The basse danse was the most popular court dance in the Fifteenth and early Sixteenth centuries, especially at the Burgundian court. When danced, couples moved quietly and gracefully in a slow gliding or walking motion. The monophonic music was based on a tenor cantus firmus; the length of the choreography was often derived from popular chansons. In performance, 3 or 4 instrumentalists would improvise the polyphony based on this tenor. Historical dances are dances that reenact what was danced in times long past, together with music and costumes. ... (14th century - 15th century - 16th century - other centuries) As a means of recording the passage of time, the 15th century was that century which lasted from 1401 to 1500. ... (15th century - 16th century - 17th century - more centuries) As a means of recording the passage of time, the 16th century was that century which lasted from 1501 to 1600. ... Coat of arms of the 2nd duchy of Burgundy and later of the French province of Burgundy Burgundy (French: Bourgogne) is a historic region of France, inhabited in turn by Pre-Indo-European people, Celts (Gauls), Romans (Gallo-Romans), and various Germanic peoples, most importantly the Burgundians and the Franks. ... In music, a tenor is a male singer with a high voice (although not as high as a countertenor). ... Choreography literally dance-writing, also known as dance composition), is the art of making structures in which movement occurs, the term composition may also refer to the navigation or connection of these movement structures. ... Chanson is a French word for song, and in English-language contexts is often applied to any song with French words, particularly a cabaret song. ... A musician is a person who plays or composes music. ... Polyphony is a musical texture consisting of several independent melodic voices, as opposed to music with just one voice (monophony) or music with one dominant melodic voice accompanied by chords (homophony). ...
Bassedanse (bah-seh-doncse) or La DanseBasse was also called "Dance Nobles" (dance of the "Upper Classes") and the Italian Hautes dances of the fifteenth century (Italy-Bassedanza, Hoftanz-German), were group participation dances.
The basse dance was performed at French court for "the festival at Nance" in 1445 and later by Charles IX.
The Basses dancesweregrave and solemn with small gliding steps, bows (reverence), and danced up on the toes, very slowly, and executed to that of many a Psalm tunes which were the opposite of the livlier Balli court dances.
The dances taught were balli and balletos, the bassadanza, and its northern counterpart, the bassedanse.
Danced with simple movements and gentle shifts of weight by couples who touched hands at arm’s length, the bassedanse proceeded around a hall in quiet, stately manner, led by the highest-ranking couple.
The pavane replaced the bassedanse as the usual processional dance.