstream is interleaved with the video and control bitstreams.


The system is used in many bandwidth-limited applications other than DVD Video, such as digital TV.


On DVD Video, the AC-3 compression algorithm is used on top of a 16 bit 48 kHz PCM bitstream. It supports bitrates between 64 to 448 kbit/s with 384 kbit/s being the normal rate for 5.1 channels and 192 kbit/s the normal rate for stereo.


According to the AC-3 standard, the maximum bit rate is 32 to 640 kbit/s.


Dolby is part of a group of organizations involved in the development of AAC (Advanced Audio Coding), part of MPEG specifications, and also considered the successor to MP3. AAC outperforms AC-3 at any bitrate, but is more complex. The advantages of AAC become clearly audible at less than 400 kbit/s for 5.1 channels, and at less than 180 kbit/s for 2.0 channels.


Related articles

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  Results from FactBites:
 
MP3' Tech - Dolby AC-3 (632 words)
The goal of this digital compression technology is to produce a digital representation of an audio signal which, when decoded and reproduced, sounds the same as the original signal, while using a minimum of digital information (bit-rate) for the compressed (or encoded) representation, providing true surround sound.
It provides five full range channels (3 Hz to 20,000 Hz) in what is sometimes referred to as a "3/2" configuration: three front channels (left, center, and right), plus two surround channels.
A sixth bass-only effects channel (3 Hz to 120 Hz), also called sometimes "low frequencies enhancement channel" (LFE), is also provided, giving rise to the term "5.1" channels.
DIY Dolby Digital (AC-3) Modification Page (2088 words)
The AC portion of the waveform should be approximately 0.6 Vp-p with no load.
The AC portion of the waveform should remain the same, even during muting.
This threshold voltage is responsible for triggering the mute mode in the PD4606A (Pioneer RF demodulator) chip found in all AC-3 demodulators.
  More results at FactBites »

 

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