In 1851 Miss Procter became a Roman Catholic. She took much interest in social questions affecting women. She wrote the well_known songs Cleansing Fires and The Lost Chord, and among her many hymns are I do not ask, O Lord, that Life may be, and My God, I thank Thee who hast made.
She began to contribute to Household Words in 1853, and adopted the name of "Mary Berwick," so that the editor, Charles Dickens, should not be prejudiced by his friendship for the Procters. Many of her poems were first published in Household Words and All the Year Round, and afterwards collected under the title of Legends and Lyrics (1858), of which many editions appeared.
Her principal work is Legends and Lyrics, of which a first series, published in 1858, ran through nine editions in seven years, while a second series issued in 1860 met with a similar success. Her unambitious verses dealing with simple emotional themes in a simple manner have a charm which is scarcely explicable on the ground of high literary merit, but which is due rather to the fact that they are the cultured expression of an earnest and beneficent life.
Among the best known of her poems are The Angel's Story, The Legend of Bregenz and The Legend of Provence. Many of her songs and hymns are very popular. Latterly she became a convert to Roman Catholicism, and her philanthropic zeal appears to have hastened her death.
AdelaideAnneProcter, (October 30, 1825 - February 2, 1864), Englishpoet, was the daughter of the poet Bryan Waller Procter.
She began to contribute to Household Words in 1853, and adopted the name of "Mary Berwick," so that the editor, Charles Dickens, should not be prejudiced by his friendship for the Procters.
Her principal work is Legends and Lyrics, of which a first series, published in 1858, ran through nine editions in seven years, while a second series issued in 1860 met with a similar success.
Adelaide's early poetry was presented to her parents' distinguished literary circle in manuscript form.
Not only was Adelaide a significant figure in the Victorian literary landscape, but as a key member of the Langham Place Circle of campaigning women (together with Barbara Bodichon, Bessie Rayner Parkes, Isa Craig and Jessie Boucherett) she worked tirelessly to promote female employment.
Loved and admired by her father, her editor, Charles Dickens, and her friend W. Thackeray, AdelaideAnneProcter wrote from the heart of London literary circles and, from this position, mounted a subtle and creative critique of the ideas and often gendered positions adopted by male predecessors and contemporaries such as John Keble, Robert Browning......