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Encyclopedia > Aeolian mode

The Aeolian mode comprises a musical mode or diatonic scale. In music, a mode is an ordered series of musical intervals, which, along with the key or tonic, define the pitches. ... In music theory, a diatonic scale (from the Greek diatonikos, to stretch out; also known as the heptatonia prima; set form 7-35) is a seven-note musical scale comprising five whole-tone and two half-tone steps, in which the half tones are maximally separated. ...


An Aeolian mode formed part of the music theory of ancient Greece, based around the relative natural scale in A (that is, the same as playing all the 'white notes' of a piano from A to A). Greek theory called this simple scale the hypodorian mode, and the aeolian and locrian modes must have formed different (perhaps chromatic) variations of this. Music Theory is a field of study that investigates the nature or mechanics of music. ... The Temple to Athena, the Parthenon Ancient Greece is a period in Greek history that lasted for around three thousand years. ... The hypodorian mode, literally meaning below dorian, is a musical mode or diatonic scale of ancient Greece that was based upon the dorian tetrachord: a series of rising intervals of a semitone followed by two whole tones. ... The Locrian mode is a musical mode or diatonic scale. ... The chromatic scale is a scale with twelve pitches, each a semitone or half step apart. ...


The term Aeolian mode fell into disuse in mediaeval Europe, as church music based itself around eight musical modes: the relative natural scales in D, E, F and G, each with their authentic and plagal counterparts. Christian music is music created by or adapted for the Christian church. ... In music, a mode is an ordered series of musical intervals, which, along with the key or tonic define the pitches. ... An authentic mode is a term used to describe four of the seven church modes. ... Refers to the notes of a plagal mode lying on either side of the final, beginning on the dominant (a tone of a fourth below the keynote of the authentic church mode) and then up to its key octave. ...


In 1547 Heinrich Glarean published his Dodecachordon. His premise had as its central idea the existence of twelve diatonic modes rather than eight. It seems that popular folk music used the additional modes, but they did not form part of the official church repertoire. Glarean added Aeolian as the name of the new ninth mode: the relative natural mode in A with the perfect fifth as its dominant, reciting note or tenor. The tenth mode, the plagal version of the aeolian mode, Glarean called hypaeolian ("under aeolian"), based on the same relative scale, but with the minor third as its tenor, and having a melodic range from a perfect fourth below the tonic to a perfect fifth above it. Year 1547 was a common year starting on Saturday (link will display the full calendar) of the Julian calendar. ... Heinrich Glarean (also Glareanus) (June 1488 – March 28, 1563) was a Swiss music theorist, poet and humanist. ... In Music theory, the diatonic major scale (also known as the Guido scale), from the Greek diatonikos or to stretch out, is a fundamental building block of the European-influenced musical tradition. ... “Folk song” redirects here. ... The perfect fifth or diapente is one of three musical intervals that span five diatonic scale degrees; the others being the diminished fifth, which is one semitone smaller, and the augmented fifth, which is one semitone larger. ... In chant, a reciting tone (also called a recitation tone) is a repeated musical pitch around which the other pitches of the chant gravitate, or by extension, the entire melodic formula that centers on one or two such pitches. ... Tenor (from Latin tenor, holder, or tenere, hold) means generally: the true purport and effect of a deed or instrument; the character or usual pattern of something; the drift or general meaning of a statement or discourse; the concept, object, or person meant in a metaphor. ... A minor third is the smaller of two commonly occurring musical intervals that span three diatonic scale degrees. ... The perfect fourth or diatessaron, abbreviated P4, is one of two musical intervals that span four diatonic scale degrees; the other being the augmented fourth, which is one semitone larger. ... The perfect fifth or diapente is one of three musical intervals that span five diatonic scale degrees; the others being the diminished fifth, which is one semitone smaller, and the augmented fifth, which is one semitone larger. ...


As polyphonic music replaced mediaeval monophonic church music, the folk modes added by Glarean became the basis of the minor/major division of classical European music: the aeolian mode forming the natural minor mode. In music, the word texture is often used in a rather vague way in reference to the overall sound of a piece of music. ... Monophonic can mean: In rrded audio, a monaural recording with only one channel. ... A minor scale in musical theory is a diatonic scale whose third scale degree is an interval of a minor third above the tonic. ... In music theory, the major scale (or major mode) is one of the diatonic scales. ... Classical music is a broad, somewhat imprecise term, referring to music produced in, or rooted in the traditions of, European art, ecclesiastical and concert music, encompassing a broad period from roughly 1000 to the present day. ... A minor scale in musical theory is a diatonic scale whose third scale degree is an interval of a minor third above the tonic. ...


The aeolian mode consists of the same components as the major mode with the minor's sixth scale degree as its tonic. Examples include: In music theory, the major scale (or major mode) is one of the diatonic scales. ... In music or music theory a scale degree is an individual note of a scale, both its pitch and its diatonic function. ...

  • C Aeolian mode — the E♭ major scale starting on C; the key signature has three flats.
  • G Aeolian mode — the B♭ major scale starting on G; the key signature has two flats.
  • D Aeolian mode — the F major scale starting on D; the key signature has one flat.
  • A Aeolian mode — the C major scale starting on A; the key signature has no sharps or flats.
  • E Aeolian mode — the G major scale starting on E; the key signature has one sharp.
  • B Aeolian mode — the D major scale starting on B; the key signature has two sharps.
  • F# Aeolian mode — the A major scale starting on F#; the key signature has three sharps.
  • C# Aeolian mode — the E major scale starting on C#; the key signature has four sharps.

The Aeolian mode's intervallic formula when compared to the major scale consists of flatting the 3rd, 6th, and 7th scale degrees. This key signature – A major or F# minor – consists of three sharps placed after the clef In musical notation, a key signature is a series of sharp symbols or flat symbols placed on the staff, designating notes that are to be consistently played one semitone higher or lower than the...


As the Aeolian mode forms the natural Minor scale (also known as the descending melodic minor scale), it is among the most frequently used diatonic modes in western music. Tunes entirely in the Aeolian mode (i.e., those that do not also use the ascending melodic minor scale) are rare in classical music. However, they are common in many folk traditions, including Jewish and Israeli folk music, and the Israeli national anthem Hatikvah. In popular music, George Gershwin's aria "Summertime" is written in the Aeolian mode as well. The A section of the Doctor Who theme tune is another example. A minor scale in musical theory is a diatonic scale whose third scale degree is an interval of a minor third above the tonic. ... A minor scale in musical theory is a diatonic scale whose third scale degree is an interval of a minor third above the tonic. ... Modern Israeli music is heavily influenced by its constituents, which include Jewish immigrants (see Jewish music) from more than 120 countries around the world, which have brought their own musical traditions, making Israel a global melting pot. ... Hatikvah or Hatikva (Hebrew: הַתִּקְוָה, “The Hope”), sometimes styled HaTikva(h), is the national anthem of the State of Israel. ... Summertime is the name of an aria composed by George Gershwin for the 1935 opera Porgy and Bess. ... The Doctor Who theme music was created in 1963, composed by Ron Grainer and realised with electronics by Delia Derbyshire of the BBC Radiophonic Workshop. ...


Aeolian "flat 5"

This chromatically-altered mode is also known as "Locrian sharp 2", Mode VI of the melodic minor scale, or the half diminished scale. It is frequently used in jazz and rock. The latter term is generally avoided by musicians, to avoid confusion with the diminished scales (see octatonic), and the half-diminished seventh chord. The Locrian mode is a musical mode or diatonic scale. ... This scale is more commonly known as Locrian sharp 2, or Aeolian flat 5. Most musicians prefer these names, to avoid confusion with the diminished scales (see octatonic scales) and the half-diminished seventh chord (min. ... Jazz is a musical art form that originated in New Orleans, Louisiana, United States around the start of the 20th century. ... For other uses, see Rock music (disambiguation). ... ... Also known as a minor seven(th) flat five or Tristan chord Category: ...


External links

Modes of the diatonic scale edit
Lydian (IV) | Ionian (I) | Mixolydian (V)
Dorian (II) | Aeolian (VI) | Phrygian (III) | Locrian (VII)

  Results from FactBites:
 
Aeolian mode - Wikipedia, the free encyclopedia (483 words)
An aeolian mode formed part of the music theory of ancient Greece, based around the relative natural scale in A (that is, the same as playing all the 'white notes' of a piano from A to A).
The term aeolian mode fell into disuse in mediaeval Europe, as church music based itself around eight musical modes: the relative natural scales in D, E, F and G, each with their authentic and plagal counterparts.
The aeolian mode consists of the same components as the major mode with the minor's sixth scale degree as its tonic.
Musical mode - Wikipedia, the free encyclopedia (1766 words)
However, the reciting tones of modes 3, 4, and 8 rose one step during the tenth and eleventh centuries with 3 and 8 moving from b to c' (half step) and that of 4 moving from g to a (whole step).
A mode is said to be minor if the 3rd scale degree is flattened; that is, if the third scale degree is three semitones above the root, instead of the four semitones in a major mode.
Most of these chords and modes are commonly used in jazz; the min/maj chord, 7♯11 and alt were in common use in the Bebop era (indeed, the Lydian dominant scale and 7♯11 chord practically defined the bebop sound), while Coltrane-era and later jazz made extensive use of sus♭9 chords.
  More results at FactBites »

 

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