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Encyclopedia > Benjamin Bagby

Benjamin Bagby is a singer, harper, and groundbreaking performer of medieval music. Educated at Oberlin and the Schola Cantorum in Basel, Mr. Bagby founded the ensemble Sequentia with Barbara Thornton in 1977. This group takes an innovative approach to medieval repetoires, especially with respect to their treatment of mode: they rely on the harmonic qualities of their voices to guide them through the different modes. Sequentia has released many fine recordings, most of them on Harmonia Mundi. During the 1990's, the group specialized in the music of Hildegard von Bingen; many of their most famous recordings are from this period. The group has also performed music written in the 12th century from the musical centers Santiago de Compostella, Aquitaine, and Notre Dame. More recently, Sequentia has been performing music from other areas of Europe: they have recreated the ancient performance practice of the Icelandic Edda and German music from the 10th and 11th century on their recent recording "Lost Songs of a Rhineland Harper". Mr. Bagby recently married Croatian chant scholar Katarina Livljanic.


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BENJAMIN BAGBY, biography, discography (325 words)
Vocalist, harpist and scholar Benjamin Bagby, has been an important figure in the field of medieval musical performance for over 20 years.
Bagby, in collaboration with Barbara Thornton, created over 60 innovative concert programs that encompass the entire spectrum of medieval music, giving performances all over the world.
Bagby devotes his time to the solo performance of Anglo-Saxon oral poetry (an acclaimed bardic performance of Beowulf receives at least 20 performances yearly worldwide), the medieval harp, and directing the Sequentia ensemble of men's voices, Sons of Thunder, a vocal ensemble for the performance of medieval liturgical polyphony and chant.
classical music - andante - benjamin bagby (2242 words)
The American medievalist Benjamin Bagby is the co-founder and driving force behind Sequentia, an acclaimed ensemble that performs little-known music from the 10th to 14th centuries.
Edda, for example, is an ensemble music-theater piece based on Icelandic texts which preserve the earlier Viking epics of gods and heroes; his latest version concentrates on the familiar story of Sigurd (Siegfried) who slew the dragon and gained the gold of the Rhine.
Benjamin Bagby: The instruments have been a key factor in reconstructing Eddic performances.
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