Ah Pook is Here began as a collaboration between author William Burroughs and artist Malcolm Mc Neill in 1970. Burroughs was living in London at that time and Mc Neill was in his final year of art school. It appeared first under the title The Unspeakable Mr. Hart as a 'comic strip' in the English magazine Cyclops. When the paper folded, Burroughs and Mc Neill decided to continue the idea in book form. William S. Burroughs. ...
After a year of research and preliminary design the text had expanded from 11 to 50 pages and a complete mockup of the book had been produced. It was renamed Ah Puch is Here after the Maya Death God. In 1971, Straight Arrow Books in San Francisco agreed to publish the proposed work: a 120 page, "Word/Image novel" comprising pages of integrated text and image, pages of text alone and pages that were entirely pictorial. In Maya mythology, Ah Puch was the God of Death and King of Mitnal, the underworld, which was the worst of all nine Mexicans and Central Americans believe that an owls screeches signify imminent death. ... // Maya may refer to: The Maya, Native American peoples of southern Mexico and northern Central America Maya peoples, the contemporary indigenous peoples Maya civilization, their historical pre-Columbian civilization Mayan languages, the family of languages spoken by the Maya Yucatec Maya language, specific and most widespread Mayan language, frequently referred...
In 1973 Mc Neill moved from London to San Francisco to complete the project. A minimal advance made working full-time impossible beyond a few months, and when Straight Arrow closed in 1974 the book was without a publisher. In 1975, Mc Neill nevertheless moved to New York to rejoin Burroughs and continue the work. Another publisher was unable to be found and after seven years on and off, the project was finally abandoned. It was subsequently published in text form only as Ah Pook is Here in 1979.
Near the end of his life, recordings of Burroughs reading his short stories "A Junky's Christmas" and "AhPook is Here" were used to great effect on the soundtracks of two highly acclaimed animated film adaptations of the pieces.
Zed TV: "AhPook is Here" Animated film by Philip Hunt, inspired by Burroughs' text.
Studio AKA: "AhPook is Here" Excerpt from animated film by Philip Hunt.
Here's a network diagram to go along with my post to sguil-users.
The variances here are more degrees than differences in kind; when the tracks do step out of the "mid-tempo 4/4 + groovin bass + interesting melody" mold, as they do on "Live In Vanilla" it's all to the good.
The real winners here are the Perlon-esque "Fingers" and the trio of "Verienhalb" "Bloop" and "Points" with their dubbed-out atmospherics and submerged beats.