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Boogaloo (shing-a-ling, popcorn music) is a genre of Latin music and dance that was very popular in the United States in the late 1960s. Boogaloo originated in New York City among teenage Cubans and Puerto Ricans. The style was a fusion of popular African American R&B, rock and roll and soul with mambo and son montuno. Boogaloo entered the mainstream through the American Bandstand television program. Musical genres are categories which contain music which share a certain style or which have certain elements in common. ...
Latin American music, or the music of Latin America, is sometimes called Latin music. ...
A contemporary dancer rehearsing in a dance studio Dance (from Old French dance, further history unknown) generally refers to human movement either used as a form of expression (see also body language) or presented in a social, spiritual or performance setting. ...
New York City (officially named the City of New York) is the most populous city in the United States, the most densely populated major city in North America, and is at the center of international finance, politics, entertainment, and culture. ...
African Americans, also known as Afro-Americans or black Americans, are an ethnic group in the United States of America whose ancestors, usually in predominant part, were indigenous to Sub-Saharan and West Africa. ...
Rhythm and blues (or R & B) is a musical marketing term introduced in the United States in the late 1940s by Billboard magazine. ...
Rock and roll (also spelled Rock n Roll, especially in its first decade), also called rock, is a form of popular music, usually featuring vocals (often with vocal harmony), electric guitars and a strong back beat; other instruments, such as the saxophone, are common in some styles. ...
For other uses, see Soul music (disambiguation). ...
Mambo is a Cuban musical form and dance style. ...
Arsenio Rodríguez initially developed son montuno from son. ...
American Bandstand was a live dance music television show. ...
Dance
The boogaloo dance was loose and interpretive in style. Early Boogaloo used a twelve-step sequence that was later sped up into a thirty-step sequence. The most common musical feature was a mid-tempo, looping melody that doubled as the anchoring rhythm, often played on piano or by the horn section. The presence of vocals, especially a catchy, anthematic chorus, was another distinguishing feature, especially in comparison to more instrumental dances like the mambo, guajira and guaracha. The Latin boogaloo (also spelled "bugalu") is to be distinguished from the Electric Booglaloo, a funk-oriented dance style from the 1970s, which came originally from Oakland in the 1960s.
History In the 1950s and 60s, African Americans in the United States listened to a number of styles of music, including jump blues, R&B and doo wop. Puerto Ricans in New York City shared in these tastes, but also listened to genres like mambo or chachacha. There was much intermixing of Latinos, especially Puerto Ricans and Cubans, and African Americans, and clubs that catered to both groups tried to find musical common ground to attract both. Boogaloo was the result of this search, a marriage of many styles including Cuban son montuno and guajira, Puerto Rican/Cuban guaracha, mambo and most uniquely, American R&B/soul. Boogaloo can be seen as "the first Nuyorican music" (René López), and has been called "the greatest potential that (Latinos) had to really cross over in terms of music" (Izzy Sanabria). Styles like doo wop also left a sizable infuence, through Tony Pabón (of Pete Rodríguez Band), Bobby Marín, King Nando, Johnny Colón and his vocalists Tony Rojas and Tito Ramos. Puerto Ricans (Herman Santiago and Joe Negroni) played a foundational role in the major doo wop group Frankie Lymon & the Teenagers. Herman Santiago was the author of the groups #1 "hit" "Why Do Fools Fall In Love". The jump blues is a type of blues music, characterized by a jazzy, saxophone (or other horn instruments) sound, driving rhythms and shouted vocals. ...
Rhythm and blues (or R & B) is a musical marketing term introduced in the United States in the late 1940s by Billboard magazine. ...
Doo-wop is a style of vocal-based rhythm and blues music popular in the mid-1950s to the early 1960s in America. ...
For the dance, see Cha-cha-cha (dance). ...
Arsenio Rodríguez initially developed son montuno from son. ...
Guajira is a style of Cuban acoustic music. ...
Cuban Guaracha Traditionally an early form of peasant street music with satirical lyric content somewhat in the Son rhythm style. ...
Nuyorican is a blending of the phrases New York and Puerto Rican and refers to the members or culture of the Puerto Rican diaspora located in or around New York City, or of their descendants (especially those raised or still living in the New York area). ...
Frankie Lymon (September 30, 1942 - February 27, 1968) was the leader of a doo wop group called The Teenagers. ...
Herman Santiago born (February 18, 1944 in San Juan, Puerto Rico and raised in Manhattan, New York), is a songwriter who wrote the rock and roll hit Why Do Fools Fall In Love. In the early 1950s Santiago and his friends, which included fellow Puerto Rican Joe Negroni, Frankie Lymon...
Though boogaloo did not become mainstream nationwide until later in the decade, two early Top 20 hits came in 1963: Mongo Santamaria's "Watermelon Man" and Ray Barretto's "El Watusi". Inspired by these two successes, a number of bands began imitating their infectious rhythms (which were Latinized R&B), intense conga rhythms and clever novelty lyrics. Some long-time veteran Latin musicians played an occasional boogaloo number, including Perez Prado and Tito Puente, but most of the performers were teenagers like The Latin Souls, The Lat-Teens, Pucho & His Latin Soul Brothers, Joe Bataan and The Latinaires. The term boogaloo was probably coined in about 1966 by Richie Ray and Bobby Cruz. The biggest boogaloo hit of the 60s was "Bang Bang" by the Joe Cuba Sextet, which achieved unprecedented success for Latin music in the United States in 1966 when it sold over one million copies. Other hits included Johnny Colón’s "Boogaloo Blues," Pete Rodríguez’s "I Like It Like That," and Hector Rivera’s "At the Party". Boogaloo also spread to Puerto Rico, where top band El Gran Combo released some material. Though the dance craze was over by the turn of the decade, boogaloo was popular enough that almost every major and minor Latin dance artist of the time recorded at least a few boogaloos on their albums. 1963 was a common year starting on Tuesday (link will take you to calendar). ...
Ramón Mongo Santamaría (April 7, 1922 – February 1, 2003) was an Afro-Cuban drummer. ...
Ray Barretto a. ...
Conga is a drum, a type of music, and a type of dance (Conga Line). ...
A novelty song is a usually intentionally humorous song, usually in published or recorded form. ...
Dámaso Pérez Prado, a Cuban bandleader and composer, was born on December 11, 1916 in Matanzas, Cuba. ...
Tito Puente (April 20, 1923 â May 31, 2000) was an influential Latin jazz and mambo musician. ...
Joe Bataan is a musician from New York, of Filipino and African American descent. ...
Richie Ray a. ...
Bobby Cruz (born February 1, 1937 in Hormigueros, Puerto Rico) - salsa singer and religious minister. ...
Joe Cuba (born Jose Calderon (1931) in New York City) is a Puerto Rican musician considered by many to be the Father of Latin Boogaloo. Cubas parents immigrated from Puerto Rico in the late 1920s and settled down in Spanish Harlem, a Hispanic ghetto located in Manhattan. ...
Latin music has long influenced American popular music, jazz, rhythm and blues,rock and even country music. ...
El Gran Combo is a Puerto Rican Salsa music orchestra. ...
The same year as Joe Cuba's pop success, 1966, saw the closing of New York City's Palladium Ballroom, a well-known venue that had been the home of big band mambo for many years. The closing marked the end of mainstream mambo, and boogaloo ruled the Latin charts for about two years before salsa music began to take over. Salsa music is a diverse and predominantly Caribbean and Latin genre that is popular across Latin America and among Latinos abroad; the style is the primary music played at Latin danceclubs and is the essential pulse of Latin music, according to author Ed Morales . ...
Boogaloo remains extremely popular to this day in Cali, Colombia, where the genre is played extensively, along with salsa and pachanga, in various FM and AM radio stations and hundreds of dance clubs. The Caleños prefer their boogaloo sped up, from 33 to 45 RPM, to match the city's fast dance style. This article needs to be cleaned up to conform to a higher standard of quality. ...
Salsa may mean: Salsa (sauce), any of various sauces of Spanish or Latin American origin, from the the Spanish word for sauce Salsa (music), a style of music of Caribbean origin Salsa (dance), a style of dance of Caribbean origin Salsa (film), a 1976 documentary film A spacecraft forming part...
Pachanga is a type of Latin American music and dance originating from Cuba in the 1960s. ...
External links - Salsaroots.com article: "Boogalu"
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