Black comedy, also known as black humor, is a subgenre of comedy and satire that deals with "serious" subjects – death, divorce, drug abuse, et cetera in a humorous manner.
A scene in Samuel Beckett's play Waiting for Godot is a good example of black comedy: A man takes off his belt to hang himself, and his trousers fall down. The cartoons of Charles Addams typically display black humour such finding funny business with scenes that would normally be considered horrific.
Harold and Maude, in which an alienated young man obsessed with staged suicides and the funerals of strangers falls in love with a vivacious octonagerian
The Hospital, the story of a chief of surgery who is trying to figure out why a number of hospital employees begin dying under strange circumstances
Heathers, about a disaffected, jaded couple who start killing members of popular cliques at their high school
Ichi the Killer, about a pair of savage killers, one a sadist and the other a masochist.
Life Is Beautiful (Originally La Vita è bella), about an Italian Jew who uses humor and fantasy to hide the truth from his son in a concentration camp.
M*A*S*H, in which the medical staff of a Korean War field hospital engage in silly mischief to alleviate the horror of the bloody carnage of the wounded they must treat
Man Bites Dog, a mockumentary turning the tables on news and documentaries
Meet the Feebles, about a group of animal-puppet performers who suffer terrible human vices.
Roger & Me, in which director Michael Moore follows the tragically ridiculous decline of Flint, Michigan and its effects after General Motors CEO Roger Smith closed the city's autoplants and threw 40,000 people out of work.
Furthermore, flhumor seems to have little respect for the values and patterns of thought, feeling, and behavior that have kept Anglo-American culture stable and effective, have provided a basis of equilibrium for society and the individual.
Humor enabled one to transcend the trivial reality in which man is imprisoned by logic, reason, and subjective emotion, freeing him to achieve union with the objective metaphysical Absolute.