In music theory, the Andalusian cadence is a chord progression commonly found in Flamenco music. It is designated as a (iv - III- II - I) progression. Since much of the music is played in two keys, each is now called by its own distinctive name. One is por arriba, played in the key of E, comprises of the following chord progression (Am - G - F - E) and por medio, played in the key of A, with (Dm - C - Bb - A). Music theory is a set of systems for analyzing, classifying, and composing music and the elements of music. ... A chord progression (also chord sequence and harmonic progression), as its name implies, is a series of chords played in an order. ... Flamenco dancer Belen Maya, photograph taken by Gilles Larrain at his studio, 2001 Flamenco is a song, music and dance style which is strongly influenced by the Gitanos, but which has its deeper roots in Moorish musical traditions. ... In music theory, the key identifies the tonic triad, the chord, major or minor, which represents the final point of rest for a piece, or the focal point of a section. ...
Probably the original Andalusian dates back to the native Spanish Sorraia horse, equus stenonius, which carries “...the dominant gene for the subconvex profile, the high trotting action and the close coupled compact body observed in the present-day Spanish...horse”.
The Lippizans were a cross between the native horse of Austria with Andalusian stallions The Archduke Charles of Austria in 1582,the brother of King Felipe II a.k.a.
He is of great spirit and of great courage and docile: hath the proudest trot and the best action in his trot, the loftiest gallop, and is the lovingest and gentlest horse, and fittest of all for a king in his day of triumph”.
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