The Bacchanalia were wild and mystic festivals of the Roman god Bacchus. Introduced into Rome from lower Italy by way of Etruria (c. 200 BC), the bacchanalia were held in secret and attended by women only, on three days in the year in the grove of Simila near the Aventine Hill, on March 16 and 17. Subsequently, admission to the rites were extended to men and celebrations took place five times a month. The notoriety of these festivals, where many kinds of crimes and political conspiracies were supposed to be planned, led in 186 BC to a decree of the Senate—the so_called Senatus consultum de Bacchanalibus, inscribed on a bronze tablet discovered near Bari, Italy (1640), now at the Imperial Museum of Vienna—by which the Bacchanalia were prohibited throughout all Italy except in certain special cases which must be approved specifically by the Senate. In spite of the severe punishment inflicted on those found in violation of this decree, the Bacchanalia were not stamped out, at any rate in the south of Italy, for a very long time.
The term has since been extended to refer to any drunken revelry. See also Dionysus.
Bacchanal Time made history by being the first calypso tent to win ALL the major calypso titles IN ONE YEAR and its debut year to boot.
Bacchanal Time also is known for the high level of professionalism and entertainment delivered at its shows.
Bacchanal Time is the only calypso tent in Barbados which stages not one but two sold out shows at the Gymnasium on a yearly basis, achieving the hype and promotion of a major Crop Over event which people eagerly look forward to every year.
It was on this 1968 recording that he triumphed in his experiments with feedback and Eastern-tinged psychedelic re-workings of current pop tunes.
The strongest LP recorded by Szabo’s regular group of the era, this would prove to be their last session.
While Bacchanal is largely an album of ‘60s pop covers, Szabo’s inspired quintet transforms the material into a one of a kind collection of first-rate jazz instrumentals.
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