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Encyclopedia > Antonio Vivarini

Antonio Vivarini (Antonio of Murano) (c. 1440 - 1480) was probably the earliest of a family of Venetian painters. For alternative meanings, see number 1440. ... Events March 6 - Treaty of Toledo - Ferdinand and Isabella of Spain recognize African conquests of Afonso of Portugal and he cedes the Canary Islands to Spain Great standing on the Ugra river - Muscovy becomes independent from the Golden Horde. ... Location within Italy Venice (Italian: Venezia), the city of canals, is the capital of the region of Veneto and of the province of Venice, 45°26′ N 12°19′ E, population 271,663 (census estimate 2004-01-01). ...


He came from the school of Andrea da Murano, and his works show the influence of Gentile da Fabriano. The earliest known date of a picture of his, an altar-piece in the Venetian academy, is 1440; the latest, in the Lateran museum, 1464, but he appears to have been alive in 1470. Adoration of the Magi (1423) Tempera on wood, 300 x 282 cm Uffizi, Florence Gentile da Fabriano (born in or near Fabriano, Marche, c. ... Late Baroque façade of the Basilica di San Giovanni in Laterano, completed after a competition for the design by Alessandro Galilei in 1735 Lateran and Laterano are the shared names of several architectural projects throughout Rome and Vatican City. ...


He worked in company with a certain "Joannes de Alemania," who has been (with considerable doubt) regarded as a brother (Giovanni of Murano), but no trace of this painter exists of a date later than 1447.


After 1447 Antonio painted either alone or in combination with his younger brother Bartolommeo. The works of Antonio are well drawn for their epoch, with a certain noticeable degree of softness, and with good flesh and other tints. Events March 6 - Nicholas V becomes Pope. ...


Three of his principal paintings are the "Virgin Enthroned with the Four Doctors of the Church," the "Coronation of the Virgin," and "Sts Peter and Jerome." The first two (in which Giovanni co-operated) are in the Venetian academy, the third in the National Gallery, London. This gallery contains also specimens of the two under-named painters. The National Gallery from Trafalgar Square The National Gallery is an art gallery in London, located on the north side of Trafalgar Square. ...


This article incorporates text from the 1911 Encyclopædia Britannica, which is in the public domain. Supporters contend that the Eleventh Edition of the Encyclopædia Britannica (1911) represents the sum of human knowledge at the beginning of the 20th century; indeed, it was advertised as such. ... The public domain comprises the body of all creative works and other knowledge—writing, artwork, music, science, inventions, and others—in which no person or organization has any proprietary interest. ...


  Results from FactBites:
 
Antonio Vivarini - Wikipedia, the free encyclopedia (256 words)
He worked in company with a certain "Joannes de Alemania," who has been (with considerable doubt) regarded as a brother (Giovanni of Murano), but no trace of this painter exists of a date later than 1447.
After 1447 Antonio painted either alone or in combination with his younger brother Bartolommeo.
The works of Antonio are well drawn for their epoch, with a certain noticeable degree of softness, and with good flesh and other tints.
Venice Academy - Room XVII (7645 words)
Bartolommeo had more originality than Antonio, and some of his works have a sternness and impressiveness that, as Kugler notes, are scarcely excelled by Mantegna, though he is led at times to a certain grotesque exaggeration that nullifies the austere impressiveness otherwise felt.
Vivarini has not only made a single grouping of the Madonna, with the three saints on each side, but he has actually succeeded in making it all a composite whole, each figure to a greater or less extent dependent upon the others, all bearing a distinct relation to the central group.
The length from her shoulder to her thigh is, as usual with Vivarini, excessive, and the figures of the saints have this same peculiarity.
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