Anne Redpath (1895–1965) was a Scottish artist whose vivid domestic still-lifes are among her best-known works.

Redpath's father was a tweed designer in the Scottish Borders. She saw a connection between his use of colour and her own. "I do with a spot of red or yellow in a harmony of grey, what my father did in his tweed." The Redpaths moved from Galashiels to Hawick when Anne was about six. After Hawick High School, she went to Edinburgh College of Art in 1913. Post-graduate study led to a scholarship which allowed her to travel on the Continent in 1919, visiting Bruges, Paris, Florence and Siena. Galashiels is a burgh in the Scottish Borders, on the Gala Water river. ... Hawick (pronounced hoick) is a town in the unitary council region of Scottish Borders in the south of Scotland. ... Edinburgh College of Art is an art school in Edinburgh, Scotland, providing tertiary education. ... Sometimes referred to as the Venice of the North, Bruges has many waterways that run through the city. ... The Eiffel Tower has become a symbol of Paris throughout the world. ... Founded 59 BC as Florentia Region Tuscany Mayor Leonardo Domenici (Democratici di Sinistra) Area  - City Proper  102 km² Population  - City (2004)  - Metropolitan  - Density (city proper) 356,000 almost 500,000 3,453/km² Time zone CET, UTC+1 Latitude Longitude 43°47 N 11°15 E www. ... This page is about Siena, Italy. ...

The following year, 1920, she married James Michie, an architect, and they went to live in Pas-de-Calais where her first two sons were born. In 1924 they moved to the South of France, and in 1928 had a third son: now David Michie the artist. Pas-de-Calais is a département in northern France named after the strait which it borders. ...

In 1934 she returned to Hawick. Redpath was soon exhibiting in Edinburgh, and was president of the Scottish Society of Women Artists from 1944 to 1947. The Royal Scottish Academy admitted her as an associate in 1947, and in 1952 she became the first woman Academician. In 1955 she was made an OBE for her work as "Artist" and "Member of the Board of Management of the Edinburgh College of Art".^[1] The Royal Scottish Academy is Scotland’s premier organisation promoting contemporary Scottish art. ... [[LinItalic textItalic textBold text--144. ...

With her children grown-up, and an active involvement in Edinburgh art circles, she moved to live in town at the end of the 1940s. In the 1950s and early 1960s she also travelled in Europe, painting in Spain, the Canary Islands, Corsica, Brittany, Venice and elsewhere. Edinburgh (pronounced ), Dùn Èideann () in Scottish Gaelic, is the second-largest city in Scotland and its capital city. ...

There is a commemorative plaque on the house where she lived and entertained in London Street, Edinburgh.

Painting

Redpath is probably best-known for her still-lifes where familiar household objects - a chair, a cup - are made into a "two-dimensional" design. She used textiles - a printed tablecloth, a spotted scarf - to add pattern within the pattern. The Indian Rug, also known as Red Shoes, is a good example of this group of paintings. Matisse's influence is clear in these bold, flat-surfaced interior arrangements. Critics see another influence in the tabletops tilted to suit the design, not conventional perspective: that of the medieval Sienese paintings which impressed her on her first trip abroad. At this time she first discovered the richness of Catholic imagery (unfamiliar to a young woman brought up as a Scottish Protestant), a theme explored in her later work. The Sienese School of painting flourished in Italy between the 13th and 15th centuries and for a time rivalled Florence, though it was more conservative, being inclined towards the decorative beauty and elegant grace of late Gothic art. ...

She and a group of her contemporaries are sometimes called The Edinburgh School. They may be seen as the "heirs" of the Scottish Colourists: Redpath's The Orange Chair, for example, suggests the Colourist heritage. The Scottish Colourists were a group of painters from Scotland whose work was not very highly regarded when it was first exhibited in the 1920s and 1930s, but which in the late 20th Century came to have a formative influence on contemporary Scottish art. ...

During her years in France (1920-1933), Redpath's painting was limited by family commitments, but she produced enough for exhibitions in 1921 and 1928. She also decorated furniture with bright flower and bird patterns. (See Still Life with Painted Chest) Later there would be many paintings of flowers: in vases, or growing abundant in the wild. (The Poppy Field)

On her return to Scotland in 1934, she started to sketch the countryside round Hawick, and painted landscapes with a more muted look than much of her work: Frosty Morning, Trow Mill (1936), for example. In the early 1940s The Indian Rug showed that she was developing the freer, individual approach described above. Other works representing this style include The Mantlepiece and Still Life with Table.

Window in Menton, painted in 1948, a favourite of Redpath's, is also a richly-textured surface with familiar elements - flowers, chair, printed wallpaper - but here a seated woman looks towards an open full-length window. The view is of a hillside patterned with houses and trees.

Redpath painted more hillsides, like Les Tourettes (1962), as she travelled in the later years of her life, but her interest was still often interior. Her Courtyard in Venice (1964) is another view from inside looking outwards.

Some later works reflect religious influences, especially paintings of altars in The Chapel of St Jean - Treboul (1954) andVenetian Altar. These are highly regarded by commentators who admire her mature work even more than the pieces from the 1940s.

Reading

• Bourne, Patrick Anne Redpath 1895–1965: her life and work (1989)
• Bruce, George Anne Redpath (1974)
• Exhibition catalogue, National Gallery of Modern Art, Edinburgh (1975)
• Long, Philip Anne Redpath, 1895-1965 (National Galleries of Scotland, 1996)
• Jones, Ruth Anne Redpath in the Oxford Dictionary of National Biography

Images

• Altar in Pigna
• Girl in Red
• National Galleries of Scotland
• Photographs of Anne Redpath and her paintings
• Royal Scottish Academy
• Still Life with Two Figures
• Tate Gallery

Notes

1. ↑ London Gazette 3 June 1955