She did not begin recording until she was in her late 70s, at which time she made a 78-rpm set for the Clara Schumann Society of England.
On the evidence of his one issued recording, this German player was probably one of the less significant pupils of Liszt.
Although the recordings of this important pupil of Liszt, Mikuli, and Joseffy have not been given systematic attention by reissue producers, virtually all his discs can be located on various CDs.