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Belly dance is a Western name coined for a style of female dance developed in the Middle East and other Arabic_influenced areas. In Arabic language it is known as Raqs Sharqi or in Turkish as Raks Sharki, translated as "Dance of the East". For Europeans, this translation sounded perfectly fit, hence it was also known as "Oriental dance", "Exotic oriental dance", "Oriental belly dance" and the likes. The term "Raqs Sharqi" is claimed to be originated in Egypt, although, as the name suggests, the dance itself could have been originated elsewhere.
It is thought that the dance has been known through the oral tradition in Egypt since the pre-Lebanese belly dance and the Turkish belly dance. Some mistakenly believe that this is known as Chifteteli due to the fact that this style of music has been incorporated into oriental dancing by Greeks and gypsies, illustrated by the fact that the Greek belly dance is called Tsifteteli. However, ciftetelli is a form of upbeat folk music and makes up the lively part of the dance. Çiftetelli is actually a form of folk wedding music.
Besides those there is an Egyptian-Lebanese-Turkish-Greek mixture, which is mainly spread in North America, known as American-Arabian belly dance.
Belly dancing in the Western world
The term "belly dancing" is generally credited to Sol Bloom, entertainment director of the 1893 World's Fair, the World Colombian Exposition in Chicago. It was here in the Egyptian Theater, where the USA first got a look at raqs dancers, when Bloom presented "The Algerian dancers of Morocco". The dancer who stole the show, and who continued to popularize this form of dancing was "Fatima", also known as Little Egypt. Her real name was Farida Mazar Spyropoulos.
The dance performed by Little Egypt had also been called "Hootchy-Kootchy" or "Hoochee-Coochee", or the shimmy and shake, the origin of the name is unknown, and "danse du ventre", which is French for "belly dance".
Today the word "hootchy_kootchy" means simply an erotic suggestive dance.
Bellydance today still retains much of the Hollywood stigma and many dancers and instructors are working hard to overcome this image. Considering belly dance started out as a dance by women for women, as teaching aid to learn about bodies and prepare for child birth, the images of women dancing for a sultan are undeserved. While Raqs Sharqi is still popular in the west, dancers here have also embraced other forms such as tribal or tribal fusion which borrows from gypsy and Spanish traditions as well as Egyptian styles.
Belly Dance in the U.S.A Some of the contemporary (1985_present) outstanding dancers are: Suhaila Salimpour, Ansuya, Alexandra King, Delilah, Cassandra, Rachel Brice, and Susan Del Vecchio.
Male belly dancing There is much debate over where and when men became part of the belly dance world. Many believe that men have no right getting involved in this historically female art form. However, it is becoming clear that men did indeed bellydance in the Middle East. Also, they were not eunuchs as some would imply. Male bellydancers today are becoming, if not completely commonplace, at least more visible. They are no longer the "set pieces" or props for the women. In fact, some Arabic countries have banned female belly dancers, calling those who do prostitutes. In their place, men have become the standard. Tourists who traveled to Cairo, Egypt in 2004 could find female dancers only in the American hotels after midnight. But, men were dancing everywhere.
Health and belly dancing The benefits of belly dance are both mental and physical. Dancing is a good cardio-vascular work out and helps increase flexibilty. It is suitable for all ages and body types and can be as physical as the dancer chooses to make it. Less fit individuals would be wise to consult a doctor before starting bellydance as well as talking with the instructor to see what level his or her classes operate at. Mental health benefits, for many bellydancers, include an improved sense of wellbeing, elevated body image and self-esteem as well as a generally positive outlook that comes with regular, enjoyable exercise
References - Donna Carlton (1995). Looking for Little Egypt. Bloomington, Indiana: International Dance Discovery Books. ISBN 0962399817.
- Belly dancing (http://www.eijkhout.net/rad/dance_specific/bellydance4.html)
See also
External links - Belly Dance Museum (http://www.belly-dance.org/)
- Belly Dance Styles (http://www.learn-to-belly-dance.com/styles.html)
- MyAisha.com: Belly Dance Search Engine (http://www.myaisha.com/)
- Oriental Belly Dance (http://www.streetswing.com/histmain/z3belly.htm)
- Raqs Sharki (http://www.raqsdance.demon.co.uk/raqsinfo.html)
- Raqs Sharqi-Middle Eastern Dance (http://www.spiritdancer.co.uk/raqs.htm)
- Belly Dance Photo Gallery (http://www.chryssanthi.com/en/fotogalerie/index.html)
- Yasmina's Joy of Belly Dancing (http://www.joyofbellydancing.com/)
- Marko Male Belly Dancer (http://www.markobellydancer.com/)
- ShiraNet (http://www.shira.net/)
- Troupe Nijmeh (http://www.belly-dancing.com/Nijmeh/)
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