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André Kertész (Born Andor Kertész July 2, 1894 - September 28, 1985) was a Hungary-born photographer distinguished by haunting composition in his photographs and was also a progenitor of the photo essay. In his lifetime, however, his then-unorthodox camera angles which hindered prose descriptions of his works prevented his work from wide recognition. His use of symbolism also became unfashionable later in his life. Kertész is now recognized as one of the seminal figures of photojournalism. July 2 is the 183rd day of the year (184th in leap years) in the Gregorian Calendar, with 182 days remaining. ...
1894 was a common year starting on Monday (see link for calendar). ...
September 28 is the 271st day of the year (272nd in leap years). ...
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The Republic of Hungary (Magyar Köztársaság) or Hungary (Magyarország) is a landlocked country in Central Europe, bordered by Austria, Slovakia, Ukraine, Romania, Serbia, Croatia and Slovenia. ...
Composition is the plan, placement or arrangement of the elements of art in a work. ...
A photo essay is a series of photographs that are intended to tell a story or evoke a series of emotions. ...
Prose is writing distinguished from poetry by its greater variety of rhythm and its closer resemblance to the patterns of everyday speech. ...
For an account of the late 19th-century movement in poetry and the arts, known as Symbolism, see symbolism (arts). ...
Sports photojournalists at Indianapolis Photojournalism is a particular form of journalism (i. ...
Born in Budapest, the son of a bookseller, Kertész taught himself how to use a camera and, as part of the Austro-Hungarian army in World War I, had his first photos published. Even in 1914 (e.g. "Eugene, 1914") the influential style for which he became known was distinctive and mature. See Budapest (band) for the British melancholic post-grunge band. ...
Austria-Hungary, also known as the Dual monarchy (or: the k. ...
Ypres, 1917, in the vicinity of the Battle of Passchendaele. ...
After the war, Kertész emigrated to Paris in 1925, changed his first name from Andor, and became acquainted with members of the Dada movement. One of them dubbed André Kertész "Brother Seeing Eye"; an allusion to a medieval monastery where all the monks were blind except one. His greatest journalistic collaboration was with French editor Lucien Vogel, who ran his photographs without explanatory prose. He created portraits of, among others, the painters Mondrian and Chagall, the writer Colette, and film-maker Sergei Eisenstein. In Paris he found critical and commercial success, and monographs claim that he was the first photographer in the world ever to have a one-man exhibition (1927). He was a mentor to many famous names; "We all owe something to Kertész" said Henri Cartier-Bresson. The Eiffel Tower has become the symbol of Paris throughout the world. ...
Events January-May January 3 - Benito Mussolini announces he is taking dictatorial powers over Italy. ...
Dadaism or Dada is a post-World War I cultural movement in visual art as well as literature (mainly poetry), theatre and graphic design. ...
Piet Mondrian (March 7, 1872 - February 1, 1944) was a Dutch painter and an important contributor of the De Stijl art movement, which was founded by Theo van Doesburg. ...
Marc Chagall as photographed in 1941 by Carl Van Vechten Marc Chagall (July 7, 1887 - March 28, 1985) was a Belarusian painter of Jewish origin. ...
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Sergei Mikhailovich Eisenstein (Russian: Сергей Михайлович Эйзенштейн) (January 23, 1898–February 11, 1948) was a Russian director noted for his films Battleship Potemkin and Oktober, both based loosely on a true story and presented in a realistic fashion, causing an immeasurable influence on early documentary directors owing to his innovative...
Henri Cartier-Bresson (August 22, 1908 - August 3, 2004) was a French photographer. ...
In 1936 Kertész and his wife Erzsebet (later altered to Elizabeth) went to the United States to escape the coming war. His photographic style did not mesh well with the straightforward fashion photography the American public (and magazines) expected. The Condé Nast fashion empire, however, had apparently signed Kertész to a long-term contract; he spent most of his time photographing famous homes for House & Garden magazine. He continued to exhibit his personal work as best he could but, slowly, his reputation faded and he became disillusioned. His artistic reputation was later boosted with no small help from the Museum of Modern Art - although he did not feature in Steichen's The Family of Man show in 1955. It was in 1964, with John Szarkowski as the new photography Director at MoMA, that Kertész re-invented and relaunched himself with a solo MoMA show. He caught the mood of the times, and became seen as an 'elder statesman' by the photographers of the late 1960s and early 1970s who were seeking to validate a tradition of documentary/art photography through linking it back to the Paris photographers of the 1920s and 30s. By the mid 1970s he was showing in galleries all over the world. He continued working very productively into old age, and was experimenting with instant Polaroid photography shortly before he died. 1936 was a leap year starting on Wednesday (link will take you to calendar). ...
The United States of America — also referred to as the United States, the U.S.A., the U.S., America, the States, or (archaically) Columbia—is a federal republic of 50 states located primarily in central North America (with the exception of two states: Alaska and Hawaii). ...
General Electric GE90-115B fanblade, on display at MOMA. The Museum of Modern Art (MoMA) is an art museum located in Midtown Manhattan in New York City. ...
Categories: Artist stubs | 1879 births | 1973 deaths | People from Luxembourg | Photographers ...
1955 is a common year starting on Saturday. ...
1964 was a leap year starting on Wednesday (link will take you to calendar). ...
John Szarkowski (b. ...
Centuries: 19th century - 20th century - 21st century Decades: 1900s 1910s 1920s 1930s 1940s 1950s - 1960s - 1970s 1980s 1990s 2000s 2010s Years: 1960 1961 1962 1963 1964 1965 1966 1967 1968 1969 Events and trends The 1960s was a turbulent decade of change around the world. ...
Events and trends Although in the United States and in many other Western societies the 1970s are often seen as a period of transition between the turbulent 1960s and the more conservative 1980s and 1990s, many of the trends that are associated widely with the Sixties, from the Sexual Revolution...
Centuries: 19th century - 20th century - 21st century Decades: 1870s 1880s 1890s 1900s 1910s - 1920s - 1930s 1940s 1950s 1960s 1970s Years: 1920 1921 1922 1923 1924 1925 1926 1927 1928 1929 Referred to as the Roaring 20s. ...
Polaroid® (a trademark of the Polaroid Corporation) is the name of a type of synthetic plastic sheet which is used to polarise light. ...
Further reading
- Greenough, Gurbo & Kennel. Andre Kertesz: The Eternal Amateur. Princeton University Press, 2005. (Definitive book that uses only vintage prints, and contains newly researched essays correcting many misconceptions about the photographer.)
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