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Encyclopedia > Bartolomeo Schedoni

Bartolomeo Schedoni (1578-1615), Italian early Baroque painter of Reggio-Emilia. He was born in Modena, but moved to Parma with his Father, and was sent to be apprenticed under such Federigo Zuccaro in Rome after 1598, under the sponsorship of Ranuccio I Farnese, Duke of Parma. He soon returned to Parma. The baroque art historian Malvasia also claims he trained under Annibale Carracci in Bologna. He may have died of suicide after a night of heavy gambling losses. His painting shows knowledge of Caravaggio’s work. His masterpieces are now in the Galleria Nazionale of Parma, and were the two paintings intended for the altar of the church of the Capuchin convent in Fontevivo, near Parma. Events January 31 - Battle of Gemblours - Spanish forces under Don John of Austria and Alexander Farnese defeat the Dutch. ... Events June 2 - First Récollet missionaries arrive at Quebec City, from Rouen, France. ... Adoration, by Peter Paul Rubens: dynamic figures spiral down around a void: draperies blow: a whirl of movement lit in a shaft of light, rendered in a free bravura handling of paint In the arts, Baroque (or baroque) is both a period and the artistic style that dominated it. ... Modena (Mòdna in Modenese dialect) is a city and a province on the south side of the Po valley, in Emilia-Romagna, Italy. ... Parma is a medieval city in the Italian region of Emilia-Romagna, with splendid architecture and a fine countryside around it. ... The text below is generated by a template, which has been proposed for deletion. ... Ranuccio Farnese (March 28, 1569 — March 5, 1622) or Ranuccio I, was the fourth Duke of Parma and Piacenza from 1592 until his death. ... The Flight into Egypt (1603) Annibale Carracci (November 3, 1560, in Bologna - July 15, 1609, in Rome) was an Italian painter, etcher and engraver. ... Caravaggio painted by Ottavio Leoni around 1621. ...


Anthology of Works

  • The Entombment
  • Three Maries at the Tomb
  • Rest on the Flight to Egypt
  • Charity

References

  • Francis P. Smyth and John P. O'Neill (Editors in Chief) (1986). National Gallery of Art, Washington DC The Age of Correggio and the Carracci: Emilian Painting of the 16th and 17th Centuries, p. 526-533.


 
 

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