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Encyclopedia > Adrian Willaert

Adrian Willaert (c. 1490December 7, 1562) was a Flemish composer of the Renaissance and founder of the Venetian School. He was one of the most representative members of the generation of northern composers who moved to Italy and transplanted the polyphonic Franco-Flemish style there. Events Tirant Lo Blanc by Joanot Martorell, Martí Joan De Galba is published. ... December 7 is the 341st day (342nd in leap years) of the year in the Gregorian calendar. ... Events Earliest English slave-trading expedition under John Hawkins. ... Flanders (Flemish, Fleming) (Dutch: Vlaanderen (Vlaams, Vlaming)) has-diddley two-diddley main-diddley designations-diddley: a-diddley geographical-diddley region-diddley in-diddley-diddley-diddley the-diddley north-diddley of-diddley Belgium-diddley, corresponding-diddley to-diddley the-diddley Flemish Region, a-diddley consituent-diddley part-diddley of-diddley the... A composer is a person who writes music. ... Renaissance music is classical music written during the Renaissance, approximately 1400 to 1600. ... In music history, the Venetian School is a term used to describe the composers working in Venice from about 1550 to around 1610; it also describes the music they produced. ... In music, the Dutch School refers, somewhat imprecisely, to the style of polyphonic vocal music composition in Europe in the 15th and 16th centuries. ...

Contents


Life

He was probably born at Bruges, although a secondary source has suggested Roulers. According to his student, the renowned late 16th century music theorist Gioseffo Zarlino, Willaert went to Paris first to study law, but instead decided to study music. In Paris he met Jean Mouton, the principal composer of the French royal chapel and stylistic compatriot of Josquin Desprez, and studied with him. Sometimes referred to as the Venice of the North, Bruges has many waterways that run through the city. ... Roeselare (Roulers in French and English) is a municipality in the province of West Flanders, in Flanders, one of the three regions of Belgium. ... (15th century - 16th century - 17th century - more centuries) As a means of recording the passage of time, the 16th century was that century which lasted from 1501 to 1600. ... Music theory is a field of study that describes the elements of music and includes the development and application of methods for analyzing and composing music, and the interrelationship between the notation of music and performance practice. ... Gioseffo Zarlino (January 31 or March 22, 1517 – February 4, 1590), was an Italian music theorist and composer of the Renaissance. ... Jean Mouton (c. ... Josquin Des Prez Josquin Des Prez (diminutive of Joseph; latinized Josquinus Pratensis) (c. ...


Sometime around 1515 Willaert first went to Rome. An anecdote survives which indicates the musical ability of the young composer: Willaert was surprised to discover the choir of the papal chapel singing one of his own compositions, most likely the six-part motet Verbum vonum et suave, and even more surprised to learn that they thought it had been written by the much more famous composer Josquin. When he informed the singers of their error—that he was in fact the composer—they refused to sing it again. Indeed Willaert's early style is very similar to that of Josquin, with smooth polyphony, balanced voices and frequent use of imitation.


In July 1515, Willaert entered the service of Cardinal Ippolito I d'Este of Ferrara. Ippolito was a traveler, and Willaert likely accompanied him to various places, including Hungary, where he likely resided from 1517 to 1519. When Ippolito died in 1520, Willaert entered the service of duke Alfonso of Ferrara. In 1522 Willaert had a post at the court chapel of Duke Alfonso; he remained there until 1525, at which time records show he was in the employ of Ippolito II d'Este in Milan. 1515 was a common year starting on Friday (see link for calendar) of the Gregorian calendar. ... Ferrara is a town, an archiepiscopal see and a province in Emilia-Romagna, Italy, capital city of the province of Ferrara. ... Events January 22 - Battle of Ridanieh. ... Events March 4 - Hernán Cortés lands in Mexico. ... mary elline m. ... Portrait of Alfonso dEste by an unknown artist Alfonso dEste (1486–1534) was Duke of Ferrara during the War of the League of Cambrai. ... Events January 9 - Adrian Dedens becomes Pope Adrian VI. February 26 - Execution by hanging of Cuauhtémoc, Aztec ruler of Tenochtitlan under orders of conquistador Hernán Cortés. ... Events January 21 - The Swiss Anabaptist Movement was born when Conrad Grebel, Felix Manz, George Blaurock, and about a dozen others baptized each other in the home of Manzs mother on Neustadt-Gasse, Zürich, breaking a thousand-year tradition of church-state union. ... MILAN Type anti-tank Nationality joint France/German Era Cold War, modern Launch platform Individual, Vehicle Target Vehicle, Fortification History Builder MBDA, Bharat Dynamics (under license) Date of design 70s Production period since 1972 Service duration since 1972 Operators 41 countries Variants MILAN 1, MILAN 2, MILAN 2T, MILAN 3...


Willaert's most significant appointment, and one of the most significant in the musical history of the Renaissance, was his selection as maestro di cappella of St. Mark's at Venice. Music had languished there under his predecessor, Pietro de Fossis, but that was shortly to change. San Marco di Venezia, as seen from the Piazza San Marco St Marks Basilica (Italian: Basilica di San Marco) is the most famous of the churches of Venice and one of the best known examples of Byzantine architecture. ... Location within Italy Venice (Italian: Venezia, Venetian: Venexia), the city of canals, is the capital of the region of Veneto and of the province of Venice, 45°26′N 12°19′E, population 271,663 (census estimate January 1, 2004). ...


From his appointment in 1527 until his death in 1562, he retained the post at St. Mark's. Composers came from all over Europe to study with him, and his standards were high both for singing and composition. During his previous employment with the dukes of Ferrara, he had acquired numerous contacts and influential friends elsewhere in Europe, including the Sforza family in Milan; doubtless this assisted in the spread of his reputation, and the consequent importation of musicians from foreign countries into northern Italy. Events January 5 - Felix Manz, co-founder of the Swiss Anabaptists, was drowned in the Limmat River in Zürich by the Zürich Reformed state church. ... Events Earliest English slave-trading expedition under John Hawkins. ... Sforza was a ruling family of Renaissance Italy, based in Milan. ...


Musical style and influence

Willaert was one of the most versatile composers of the Renaissance, writing music in almost every extant style and form. In force of personality, and with his central position as maestro di cappella at St. Mark's, he became the most influential musician in Europe between the death of Josquin and the time of Palestrina. Giovanni Pierluigi da Palestrina (born in Palestrina (Praeneste) near Rome, 1525, latest February 1, 1526 – February 2, 1594 in Rome) was an Italian composer of Renaissance music. ...


According to Gioseffo Zarlino, writing later in the 16th century, Willaert was the inventor of the antiphonal style from which the polychoral style of the Venetian school evolved. As there were two choir lofts, one of each side of the main altar of St. Mark's, both provided with an organ, Willaert divided the choral body into two sections, using them either antiphonally or simultaneously. He then composed and performed psalms and other works for two alternating choirs. This innovation met with instantaneous success and strongly influenced the development of the new method. In 1550 he published Salmi spezzati, antiphonal settings of the psalms, the first polychoral work of the Venetian school. While more recent research has shown that Willaert was not the first to use this antiphonal, or polychoral method — Dominique Phinot had employed it before Willaert, and Johannes Martini even used it in the late 15th century — Willaert's polychoral settings were the first to become famous and widely imitated. Gioseffo Zarlino (January 31 or March 22, 1517 – February 4, 1590), was an Italian music theorist and composer of the Renaissance. ... The Venetian polychoral style was a type of music of the late Renaissance and early Baroque eras which involved spatially separate choirs singing in alternation. ... This article is about the musical term. ... Psalms (Tehilim תהילים, in Hebrew) is a book of the Hebrew Bible or Tanakh, and of the Old Testament of the Christian Bible. ... This article is about the musical term. ... In music history, the Venetian School is a term used to describe the composers working in Venice from about 1550 to around 1610; it also describes the music they produced. ... Dominique Phinot (c. ... Johannes Martini (c. ...


Willaert was no less distinguished as a teacher than as a composer. Among his disciples are: Cipriano de Rore, his successor at St. Mark's; Costanzo Porta; Francesco Dalla Viola; Gioseffo Zarlino; and the two Gabrielis, Andrea and Giovanni. These formed the core of what came to be known as the Venetian school, which was decisively influential on the stylistic change which marked the beginning of the Baroque era. Willaert left a large number of compositions — 8 masses, over 50 hymns and psalms, over 150 motets, about 60 French chansons, over 70 Italian madrigals and several instrumental (ricercares). Cypriano de Rore or Cipriano de Rore (1515 or 1516 – September 1565) was a Franco-Flemish composer and teacher. ... Constanzo Porta (1528 or 1529 – May 19, 1601) was an Italian composer of the Renaissance, and a representative of what is known today as the Venetian School. ... Andrea Gabrieli (c. ... Giovanni Gabrieli Giovanni Gabrieli (1553–1556? – August 12, 1612) was an Italian composer and organist. ... Baroque music describes an era and a set of styles of European classical music which were in widespread use between approximately 1600 to 1750 (see Dates of classical music eras for a discussion of the problems inherent in defining the beginning and end points). ... A hymn is a song specifically written as a song of praise, adoration or prayer, typically addressed to a god. ... In Western music, motet is a word that is applied to a number of highly varied choral musical compositions. ... Chanson is a French word for song, and in English-language contexts is often applied to any song with French words, particularly a cabaret song. ... A madrigal is a setting for 4–6 voices of a secular text, often in Italian. ... A ricercar (or ricercare; the terms are interchangeable) is a type of late Renaissance and mostly early Baroque instrumental composition. ...


References and further reading

  • Article "Adrian Willaert," in The New Grove Dictionary of Music and Musicians, ed. Stanley Sadie. 20 vol. London, Macmillan Publishers Ltd., 1980. ISBN 1561591742
  • Gustave Reese, Music in the Renaissance. New York, W.W. Norton & Co., 1954. ISBN 0393095304
  • Harold Gleason and Warren Becker, Music in the Middle Ages and Renaissance (Music Literature Outlines Series I). Bloomington, Indiana. Frangipani Press, 1986. ISBN 089917034X

Gustave Reese (November 29, 1899 – September 7, 1977) was an American musicologist and teacher. ...

External links

  • Adrian Willaert at HOASM

  Results from FactBites:
 
Adrian Willaert Summary (1141 words)
Willaert grafted northern polyphony onto the simple Italian form, raising it to the artistic level of the imitative motet; at the same time he continued to write uncomplicated native forms such as the villanesca.
Willaert's polychoral psalms of 1550 popularized this already known style of composition and influenced later composers such as Andrea and Giovanni Gabrieli to the degree that Willaert was credited until recently with the invention of chori spezzati, or scoring for two antiphonal choirs.
Willaert's most significant appointment, and one of the most significant in the musical history of the Renaissance, was his selection as maestro di cappella of St.
Adrian Willaert - Wikipedia, the free encyclopedia (743 words)
In 1522 Willaert had a post at the court chapel of Duke Alfonso; he remained there until 1525, at which time records show he was in the employ of Ippolito II d'Este in Milan.
Willaert's most significant appointment, and one of the most significant in the musical history of the Renaissance, was his selection as maestro di cappella of St.
According to Gioseffo Zarlino, writing later in the 16th century, Willaert was the inventor of the antiphonal style from which the polychoral style of the Venetian school evolved.
  More results at FactBites »


 

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