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An aside is a literary device in that an actor speaks to the audience; he/she is not heard by the other characters. It is similar to a monologue and soliloquy. Wiktionary (a portmanteau of wiki and dictionary) is a multilingual, Web-based project to create a free content dictionary, available in over 151 languages. ... A monologue, pronounced monolog, is a speech made by one person speaking his or her thoughts aloud or directly addressing a reader, audience, or character. ... Soliloquy is an audible oratory or conversation with oneself. ...

Origins

In the European dramatic tradition, the aside has a lengthy pedigree; versions of the device may be found in Greek Old Comedy. In these originary days, asides were part of a broader style of metadrama in the Old Comedy. The most important example of this metadrama is the parabasis; asides, however, punctuate many plays, often deflating and ironizing moments of tension. The basic function of the device is to weaken the dramatic illusion and to remind the audience--if it needed reminding--of the festive and communal occasion of the drama. Greek comedy is the name given to a wide genre of theatrical plays written, and performed, in Ancient Greece. ... In Greek comedy, the parabasis (plural parabases) is a point in the play when all of the actors leave the stage and the chorus is left to address the audience directly. ...

Roman New Comedy continues the technique without, however, going so far in the direction of breaking the dramatic illusion. In the work of Plautus and Terence, the aside above all bears the burden of explaining motives that, in plays dominated by quick action and complicated, often hidden machinations, are often far from obvious. As important to note, the Roman model uses asides to develop character rather than break it. Although the device depends on the unrealistic convention that such asides, though vocalized, cannot be heard by other characters, they present some space for the representation of "interior" psychology. In addition, the device was a serviceable vehicle for dramatic irony; many of these asides still draw laughter in modern productions for that reason. Greek comedy is the name given to a wide genre of theatrical plays written, and performed, in Ancient Greece. ... Titus Macchius Plautus, generally referred to simply as Plautus, was a playwright of Ancient Rome. ... Publius Terentius Afer, better known as Terence, was a comic playwright of the Roman Republic. ... Adolf Hitler - an example of visual irony Irony is a form of speech in which the real meaning is concealed or contradicted by the words used. ...

The rebirth of drama in Europe at the end of the medieval period saw a natural revival of the aside, derived not from emulation of classical models but rather from a recrudescence of similar theatrical conditions. The open staging of, for instance, the early Tudor interludes, and their festive occasions, were conducive to the same kind of metadramatic joking so common in Aristophanes. Early on, certain figures such as the Vice became strongly associated with the device; thus, already by the mid-1500s, the Vice as a character type appears to have been a crowd favorite, a protean and anarchic figure not bound by the rules that governed most of the other characters, and seemingly possessed of a special relationship with the audience. This article is about the 5-4th century BC dramatist. ... Vice is a practice or habit that is considered immoral, depraved, and/or degrading in the associated society. ...

As the Elizabethan drama developed, the aside changed in a manner similar to that it had undergone in the development of New Comedy; in this case, of course, the similarity is more clearly an instance of emulation, as is most clear in plays such as The Comedy of Errors that are revamped Roman stories. Strikingly, however, the syncretic Elizabethans did not confine the device to comedy. Indeed, some of the best-remembered instances of the device are from tragedies such as Hamlet and The Duchess of Malfi. In its tragic uses, the aside tends to highlight a mood of suspense or paranoia. One late play, James Shirley's The Cardinal, is conducted in asides for large stretches of the action. The Elizabethan Era is the period associated with the reign of Queen Elizabeth I (1558 - 1603) and is often considered to be a golden age in English history. ... Poster for a performance The Comedy of Errors is one of William Shakespeares early plays, written between 1592 and 1594. ... For other uses, see Hamlet (disambiguation). ... The Duchess of Malfi is a macabre, tragic play, written by the English dramatist John Webster and first performed in 1614 [1] at the Globe Theatre in London, and published for the first time in 1623. ... James Shirley (or Sherley) (September 1596 - October 29, 1666), was an English dramatist. ...

Jacobean dramatists continued to employ the device, at times ironically: in Ben Jonson's Bartholomew Fair, a hapless judge is overheard making an aside, highlighting both the crowdedness of the stage at that point and the absurdity of a dramatic convention when viewed realistically. The term Jacobean refers to a period in English history that coincides with the reign of James I (1603 – 1625). ... For other persons of the same name, see Ben Johnson (disambiguation). ... Bartholomew Fair is a play in five acts by Ben Jonson. ...

The slow growth of a naturalistic impulse in European drama signalled an equally slow decline in the role available to the aside. While a similar device is still on occasion found in modern plays, it has not, and seems unlikely ever to, regain the ubiquity it had in Renaissance drama.

Examples

This technique is used by many playwrights, including Shakespeare. For instance, in the play Macbeth, Macbeth has the following aside: Wikipedia does not yet have an article with this exact name. ... This article is about Shakespeares play. ...

Asides are also used in novels. For instance, in The Scarlet Letter, Roger Chillingworth has at least one aside: This article is about the 1850 book. ...

References

• Glossary of Literary Terms, which mentions the aside

• Bevington, David (1962). From Mankind to Marlowe. Cambridge, Mass: Harvard University Press.

• Cox, John D. and David Scott Kastan (Eds) (1997). A New History of English Drama. New York: Columbia University Press.

• Salingar, Leo (1972). Shakespeare and the Traditions of Comedy. Cambridge: Cambridge University Press.