| | This article or section needs sources or references that appear in reliable, third-party publications. Primary sources and sources affiliated with the subject of the article are generally not sufficient for a Wikipedia article. Please include more appropriate citations from reliable sources, or discuss the issue on the talk page. This article has been tagged since February 2008. | An anime music video (abbreviated AMV) is a music video consisting of clips from one or more anime series or movies set to songs; the term usually refers to fan-made unofficial videos. Image File history File links Question_book-3. ...
A music video is a short film or video that accompanies a complete piece of music, most commonly a song. ...
Animé redirects here. ...
For more information on fans of football (soccer), see Football (soccer) culture. ...
Most are not official music videos released by the musicians, but rather amateur fan compositions which synchronize clips with an audio track. AMVs are most commonly informally released, often over the Internet. Anime conventions frequently run AMV contests or AMV exhibitions. While AMVs traditionally use footage taken from anime, video game cut-scene footage is also a popular option.[1] Music used in AMVs is extremely diverse, using such genres as J-Pop, rock, hip hop, pop, R&B, country, and many others. // The following is a list of articles of anime conventions from around the world. ...
Animé redirects here. ...
This article is about computer and video games. ...
J-pop is an abbreviation of Japanese pop. ...
This article is about the genre. ...
Hip hop music is a style of music which came into existence in the United States during the mid-1970s, and became a large part of modern pop culture during the 1980s. ...
This article is about the genre of popular music. ...
Contemporary R&B is a music genre of American popular music, the current iteration of the genre that began in the 1940s as rhythm and blues music. ...
Country music is a blend of popular musical forms originally found in the Southern United States and the Appalachian Mountains. ...
AMVs should not be confused with professional and original animated films produced as music videos for such groups as Daft Punk, or with such short music video films as Japanese musical duo Chage and Aska's song "On Your Mark" by Studio Ghibli. AMVs should also not be confused with fan-made "general animation" videos using non-Japanese video sources such as western cartoons. "Anime music videos" are a sub-genre of the more general "animated music videos". Parallels can be drawn between AMVs and Songvids, non-animated fan-made videos using footage from movies, television series, or other sources. Daft Punk is a duo consisting of Paris musicians Guy-Manuel de Homem-Christo (born February 8, 1974)[1] and Thomas Bangalter (born January 3, 1975). ...
Chage and Aska ) or Chage and Asuka, are a Japanese popular music duo composed of two singer-songwriters from Fukuoka Prefecture, Chage (b. ...
The two policemen drive the winged girl to safety. ...
Studio Ghibli, Inc. ...
Occident redirects here. ...
A songvid is a music video that edits clips from a favorite TV show, anime series or movie to a song. ...
AMV Creation
The creation of an AMV centers on using various video editing techniques to create a feeling of synchronization and unity. Several techniques are available to achieve this: Film editing is the connecting of one or more shots to form a sequence, and the subsequent connecting of sequences to form an entire movie. ...
- Editing: Using different clips from the video source and changing between them at specific times is the most important tool the AMV creator has. Often both the events in the video and the transitions between the clips are synchronized with events in the music.
- Digital effects: Using video editing software (commonly a non-linear editing system) the video source can be modified in various ways. Some effects are designed to be imperceptible (such as modifying a scene to stop a character's mouth from moving) whereas others are intended to increase synchronism with the audio, or possibly create a unique visual style for the video.
- Lip-sync: the synchronization of the lip movements of a character in the original video source to the lyrics of the audio, to make it appear as if the character were singing the song, often the purpose is comedic. Lip-syncing is also commonly used in parody AMVs. These songs come from musicals, and/or to the latest on the pop charts.
- Some editors use original and manipulated animation, both two-dimensional and three-dimensional, in AMV works. Such additions are often used for visual effect or to convey a story that is otherwise incommunicable using only the original video source.
- Rubber-bands, Keyframe manipulation or Dissolves: These are techniques in which the editor makes points in a video source on the timeline of the non-linear editing program, that they can drag to different positions which makes the video either fade in or fade out. This can be to another video clip, or to a different color, most commonly solid black or solid white.
Film editing is the connecting of one or more shots to form a sequence, and the subsequent connecting of sequences to form an entire movie. ...
Computer software (or simply software) refers to one or more computer programs and data held in the storage of a computer for some purpose. ...
A non-linear editing system (NLE) is a video editing (NLVE) or audio editing (NLAE) system which can perform random access on the source material. ...
A comedy is a dramatic performance of a light and amusing character, usually with a happy conclusion to its plot. ...
In contemporary usage, a parody (or lampoon) is a work that imitates another work in order to ridicule, ironically comment on, or poke some affectionate fun at the work itself, the subject of the work, the author or fictional voice of the parody, or another subject. ...
In animation, a key frame is a frame in an animated sequence of frames that was drawn or otherwise constructed directly by the user. ...
Publicly Available AMVs - [Animemusicvideos.org] This is a site that has a community-based approach to the creation and dissemination of AMV material. It has a more extensive rating, feedback, categorization, and search system than YouTube or Google Video. Concerns regarding the Animemusicvideos.org site are those of stricter requirements for uploaded videos (limiting uploads to only anime-derived content) and the fact that the site is under the control of a single male administrator nicknamed Pride-of-Rainbow. This single admin is known to be pushy with newbies and does not take kindly to questions or suggestions from fans of the site. In the past one journalist had found nude pictures of the infamous Pride-of-Rainbow taken in a hotel party.
AMV competitions, evaluations, and rankings - Iron Editor competitions: Two or more editors compete directly with one another, editing videos on the fly in a real-time contest in the style of Iron Chef. Most commonly these bouts go for the length of one or two hours and they are held either in person, at an anime convention, or over the Internet. In both cases there are designated judges who compare the videos, either by the theme, the timing or overall production quality of the videos made during the competition. Judges will declare a winner and most commonly this winner goes on to compete against other editors who have won previous parts of the competition. The other alternative is an individual Iron Editor competitions, in which there is only one part to the competition and most commonly only two editors, only one of whom wins.
- AMV Viewer Choice competition: The editors submit videos to competitions that are held either at anime conventions or on Internet websites. In both cases the winners are decided by the viewers and sometimes the editors themselves are allowed to vote. In conventions AMVs are usually judged by the category they are competing in, for example an action video would compete with other action videos. Viewers watch the videos and they submit votes at the end of the viewing portion of the competition. The other way that this competition is held, is through an Internet website. Some websites have a similar way of judging the AMVs, by the category they are in. While on other websites the videos compete against other videos of the same or different categories and are judged on which is a better AMV overall, not solely on the theme of the video.
- In March of 2008, Tokyopop hosted the I-Manga Music Video Mash Up Contest. The contest called for fans to create a music video, using Tokyopop manga and music. As opposed to most anime music videos, I-Manga Music Video Mash Up Contest required participants to animate and manipulate still images with the use of motion graphics. The contest featured art from Bizenghast and Riding Shotgun with music ("Feel the Disease" by Kissing Violet, "Break Ya Self" by Far East Movement). The winner of the contest was awarded an iPod Video, loaded with Tokyopop music and Tokyopop I-Manga webisodes. As well as featured placement on Tokyopop's YouTube channel. [2]
Iron Chef Hiroyuki Sakai With the above words begins each edition of Iron Chef, a Japanese television program produced by FujiTV. The original Japanese title is Ironmen of Cooking ). It began airing on October 10, 1993 as a half-hour show and after 23 episodes, it was expanded to a...
For the music movie, see Tokyo Pop. ...
A still image is a single static image, as distinguished from a moving image (i. ...
Motion graphics are graphics that use video and/or animation technology to create the illusion of motion or a transforming appearance. ...
Bizenghast is a manga-influenced comic written by M. Alice LeGrow. ...
Far*East Movement (FM) is a hip hop group from Los Angeles, California composed of three emcees and one dj. ...
Apples iPod Video, announced on October 12th 2005 is Apples first entry into the portable video player market. ...
YouTube is a popular video sharing website where users can upload, view and share video clips. ...
AMV and copyright infringement In certain jurisdictions, the making of AMVs may be permissible under fair use provisions. Distribution of AMVs is not likely to be protected by fair use provisions as any distribution is likely to constitute public use, whereas fair use is generally restricted to personal use. For fair use in trademark law, see Fair use (US trademark law). ...
AMVs inherently consist entirely of copyrighted and unlicensed material, including entire songs and substantial portions of television series or motion pictures. Thus, legal concerns vary depending on several factors. As a general rule of thumb AMVs can be seen as illegal in the de jure sense, however, legalities concerning copyrights are subject to variation based on the copyright holders' consent. Many AMVs have so far been viewed as acceptable under fair use provisions or have otherwise gone legally unmolested, implying (albeit potentially falsely) a de facto legal validity. The Japanese culture is generally permissive with regard to the appropriation of ideas. Works such as doujinshi, unauthorized comics continuing the story of an official comic series, are actually encouraged by many anime makers.[3] These doujinshi take an original copyrighted work and expand upon the story, allowing the characters to continue on after, before, or during the original story. Most anime makers encourage this practice, as it expands their series. Some see it as a tribute, others see it from a business viewpoint, that it draws in more support for the anime than it would have had otherwise. Some mangaka create their own doujinshi, such as Maki Murakami's "circle" Crocodile Ave (Gravitation (manga)). Dōjinshi (; also romanized as doujinshi) are self-published Japanese works, including but not limited to comic books (manga), novels, fan guides, art collections, and games. ...
Serialized in Original run 1996 â 2002 No. ...
Comiket, a convention that occurs twice a year in Tokyo, manages to pull in a crowd of 350,000 fans and artists, most of whom buy, sell, and trade doujinshi. Lessig has stated, "This market exists in parallel to the mainstream commercial manga market." Furthermore, cosplay (costume-play) conventions persist across Japan. These are conventions in which people will dress up in homemade costumes made to match specific characters; this practice is not discouraged or prosecuted in any way under Japanese copyright or trademark law. Many notable anime and manga authors will attend both of these types of conventions themselves, and convention participants have historically taken this as a sign of the authors' approval. In a similar sense, several original anime cartoonists have flown to various places in the U.S. to attend AMV conventions, especially the larger ones such as Anime Expo and Otakon. Many of these animators have also expressed approval of the making of AMVs. This article does not cite any references or sources. ...
Cosplayers Cosplay ), a portmanteau of the English words costume and play, is a Japanese subculture centered on dressing as characters from manga, anime, tokusatsu, and video games, and, less commonly, Japanese live action television shows, fantasy movies, Japanese pop music bands, Visual Kei, fantasy music stories (such as stories by...
Anime Expo, abbreviated AX, is an anime convention that usually takes place on the July 4th weekend for 4 days each year in Southern California. ...
Otakon is a fan convention focusing on the art of anime and manga, East Asian culture, and its fandom. ...
The question has been raised of how such works can continue to exist, or such organizations to flourish, when they do so in legally muddy waters. The answer is that many of the Japanese authors encourage it - several of these authors began their careers with the same kinds of projects they witness anime fans working on today (ex. Clamp). Clamp (or CLAMP) is an all-female Japanese mangaka group. ...
While some believe that many U.S. vendors who have acquired anime series or motion pictures have expressed disapproval of AMV works or have insisted said videos be withdrawn from distribution, such is typically untrue. These concerns may be attributed to the way anime conventions who show AMVs as part of their video programming have taken exceptional measures to safeguard themselves against possible liability issues. A prime example of such extreme measures can be seen in the waiver used by Otakon's AMV Contest, which utilizes heavy legal wording. This article does not cite any references or sources. ...
Otakon is a fan convention focusing on the art of anime and manga, East Asian culture, and its fandom. ...
In actuality U.S. vendors are known for their willingness to overlook such use of their properties much in the same way the Japanese industry has, however the reasons are not entirely the same. The unofficial stance of U.S. vendors is that AMVs are seen as a form of unpaid advertising for said properties (creating interest in a particular series, and promoting sales) and the relationship between U.S. vendors and AMV creators is commonly considered mutually beneficial. However, U.S. vendors are often legally bound to officially and/or publicly oppose such use as they typically have a contracted responsibility to protect said properties from illegal use. In general, though, they will not aggressively take action as long as they are not explicitly confronted about it. An adage exists in the AMV community that states "the industry knows, but they don't know", meaning that U.S. vendors are aware AMVs exist but officially cannot acknowledge them, lest they be required to take potentially-expensive legal action. In recent years there has been an increased demand, primarily on the part of the record industry, for the removal of AMVs from sites like YouTube, Google Video, or the Animemusicvideos.org aggregation site, with particular regard to YouTube due to its hyper-popularity as compared to other AMV sources, as well as its for-profit status. Musical performers and their representative record labels have been requesting the removal of some music videos from websites where they are made available for download. Public discussions and perspectives give varying accounts of exactly how widespread these actions have become. In November of 2005, the administrator of Animemusicvideos.org was contacted by Wind-Up Records, requesting the removal of content featuring the work of the bands Evanescence, Creed, and Seether.[4] This action, along with a perceived lack of contest from the Animemusicvideos.org site administrator, generated tremendous ill will, among fans of both the bands and AMVs, toward the label and the site alike, and rumors have posited that the label threatened legal action against the site that would likely have resulted in the cessation of operations at the site. YouTube is a popular video sharing website where users can upload, view and share video clips. ...
Google Video logo Google Video is a free video sharing and video search engine service from Google that allows anyone to upload video clips to Googles web servers as well as make their own media available free of charge; some videos are also offered for sale through the Google...
Wind-Up Records is a record label based in New York City. ...
Evanescence is a Grammy Award-winning American alternative rock band founded in Little Rock, Arkansas in 1998 by singer Amy Lee and former guitarist Ben Moody. ...
This article is about the American Post-Grunge band. ...
Seether is a post-grunge band from South Africa. ...
With regard to legality, as has been previously stated, AMVs exist in a legal "gray area" that encompasses a wide range of current copyright-related matters.
References - ^ Such video game clips feature in over 10% of current AMVs according to animemusicvideos.org statistics as of February 2007
- ^ http://www.tokyopop.com/Robofish/contest/1282896.html
- ^ "This is the phenomenon of doujinshi. Doujinshi are also comics, but they are a kind of copycat comic. The creation of doujinshi is governed by a creators' ethic stating that a work is not doujinshi if it is just a copy; the artist must make a contribution to the art he copies by transforming it either subtly or significantly... These copycat comics exhibit significant market penetration as well. More than 33,000 "circles" of creators from across Japan produce doujinshi. More than 450,000 Japanese come together twice a year, in the largest public gathering in the country, to exchange and sell them. This market exists in parallel to the mainstream commercial manga market. In some ways, it obviously competes with that market, but there is no sustained effort by those who control the commercial manga market to shut the doujinshi market down. It flourishes, despite the competition and despite the law." From Chapter One of Free Culture[1] by Lawrence Lessig
- ^ "Evanescence, Seether and Creed videos no longer available" - (Discussion on the Animemusicvideos.org forum, thread created November 15, 2005)
The book cover Free Culture: How Big Media Uses Technology and the Law to Lock Down Culture and Control Creativity (2004) is a book by law professor Lawrence Lessig that was released on the Internet under the Creative Commons Attribution/Non-commercial license (by-nc 1. ...
Not to be confused with Lawrence Lessing. ...
See also A MAD Movie ) is a Japanese fan-made video, much like an Anime Music Video. ...
A songvid is a music video that edits clips from a favorite TV show, anime series or movie to a song. ...
External links - Animemusicvideos.org, an AMV community site
- AMV Hell, a popular AMV series
- Anime Remix, a AMV Hell spinoff (Mix 1 Complete, Mix 2 Started)
- Creatives face a closed Net FT.com, 17 January
- "Anime music videos at the Annenberg Center for Communication
- AMVs aggregation site
- amvj -remix sessions-
- An example of an AMV
The Financial Times (FT) is a British international business newspaper. ...
The Annenberg Center for Communication (ACC) at the University of Southern California promotes interdisciplinary research in communications between the USC School of Cinema-Television, Viterbi School of Engineering, and the separate Annenberg School for Communication at USC, also funded by Walter Annenberg. ...
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