Antonello Gagini (1478-1536); was a Siciliansculptor. His family the Gagini (sometimes called Gangini) had arrived in Sicily in the mid 15th century. Antonello Gagini was responsible for some of the most decorative ecclesiastical sculpture in Sicily, especially in the area of Messina. Events February 18 - George, Duke of Clarence, convicted of treason against his older brother Edward IV of England, is privately executed in the Tower of London. ... Events February 2 - Spaniard Pedro de Mendoza founds Buenos Aires, Argentina. ... Sicilian (Lu Sicilianu, Lingua Siciliana) is the Romance language spoken in Sicily, Italy. ... Sculpture is a three-dimensional form created as an artistic expression. ... Messina, Italy Strait of Messina, Italy. ...
He was the son of the sculptor Domenico Gagini (1449-1492) under whome he studied. He is chiefly notable for his depiction of religious figures, a large collection of his works inluding "Annunciazione", "Madonna con il Bambino", "Madonna della neve", and "Apparizione della Croce a Costantino" can be found at the Palazzo Abatellis in Palermo. Domenico Gagini (1449-1492) was an Italian sculptor. ... City nickname: Location Location of Palermo within the island of Sicily. ...
AntonelloGagini was a member of a large family of sculptors whose Palermo workshop supplied monumental religious sculptures for the cathedrals of Palermo, Messina, and Montelione in Calabria.
After 1507 Antonello himself worked for 15 years to produce marble sculptures for Palermo Cathedral.
This figure of the legendary virgin martyr, Saint Margaret, was probably commissioned for one of these ecclesiastical foundations, possibly the chancel of Palermo Cathedral.
In 1516, AntonelloGagini, a sculptor from Palermo, was commissioned by the lawyer Giacomo Basilicò to create an altar with a marble aedicule for the Church of Santa Maria dello Spasimo in Palermo.
Gagini was one of the most important Sicilian Renaissance sculptors, continuing the stylistic innovations already begun by his father Domenico Gagini, and by Laurana, who had attempted to introduce the themes and formal repertoire of the new central Italian Renaissance culture to the city.
Antonellos distinctive characteristic lay in his ability to develop this innovative trend within the context of a Spanish-inspired local tradition.
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