Bob Height was an African American blackface minstrel performer. He was a standout talent in the companies with which he performed, although frustrations eventually drove him to pursue a career in Europe. Later writers have compared him to his contemporary, Bert Williams.^[1] African Americans, also known as Afro-Americans or black Americans, are an ethnic group in the United States of America whose ancestors, usually in predominant part, were indigenous to Sub-Saharan and West Africa. ... This reproduction of a 1900 minstrel show poster, originally published by the Strobridge Litho Co. ... 1906 postcard advertising a minstrel show The minstrel show, or minstrelsy, was an indigenous form of American entertainment consisting of comic skits, variety acts, dancing, and music, usually performed by white people in blackface. ... Bert Williams (November 12, 1875 - March 4, 1922) was the pre-eminent African American entertainer of his era. ...

Height joined with Charles Hicks in the late 1860s to form Hicks and Height's Georgia Minstrels. This company proved quite popular among African Americans, particularly in the Washington, D.C. area. Eventually, both Hicks and Height joined Sam Hague's Slave Troupe of Georgia Minstrels. Height became a featured talent and accompanied the troupe on a European tour in the early 1870s. Charles Barney Hicks (? – 1902) was an African American advance man, manager, performer, and owner of blackface minstrel troupes composed of African American performers. ... Washington, D.C. is the capital city of the United States of America. ... Sam Hague was a British blackface minstrel dancer and troupe owner. ...

Upon the troupe's return to the US in 1872, Charles Callender purchased it and changed the name to Callender's Original Georgia Minstrels. The new owner helped lead the company to great success, and Height enjoyed high billing alongside Billy Kersands and Pete Devonear. Before long, however, Height and several other performers quit Callender's in a dispute over pay and recognition. They formed a new company, but it saw little success; most of the players soon rejoined Callender's troupe. Height instead emigrated to Europe, where he performed for many years. Charles Callender was the owner of blackface minstrel troupes that featured African American performers. ... Billy Kersands (c. ...

Notes

1. ^  Toll 203.

References

• Toll, Robert C. (1974). Blacking Up: The Minstrel Show in Nineteenth-century America. New York: Oxford University Press.
• Watkins, Mel (1994). On the Real Side: Laughing, Lying, and Signifying—The Underground Tradition of African-American Humor that Transformed American Culture, from Slavery to Richard Pryor. New York: Simon & Schuster.