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Encyclopedia > Baudrillard

Jean Baudrillard (born 1929) is a cultural theorist and philosopher. His work is frequently associated with postmodernism and post_structuralism.

Contents

Life

He was born in Reims, France. He studied German at the Sorbonne University in Paris and became a professor for German in a Lycée (1958-1966). He worked as a translator and critic and continued to study philosophy and sociology. In 1966 he completed his Ph.D. thesis: "Thèse de troisième cycle: Le Système des objets" ("Third cycle thesis: The system of objects") under the tuition of Henri Lefebvre. From 1966 to 1972 he worked as Maître Assistant (Assistant) and Maître de Conférences en Sociologie (Assistant Professor). In 1972 he finished his habilitation "L'Autre par lui-même." ("The other by himself.") and started teaching Sociology at the Université de Paris-X Nanterre as a professor. Since 2001 he has been a professor of philosophy of culture and media criticism at the European Graduate School in Switzerland, where he teaches an Intensive Summer Seminar. He continues to support the Institut de Recherche sur l'Innovation Sociale at the Centre National de la Recherche Scientifique. From 1986 to 1990 Baudrillard served as Directeur Scientifique (Scientific Director) at IRIS (Institut de Recherche et d'Information Socio-Économique) at the Université de Paris-IX Dauphine.


Introduction to work

Jean Baudrillard is famous for his investigations into hyperreality, and in particular hyperreality in America. According to Baudrillard, America has constructed itself a world that is more "real" than Real, and where those inhabiting it are obsessed with timelessness, perfection, and objectification of the self. Furthermore, authenticity has been replaced by copy (thus reality is replaced by a substitute), and nothing is "real," though those engaged in the illusion are incapable of seeing it. Instead of having experiences, people observe spectacles, via real or metaphorical control screens. Instead of the real, we have simulation and simulacra.


Shortly before the Gulf War, Baudrillard predicted that the war would not actually happen. After the war, he claimed he had been correct, and that no war had taken place. The reality of the war, where people fight for a cause and are killed, had been replaced by a 'copy' war that is delivered to televisions across the world where no fighting is taking place. America was engaged in an illusion that it was fighting, much as the mind engages with a video game, where the experience tricks the consciousness into believing it is an active participant in something that is not happening. So while the combat may have been real, only a few people experienced it and they were on the other side of the world. The 'war' that was broadcast on television, and therefore the war as it is understood by the majority of people, was not actually real.


Baudrillard's Object Value System

Baudrillard was heavily influenced by work of Karl Marx. Like many other philosophers of consumer society, Baudrillard was particularly influenced by Marx's discussion of commodity fetishism, and much of his earlier work was an attempt to re-articulate the logic of commodity fetishism through a post-Marxist frame of reference that took seriously twentieth century developments in linguistic structuralism. Part of this rearticulation involved what Baudrillard called the "four logics of objects." He developed four categories for the value of commodities:

  1. The functional value of an object is its instrumental purpose. (A pen writes. A diamond ring adorns an otherwise empty hand.) This is what Marx referred to as the "use-value" of the commodity.
  2. The exchange value of an object is its economic value. (A pen is worth three pencils. A diamond ring is worth three months' salary.)
  3. The symbolic exchange value of an object is its arbitrarily assigned and agreed value in relation to another subject. (A pen represents a graduation present or a speaker's gift. A diamond ring symbolizes a public declaration of love between two individuals.)
  4. The sign exchange value of an object represents its value in a system of objects. (A pen is part of a desk set, or a particular pen confers social status. A diamond ring has sign exchange value in relation to other diamond rings, conferring social status to the person with the biggest or prettiest ring.)

Books

Precession of Simulacra

In his essay the Precession of the Simulacra, Baudrillard recalls a tale by Borges in which a map (i.e. a representation) is produced so detailed that it ends up coming into one-to-one correspondence with the territory (i.e. everything that had once been directly lived), but argues that in the postmodern epoch, the territory ceases to exist, and there is nothing left but the map; or indeed, the very concepts of the map and the territory have become indistinguishable, the distinction which once existed between them having been erased.


Critiques of Baudrillard

Baudrillard was criticized by many scholars. Douglas Kellner offers a critique of Baudrillard in Jean Baudrillard: From Marxism to Postmodernism and Beyond (ISBN 0804717575) that attempts to defend traditional Marxism from Baudrillard's critique. And Christopher Norris attacked what he saw as Baudrillard's lack of meaningful political engagement in Uncritical Theory : Postmodernism, Intellectuals and the Gulf War (ISBN 0870238175).


External links

  • Jean Baudrillard Faculty Page and Archive (http://www.egs.edu/faculty/jeanbaudrillard.html)
  • Baudrillard on the Web (http://www.uta.edu/english/apt/collab/baudweb.html)
  • 'Disneyworld Company' by Jean Baudrillard (http://www.ctheory.net/text_file.asp?pick=158)
  • 'The Violence of the Global' by Jean Baudrillard (http://www.ctheory.net/text_file.asp?pick=385)
  • Welcome to the World of Jean Baudrillard (http://www.csun.edu/~hfspc002/baud/)











  Results from FactBites:
 
Jean Baudrillard - Professor of Philosophy of Culture and Media Criticism - Biography (1436 words)
Baudrillard is a thinker who builds on what was being thought by others and breaks through via a key reversal of logic to make fresh analysis.
Baudrillard's philosophy centers on the twin concepts of "hyperreality" and "simulation." These terms refers to the virtual or unreal nature of contemporary culture in an age of mass communication and mass consumption.
But Baudrillard is not merely intending to lament the disappearance of the real, an occurrence he recently described as "the most important event of modern history," nor even to meditate upon the paradoxes of reality and illusion, truth and its masks.
Jean Baudrillard's Weaknesses (571 words)
Baudrillard correctly perceives that movement from the tactile to the digital is the primary fact about the new information technology, but then he misconceives -- or rather only partially perceives -- the implications of his point.
Baudrillard most clearly posits this equivalence, which he mistakenly takes to be axiomatic, in his statement that "the true generating formula, that which englobes all the others, and which is somehow the stabilized form of the code, is that of binarity, of digitality" (145).
Part of Baudrillard's theoretical difficulty derives from the fact that he bypasses digitized verbal text and moves directly from the fact of digital encoding of information in two directions: (1) to his stimulus/response, either/or model, and (2) to other non-alphanumeric (or non-writing) media, such as photography, radio, and television.
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