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The ancient Tamil music was the music of the ancient Tamil people. Many poems of the Sangam literature, the classical Tamil literature of the early common era, were set to music. There are various references to this ancient musical tradition found in the ancient Sangam books such as Ettuthokai and Pattupattu. The early narrative poem Cilappatikaram, belonging to the post-Sangam period also mentions various forms of music practiced by the Tamil people. Music was also utilised in the compositions of the Tamil Saiva saints such as Appar, Thirugnana Sambanthar and Manikkavacakar during the Hindu revival period between the sixth and the tenth centuries CE. The Tamil people are an ethnic group from South Asia with a recorded history going back more than two millennia. ...
Sangam Literature is the collective name for the Tamil literature created over 1800 years ago. ...
Tamil literature is literature in the Tamil language which most prominently includes the contributions of the Tamil country (or Tamizhagam) history, a large part of which constitutes the modern state of Tamil Nadu and Kerala as well as some parts of Karnataka and Andra pradesh. ...
The Common Era (CE or C.E.), sometimes known as the Current Era or Christian Era, is the period of measured time beginning with the year 1 (the traditional birthdate of Jesus) to the present. ...
Ettuthokai (எடà¯à®Ÿà¯à®¤à¯à®¤à¯Šà®•à¯ˆ)– The Eight Anthologies - form part of the Pathinenmaelkanakku anthology series of the Sangam Literature. ...
Pattupattu (பதà¯à®¤à¯à®ªà¯à®ªà®¾à®Ÿà¯à®Ÿà¯) – The ten Idylls, is an anthology of ten mind length books and is one of the oldest surviving Tamil Poetry. ...
Cilappatikaram (Tamil: சிலபà¯à®ªà®¤à®¿à®•à®¾à®°à®®à¯ IPA tʃɪlÊŒppʌθɪkÉ‘Ëɹʌm),[1] is one of the five great epics of ancient Tamil Literature. ...
This article is about the Hindu God Åšiva. ...
This article needs cleanup. ...
This article or section does not cite its references or sources. ...
Sangam music
The Sangam age gramattical work Tolkappiyam mentions the various music pertaining to the five landscapes (thinai) of the Sangam literature. The five landscapes are associated with a particular mood of the poem and to give colour to these moods, each had a musical mood (pann), a melodic instrument (yaazh) and a percussion instrument (parai). For example, the neithal thinai, which dealt with the incidents around the seashore and the theme of elopement, had the musical mood of sevvazhi, Vilari yaazh as the musical instrument and the navayapambai for the percussion. Tolkappiyam also mentions the musical form known as Paattu Vannam and various types of songs like Asiriapattu, Neduven pattu, Adivarai, Seer, Ahaval Osai and Vellosai, which are classified on the basis of the musical quality, metrical structure etc. Most of the Sangam age poetry utilised one or more of these meters in their compositions. Poems of the Ettuthokai anthology, such as the Nattrinai, Paripatal and Kalittokai are extensively musical in nature and utilise various panns to create the mood. The TolkÄppiyam (தொலà¯à®•à®¾à®ªà¯à®ªà®¿à®¯à®®à¯ in Tamil) is a work on the grammar of the Tamil language. ...
The Sangam landscape is categorisation the Tamil landscape into various Thinais depending on the nature, location and the mood of the poem. ...
Sangam Literature is the collective name for the Tamil literature created over 1800 years ago. ...
Ettuthokai (எடà¯à®Ÿà¯à®¤à¯à®¤à¯Šà®•à¯ˆ)– The Eight Anthologies - form part of the Pathinenmaelkanakku anthology series of the Sangam Literature. ...
Musical instruments Poems of the Sangam literature contain numerous mentions of the various musical instruments such as the Seeriyaazh, a stringed instrument of the Veena type and various percussion instruments such as murasu or muzham. Pattuppattu contains a description of the yaazh, a stringed instrument. There were two types of yaazh, Periyaazh or the 'large yaazh' contained 21 strings, whereas its more compact companion Siriyaazh had only seven strings. Two other types of yaazhs, Makarayaazh with 19 strings and Sakottuyaah with seven strings are also mentioned in Pattuppattu. However we have no further information on their actual appearance, mode of playing and the kind of melody generated by these instruments. Download high resolution version (493x704, 87 KB) Wikipedia does not have an article with this exact name. ...
Download high resolution version (493x704, 87 KB) Wikipedia does not have an article with this exact name. ...
Raja Ravi Varma (1848-1906) was an Indian painter who achieved recognition for his depiction of scenes from the epics of the Mahabharata and Ramayana. ...
Woman playing the vina, by Raja Ravi Varma Veena (also spelled vina) is a stringed instrument used in Carnatic music. ...
The flute was the most popular wind instrument during the Sangam period. Perumpanarruppatai, one of the Pattuppattu anthologies, describes the process of making the flute. The holes in the bamboo tube were bored using red-hot embers. The flute is also mentioned in the Kurincippattu as the instrument on which the shepherds played the ambal pann. Among the other wind instruments were the Pili, a small trumpet and Kanvidutumbu a larger flute ('as long as the trunk of an elephant'), perhaps producing lower octaves The flute also acted as a drone providing a constant pitch for vocalists and other instruments. The Flute is a musical instrument of the woodwind family. ...
The Murasu, or the drum was the most popular percussion instrument. During festivals, the sound of Murasu conveyed joy and gaiety. Muzhavu, another percussion instrument accompanied singers. The drum was also used as the war-drum, calling people to arms. Maduraikanchi mentions that the murasu was one of the prized possessions captured from the defeated enemy in the battlefield. Malaipatukatam describes the method of constructing and tuning the murasu. The sides were covered with skin, which were kept in position by leather straps. Malaipatukatam also mentions other percussion instruments such as udukkai, a palm-sized drum, Muzhavu, Siruparai and Tattai. The sound tattai resembled the croaking of a frog. This was a crude folk instrument made using a bamboo stick. Numerous slits were made across the stick and sound was produced on it by striking it on a stone or any other hard surface. In the Kurincippattu peasant women use tattai to scare the birds from the paddy field.
Musical notations The solfege "sa-ri-ga-ma-pa-da-ni" of the Indian classical music were known by the Tamil names such as, Kural, Tuttam, Kaikilai, Uzhai, Ili, Vilari and Taram. There are notations for the notes in different octaves. For example, Kurai Tuttam and Nirai Tuttam refer to the ri (rishabha) note in the lower and upper octaves respectively. Solfege table in an Irish classroom In music and sight singing solfege or solmization is a way of assigning syllables to degrees or steps of the diatonic scale. ...
Moods Raga, which defines the mood of the Indian classical music was described by the Pann. Specific panns were sung during worship and during religious and royal ceremonies. Maduraikanchi refers to women singing Sevvazhi pann to invoke the mercy of God during childbirth. In Tolkappiyam, the five landscapes of the Sangam literature had an associated Pann, each describing the mood of the song associated with that landscape. Raga (rÄg /राग (Hindi), raga (anglicised from rÄgaḥ/रागः (Sanskrit)) or rÄgam /ராகம௠(Tamil)) are the melodic modes used in Indian classical music. ...
The TolkÄppiyam (தொலà¯à®•à®¾à®ªà¯à®ªà®¿à®¯à®®à¯ in Tamil) is a work on the grammar of the Tamil language. ...
The Sangam landscape was classified into five regions to describe the mood of the poem and to describe the intangibles of human emotions. While describing life and romance, the poets employed the background of the natural landscape and used the pann specific to that landscape to provide the mood. The neithal landscape, which is employed to convey the grief of separation of lovers had the associated sevvazhi pann expressing pathos. The Sangam landscape is categorisation the Tamil landscape into various Thinais depending on the nature, location and the mood of the poem. ...
Post-Sangam music
Evolution of panns The post-Sangam period, between the third and the fifth centuries CE, Tamil music evolved to a higher sophistication. Cilappatikaram, written around the fifth century CE, describes music based on logical, systematic and scientific calculations in the arrangements of the dancers on the stage to represent the notes and panns. Cilappatikaram contains several chapters dedicated to music and dance, of which the most famous is the kanal vari which is a duet between the hero Kovalan and his lady-love Madavi. Cilappatikaram contains musical terminology such as, azhaku and matthirai refering to the musical pitch and the smallest fraction of an audible sound distinguishable by the human ear. From these evolved the scales. One of the first scales employed by the ancient Tamils was the mullaippann, a pentatonic scale comprising of the notes sa ri ga pa da equivalent to C, D, E, G and A in the western notations. These fully harmonic scales, constitutes the raga mohanam in the Carnatic music style. These scales can also be found in many eastern music systems such as the Chinese traditional music. Cilappatikaram (Tamil: சிலபà¯à®ªà®¤à®¿à®•à®¾à®°à®®à¯ IPA tʃɪlÊŒppʌθɪkÉ‘Ëɹʌm),[1] is one of the five great epics of ancient Tamil Literature. ...
In music, a pentatonic scale is a scale with five notes per octave. ...
In acoustics and telecommunication, the harmonic of a wave is a component frequency of the signal that is an integer multiple of the fundamental frequency. ...
Scale (botany) Scale (zoology) Scale (medical) Scale (music) Scale (measurement) Scale (chemical) Scale (social sciences) Scale (spatial) Scale (computing) Order of magnitude Logarithmic scale Scale model Architects scale Engineers scale This is a disambiguation page — a navigational aid which lists other pages that might otherwise share the same...
Raga (rÄg /राग (Hindi), raga (anglicised from rÄgaḥ/रागः (Sanskrit)) or rÄgam /ராகம௠(Tamil)) are the melodic modes used in Indian classical music. ...
Carnatic may mean: Carnatic, a region of Southern India Carnatic music SS Carnatic, a shipwrecked steamer This is a disambiguation page — a navigational aid which lists other pages that might otherwise share the same title. ...
This article or section is in need of attention from an expert on the subject. ...
Mullaippann further evolved into Sempaalai, a scale based on seven notes. The ancient Tamils also derived new panns by the process of modal shift of tonic and by the process of reallocating the pitch and beat of the notes. Cilappatikaram has an example of this in the chapter Arangetrukadai, where the Pann Mercharupalai is changed to derive a new Pann. The four original panns of maruthappann, kurinchippann, sevvazhi and sadari thus evolved into 103 panns with varying characterisations. Some of the panns and their equivalent Carnatic ragas were: Raga (rÄg /राग (Hindi), raga (anglicised from rÄgaḥ/रागः (Sanskrit)) or rÄgam /ராகம௠(Tamil)) are the melodic modes used in Indian classical music. ...
- Panchamam – Ahiri
- Pazham Panchuram - Sankaraparanam
- Meharahkkurinchi - Neelampari
- Pazhanthakka Ragam - Aarabi
- Kurinchi - Malahari
- Natta Ragam – Panthuvarali
- Inthalam - Nathanamakriya
- Thakkesi - Kambhoji
- Kausikam - Bairavi
- Nattappadai – Gambiranattai
Musical instruments Cilappatikaram makes reference to five types of instruments: Tolkaruvi (lit. 'skin instruments' = percussion), Tulaikaruvi (lit. 'holed instruments' = wind instruments), Narambukaruvi (stringed instruments), Midatrukaruvi (vocalists) and Kanchakaruvi (gongs and cymbals). The flute and the yaazh were the most popular instruments, while there were numerous kinds of percussion instruments suited for various occasions. Cilappatikaram also contains detailed instructions on the art of tuning and playing the yaazh.
Devotional period Between the fifth and the sixth centuries the Tamil literature was dominated by a moralistic age during which a number of literary works of didactic nature were produced. These poets did not attach much importance to music in their compositions, being more concerned with ethics and morals of the people. However the underlying musical culture was not forgotten. For example Tirukkural contains numerous allusions to music and the enjoyment of music. One famous example is the kural compares unfavourably the sweetness of the flute and the yaazh with the voice of children. Tamil literature is literature in the Tamil language which most prominently includes the contributions of the Tamil country (or Tamizhagam) history, a large part of which constitutes the modern state of Tamil Nadu and Kerala as well as some parts of Karnataka and Andra pradesh. ...
Tiruvalluvar statue at Kanyakumari Tirukural (திருக்குறள் in Tamil) is an important work of Tamil literature by Tiruvalluvar written in the form of couplets expounding various aspects of life. ...
Tevaram Tamil music revived with the advent of the Saiva and Vaishnava saints who composed thousands of religious hymns in popular language to spread their faith among common people. Saivite nayanmars such as Appar, Thirugnana Sambanthar and Sundarar used the ancient panns to enable people to sing them in Temples. The Saiva Tevarams and the Vaishna Naalayira Divyap Prabhandhams were instrumental in the revival and the popularisation of Tamil music. In addition to the panns for the melody, the Tevaram poems used santham (rhythm) such as thaana-thana-thaanaa-thanaa in their lyrics, providing a complete musical experience to the listener. This article is about the Hindu God Åšiva. ...
Vaishnavism is the branch of Hinduism in which Vishnu or one of his avatars (i. ...
The Nayanars were the sincere and ardent devotees of Lord Siva. ...
This article needs cleanup. ...
The Naalayira Divyap Prabhandham is one of the most sacred texts in Hinduism, especially in South India. ...
The traditional of religious singing continued for many centuries during which singers known as Othuvars sang the Tevaram songs in temples. The musical knowledge and skills were orally passed on through generations.
Thiruppugazh -
In the fifteenth century poet Arunagirinathar composed a series of poems known as Thiruppugazh. Arunagirinathar represents a remarkable blend of Tamil literary genius, a high degree of devotion to Murugan and a musical expertise. Arunagirinathar was one of the first poet to set all his compositions to reverberating music in the style of "Santham" which means setting the verses within a certain length to conform with rhythm (thala). Arunagirinathar was the pioneer in the art of setting his poems to the sweet sounds of music. Just like the seven octaves in music, Arunagirinathar, is known as a santhakkavi – musical poet, utilises certain repetitive phrases rhythmically to achieve movement and colour in his poems. By combining the Tamil hard or soft consonants and long or short vowels in different ways, Arunagirinathar produces hundreds of compound rhythmic words such as, tatta, taatta, tantha, thaantha, thaiya, thanna, thaana, thanana, etc . At the beginning of each poem in the Thiruppugazh, Arunagirinathar gives the rhythm notations.
See also Sangam Literature is the collective name for the Tamil literature created over 1800 years ago. ...
Tamil literature is literature in the Tamil language which most prominently includes the contributions of the Tamil country (or Tamizhagam) history, a large part of which constitutes the modern state of Tamil Nadu and Kerala as well as some parts of Karnataka and Andra pradesh. ...
The History of Tamil Nadu dates back to the early prehistory. ...
Timeline and Samples Genres Classical (Carnatic and Hindustani) - Rock - Pop - Hip hop Awards Bollywood Music Awards - Punjabi Music Awards Charts Festivals Sangeet Natak Akademi – Thyagaraja Aradhana – Cleveland Thyagaraja Aradhana Media Sruti, The Music Magazine National anthem Jana Gana Mana, also national song Vande Mataram Music of the states Andaman and...
References - A History of Tamil Literature. Mu Varadarajan (Trans from Tamil by E.Sa Visswanathan, Sahitiya Akademi, Madras 1988). Retrieved on 2006-05-23.
- Tamil Music. Krishnamurti , C.R., Vancouver, B.C. Canada. Retrieved on 2006-07-04.
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