Bernardo del Carpio is a legendary hero of medievalSpanish legend, comparable to El Cid, thought with less historical evidence of his actual existence. Supposedly the nephew of Alfonso II of Asturias, stories feature him striving against Alfonso to release his father from prison. Other stories have him as the rival and slayer of Roland at Roncesvaux.
Bernardo was said to be the son of Sancho, the Count of Saldana and Dona Jimena (Alfonso II's sister). Alfonso was not happy with the marriage, so he had Sancho blinded and thrown into prison. Alfonso invited Charlemagne into Spain to defeat the Moors, promising to name him as heir. Bernado's victory at Roncesvaux ended that plan. But Bernardo then joined up with the Moors himself, hoping to force Alfonso into action, but Alfonso secretly had Sancho killed while in prison.
In 1624 Bernardo de Balbuena published El Bernardo, an account of Bernardo's exploits. It was once considered one of the masterpieces of Spanish literature.
In the opening of Don Quixote, Cervantes has the Don especially admiring Bernardo because he crushed Roland with his arms alone, although the context is clear that Don Quixote is placing too much credence in the ridiculous stories of romance.
References
David Burton, The Legend of Bernardo del Carpio: from Chronicle to Drama.
BernardodelCarpio is a legendary hero of medieval Spanish legend, comparable to El Cid, thought with less historical evidence of his actual existence.
Bernardo was said to be the son of Sancho, the Count of Saldana and Dona Jimena (Alfonso II's sister).
In the opening of Don Quixote, Cervantes has the Don especially admiring Bernardo because he crushed Roland with his arms alone, although the context is clear that Don Quixote is placing too much credence in the ridiculous stories of romance.
BernardodelCarpio is a legendary hero of medieval Spanish legend, comparable to El Cid, though with less historical evidence of his actual existence.
1380) mentions BernardodelCarpio in one of his cantigas, which combines the theme of the good life in Castile with a series of loores, or lyric paeans, to a series of Greek, Roman, Biblical, chivalric, and Arab heroes.
In the opening of Don Quixote, Cervantes has the Don especially admiring Bernardo because he crushed Roland with his arms alone, although the context is clear that Don Quixote is placing too much credence in the fantastic stories of romance.
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