Bouncy techno (also known as happy gabber, funcore, tartan techno- see terminology) is a rave hardcore dance music style that developed from around 1992, mostly emanating from the United Kingdom and the Netherlands. Originally, it was influenced by the music found in the scene in the north of the United Kingdom (Scotland, North East England and Northern Ireland), where European (mostly from Belgium and Italy) produced techno was widely played. Rave music consists of forms of electronic music for dancing that are associated with the rave scene. ... For the comic book character previously known as Techno, see Fixer (comics). ... Gabber, gabba (pronounced gahba or gahbuhr in Dutch), or hardcore, is a subgenre of electronic music that is a subgenre of hardcore techno. ... For the band, see 1990s (band). ... Synth redirects here. ... A Boss DR-202 Drum Machine A drum machine is an electronic musical instrument designed to imitate the sound of drums and/or other percussion instruments. ... In the field of electronic music, a sequencer was traditionally a device or piece of software that allows the user to record, play back and edit musical patterns. ... The layout of a typical musical keyboard A musical keyboard is the set of adjacent depressible levers on a musical instrument which cause the instrument to produce sounds. ... An AKAI MPC2000 sampler Playing a Yamaha SU10 Sampler A sampler is an electronic music instrument closely related to a synthesizer. ... Freeform Hardcore coming from its sister genre happy hardcore was introduced in 1999. ... UK Hardcore is a broad term to describe the evolved United Kingdom rave hardcore lineage 4/4-kick drum and breakbeat fueled sound, which emerged there around the start of the 1990s and grew in strength during the 21st century. ... This is a list of electronic music genres and sub-genres, though for the latter, not all possess their own article (in which case, see the main genre article). ... Happy hardcore is a form of dance music typified by a very fast tempo (usually around 165-180 BPM), often coupled with male or female vocals, and sentimental lyrics. ... Telharmonium, created by Thaddeus Cahill 1897 Luigi Russolo and his assistant Ugo Piatti with their Intonarumori, 1913 Léon Theremin and his Theremin, 1919 Trautonium, 1928 An electronic musical instrument is a musical instrument that produces its sounds using electronics. ... Computer music is music generated with, or composed with the aid of, computers. ... For other uses, see Rave (disambiguation). ... Bouncy techno (also known as happy gabber, funcore, tartan techno- see terminology) is a rave hardcore dance music style that developed from around 1992, mostly emanating from the United Kingdom and the Netherlands. ... For other uses, see Rave (disambiguation). ... Hardcore (sometimes ardcore) is a term that has been used to describe a variety of related electronic dance music styles over almost two decades. ... Year 1992 (MCMXCII) was a leap year starting on Wednesday (link will display full 1992 Gregorian calendar). ... This article is about the country. ... North-East England is one of the nine official regions of England and comprises the combined area of Northumberland, County Durham, Tyne and Wear and a small part of North Yorkshire. ... Northern Ireland (Irish: , Ulster Scots: Norlin Airlann) is a constituent country of the United Kingdom lying in the northeast of the island of Ireland, covering 5,459 square miles (14,139 km², about a sixth of the islands total area). ... For other uses, see Europe (disambiguation). ... For the comic book character previously known as Techno, see Fixer (comics). ...

A combination of techno staccato riffs with off-beat stabs at a fast tempo, this basic sounding hardcore music popularized by record producer Scott Brown was prominent in the north United Kingdom rave scene and soon in the Netherlands, with the Dutch similarly producing large quantities of this lighter more melodious gabber-like style.^[1] By the mid-1990s, this music would change the English happy hardcore breakbeat-driven style away from its breakbeat hardcore origins, more-or-less becoming a happier variant of bouncy techno. In musical notation, the Italian word staccato (literally detached, plural staccatos or staccati) indicates that notes are sounded in a detached and distinctly separate manner, with silence making up the latter part of the time allocated to each note. ... Riff is also an alternate spelling of Rif, a region of Morocco. ... In music a back beat (also called the, or a, backbeat) is a term applied to the beats 2 and 4 in a 4/4 bar or a 12/8 bar [1] as opposed to the odd downbeat, (quarter beat 1). ... In music, a stab is a single staccato chord that adds dramatic impact to a composition. ... In the music industry, a record producer (or music producer) has many roles, among them controlling the recording sessions, coaching and guiding the musicians, organizing and scheduling production budget and resources, and supervising the recording, mixing and mastering processes. ... Scott Brown is a Glasgow-based Scottish DJ and music producer. ... Gabber, gabba (pronounced gahba or gahbuhr in Dutch), or hardcore, is a subgenre of electronic music that is a subgenre of hardcore techno. ... For the band, see 1990s (band). ... For other uses, see England (disambiguation). ... Happy hardcore is a form of dance music typified by a very fast tempo (usually around 165-180 BPM), often coupled with male or female vocals, and sentimental lyrics. ... Breakbeat hardcore (popularly known as rave music, originally referred to as simply hardcore in the United Kingdom, with old school hardcore a common term in the 21st century) is a style of electronic music that primarily uses breakbeats for its rhythm lines. ...

Characteristics

Typical characteristics would be for compositions to be around a tempo of around 160 to 180 BPM (beats per minute) using a 4/4 signature. Drum instruments will be minimal, usually consisting of a bass drum, sharp open hi-hat, hand clap, snare drum, ride and a splash cymbal, using the like of a TR-909 or DrumStation drum machine. Bass drum kicks would either by straight or possibly with some light distortion, and would be arranged in a strict four-to-the-floor manner. Bouncy Techno image from label sleeve File links The following pages link to this file: Bouncy techno ... CD redirects here. ... For other uses, see Tempo (disambiguation). ... For other uses, see Tempo (disambiguation). ... The time signature (also known as meter signature) is a notational device used in Western musical notation to specify how many beats are in each bar and which note value (minim, crotchet, eighth note and so on) constitutes one beat. ... A bass drum is a large drum that produces a note of low definite or indefinite pitch. ... The hi-hat stand has changed little since its invention. ... A clap is the sound made by striking together two flat surfaces, as in the body parts of humans or animals. ... The snare drum or side drum is a tubular drum made of wood or metal with skins, or heads, stretched over the top and bottom openings, and with a set of snares (cords) stretched across the bottom head. ... A Zildjian 22 Z Custom Power Ride A ride cymbal is a type of cymbal that is a standard part of most drum kits. ... A splash cymbal is a small cymbal used for an accent in a drum kit. ... Roland TR-909 The TR-909 was a partially analog, partially sample-based drum machine built by Roland Corporation in 1984. ...

Its most distinguishing feature would be the off-beat stab, effectively the bouncy part. This would likely be reinforced with similar off-beat snare, clap and hi-hats. Despite the style name, this actual part was minor and only found briefly during an entire track, perhaps not even featured at all. This off-beat note and off-beat drum combination was cited by Simon Reynolds as recalling klezmer or oom-pah music.^[2] In music a back beat (also called the, or a, backbeat) is a term applied to the beats 2 and 4 in a 4/4 bar or a 12/8 bar [1] as opposed to the odd downbeat, (quarter beat 1). ... In music, a stab is a single staccato chord that adds dramatic impact to a composition. ... Simon Reynolds (born 1963 in London), is an influential British music critic who is well-known for his writings on electronic dance music and for coining the term post-rock. ... Klezmer (from Yiddish כּלי־זמיר, etymologically from Hebrew kli zemer כלי זמר, musical instrument) is a musical tradition which parallels Hasidic and Ashkenazic Judaism. ... Oom-pah is an onomatopoeic name for a type of Germanic music typically involving brass instruments. ...

A techno-sounding staccato riff is used as the hook for the track - its key feature. This sound would be the only major part that could distinguish different songs from one another due to their similar structure to one another. A second variance of the notes likely occurs towards the remainder of the track. These notes may perhaps be altered through time using resonance filters. Tracks would be either instrumental or perhaps use a short sample, cut and repeated through various points of the track. Overall, tracks would be basic with a number fitting to the same layout structure and techniques. In musical notation, the Italian word staccato (literally detached, plural staccatos or staccati) indicates that notes are sounded in a detached and distinctly separate manner, with silence making up the latter part of the time allocated to each note. ... Riff is also an alternate spelling of Rif, a region of Morocco. ... This article is about resonance in physics. ... An instrumental is, in contrast to a song, a musical composition or recording without lyrics or any other sort of vocal music; all of the music is produced by musical instruments. ... This article is about reusing existing sound recordings in creating new works. ...

History

Origins

With a variety of music coming into raves during the early-1990s, the north of the United Kingdom would prefer European techno to be played. This was in contrast to the main rave scene found in the south of the United Kingdom where their own emerging breakbeat hardcore style was being produced in great quantities. This division would cause the scene in the north to differ musically from the south, thus evolve differently. Scott Brown, one of the most prolific names in the hardcore dance music scene, concurred that "there was a definite musical divide between the north and the south [of the United Kingdom], the north preferring it a lot harder..."^[3]

Apart from any southern based DJs playing in the north, the south based breakbeat hardcore style received little or no coverage on the radio or magazines dedicated to the Scottish rave scene. The few Scottish based breakbeat DJs found it very difficult to promote this music, even with Scottish ravers going to such extremes to shun them by way of petitions. DJ Kid, the original Scottish breakbeat stalwart said that "when trying to introduce the all new breakbeat sound to Scotland - nobody liked any of the records I played.^[4] I constantly pushed the breakbeat sound whilst the other DJs played underground techno".^[5] DJ Kid once stormed offstage at a Scottish rave when objects were thrown at him by disgruntled ravers during his breakbeat set. This article is about the magazine as a published medium. ...

Much like other rave scenes, the emerging Scottish scene created its own network of DJs and artists, eventually carving out a sound akin to the particular tastes of its own listening audience, most noticeably Scott Brown. Cumbernauld based Brown had formed various acts including Bass X, with their Hardcore Disco (Shoop!, SHOOP 2, 1993) release considered to be amongst the first - if more quintessential sounding - bouncy techno releases from early-1993. The track was hugely successful across the north of the United Kingdom and soon heralded many similar sounding tracks from Brown, with other local artists soon following his formula. The music on pioneering labels such as Shoop! was exported into mainland Europe and beyond.^[6] For other uses, see Audience (disambiguation). ... Scott Brown is a Glasgow-based Scottish DJ and music producer. ... , Cumbernauld (Gaelic: Comar nan Allt) is a new town in North Lanarkshire, Scotland, created in 1956 as a population overflow for Glasgow. ... Year 1993 (MCMXCIII) was a common year starting on Friday (link will display full 1993 Gregorian calendar). ...

Growth

Amongst other emerging releases from Brown was Bass Reaction - Technophobia (Shoop!, SHOOP 8, 1993) release. The track proved popular in the Netherlands scene, something that Brown said, "helped shape the Dutch and Scottish scenes for years."^[7] With the music being much played at Dutch events, various Dutch producers such as Paul Elstak picked up on the hardcore sound made popular by Scott Brown.^[8] New Dutch labels such as Babyboom Records, Dwarf Records, Pengo Records and others, released their own similar sounding material. Dutch artists were in-demand at Scottish raves - and vice-versa. The two scenes running in tandem with each other. DJ Paul Elstak (real name: Paul Roger Elstak; born The Hague 14 January 1966) is a Dutch hardcore and happy hardcore DJ and record producer. ...

As the Scottish scene grew, the Rezerection promotion - synonymous with the rave scene - threw its weight behind this north and south musical diversity, declaring "New Year's Eve 1993 proved to be a watershed event for Rezerection, as 1994 saw the demise of the traditional London style breakbeat sound favored by regular Rez DJs like Grooverider, SS and Seduction... as hard trance, bouncy techno and gabba dominated the Scottish scene."^[9] The hardcore music scene peaked in 1995, with Rezerection drawing 17,000 people in Edinburgh for their 20-hour Event 3: Equinox rave extravaganza on September 2, for what was primarily a bouncy techno dominated event. Rezerection is a dance music event promoter from Northumberland, England started by Paul Ludford in 1989. ... Year 1995 (MCMXCV) was a common year starting on Sunday. ... For other uses, see Edinburgh (disambiguation). ... The hour (symbol: h) is a unit of time. ... is the 245th day of the year (246th in leap years) in the Gregorian calendar. ...

In southern England, where previously the bouncy techno music was normally only found in second alternative rooms, the breakbeat happy hardcore DJs started to integrate bouncy techno music into their mix sets at raves by the mid-1990s. The music soon appeared alongside happy hardcore on compilations. By then, happy hardcore artists started to use bouncy techno mannerisms in their productions. Happy hardcore's inherent breakbeats were lessened (or dropped) in favour of bass drums and off-beat techno stabs, effectively becoming a hybrid of the two styles in varying ways.^[10] Several new English-based labels including Bounce!, Digital International Techno, and Techno Tunes pushed bouncy techno music outright, though the majority of productions found elsewhere tended to be a mixed fusion style on already established labels. Due to its new found similarity, the happy hardcore music made in-roads into the Scottish scene. Cross-genre is a term that refers to fiction or media, such as movies, books, or video games, that blend themes from two or more genres, such as fantasy and science fiction (science fantasy). ...

On another tangent during the early-1990s, Ultra-Sonic, one of the various Scottish live music rave acts, had topped the Scottish record charts with Annihilating Rhythm (Clubscene Records, CSRT015, 1993). Their Live In UV City (Clubscene, V-CSR001, 1993) VHS release even outsold the much hyped The Jungle Book in its debut week in Scotland. Annihilating Rhythm was re-licensed in 1994 around Europe, selling 56,000 units in Germany. Ultra-Sonic soon played around the world in countries such as Australia, Japan, Hungary, Poland, and also at the prestigious Mayday in Germany of 1994.^[11] The combination of the group's energetic live stage performance, distinct music, along with high volume sales for something with no prior publicity, was picked up on by German music moguls as something they could capitalise on. For other uses, see tangent (disambiguation). ... A concert is a live performance, usually of music, before an audience. ... // A record chart, also known as a music chart, is a method of ranking music according to popularity during a given period of time. ... Bottom view of VHS cassette with magnetic tape exposed Top view of VHS cassette with front casing removed The Video Home System, better known by its abbreviation VHS, is a recording and playing standard. ... The Jungle Book is a 1967 animated feature film, released on October 18th. ... Year 1994 (MCMXCIV) The year 1994 was designated as the International Year of the Family and the International Year of the Sport and the Olympic Ideal by the United Nations. ... Mayday, like Love Parade, is one of the oldest and most reputed electronic music festivals, having its debut on 1991. ... Year 1994 (MCMXCIV) The year 1994 was designated as the International Year of the Family and the International Year of the Sport and the Olympic Ideal by the United Nations. ...

A local band specifically for a German audience was sought. Annihilating Rhythm was soon re-incarnated by the newly formed German act Scooter with their much marketed Hyper Hyper (Club Tools, 006073-0 CLU, 1994) release. The imitation was a European chart hit - selling 700,000 units in Germany - and brought about similar Ultra-Sonic-influenced tracks by Scooter. This in-turn kick-started the German scene, derived from the Scottish sound intertwined with the pre-existing commercial German Eurodance. Ultra-Sonic said, "Annihilating Rhythm was a ground-breaking track which changed the face of dance music. You just need to look at tosspots like Scooter who had top 40 hits out of copying our style. I can name countless groups who copied our style..."^[12] This article is about the theological concept. ... Music sample: Scooter are a successful German dance band, who have sold over 12 million records and have earned 60 gold and platinum awards. ... This article is about a music style. ... The term tosspot, has come to be a synonym for tosser, someone who tosses or masturbates (as opposed to a sexpot). ...

Decline

Ever since the drug related deaths at Hanger 13 in 1994 - with the issue being raised in the British House of Commons^[13] - it gave the rave scene a disreputable image in the news media, linking it to hard drugs.^[14] It soon prompted a clampdown by authorities. Hanger 13 and other clubs had their licenses suspended or rejected,^[15] and events such as the pre-scheduled Safer Dance on November 1995, at the Scottish Exhibition and Conference Centre were cancelled. Hardcore music stronghold venues including the Metro and FUBAR made the jump to supporting house music. The influential Trevor Reilly, DJ from the Hanger 13 venue, similarly moved over to the house scene, along with others. The Rhythmic State, one of the various Scottish live performance rave acts, captured the feeling with their No DS Allowed (Clubscene Records, CSRT044, 1995) release, a tirade against the Drug Squad who maintained an intimidating presence at raves. Hanger 13 was an infamous Scottish hardcore rave venue in Ayr, Scotland. ... Type Lower House Speaker Michael Martin, (Non-affiliated) since October 23, 2000 Leader Harriet Harman, (Labour) since June 28, 2007 Shadow Leader Theresa May, (Conservative) since May 5, 2005 Members 659 Political groups Labour Party Conservative Party Liberal Democrats Scottish National Party Plaid Cymru Democratic Unionist Party Sinn Féin... News media satellite up-link trucks and photojournalists gathered outside the Prudential Financial headquarters in Newark, New Jersey in August, 2004 following the announcement of evidence of a terrorist threat to it and to buildings in New York City. ... Hard drugs are drugs that lead to physical addiction, opposed to soft drugs, such as marijuana and hashish, that are only psychologically addictive. ... The front of the SECC The Clyde Auditorium with the main SECC building behind it The Scottish Exhibition and Conference Centre (SECC), located on the north bank of the River Clyde in Glasgow, is Scotlands national venue for public events. ... House music is a style of electronic dance music that was developed by dance club DJs in Chicago in the early to mid-1980s. ...

Radio programmes started to chance their music. George Bowie's popular GB Experience on Clyde 1 moved away from hardcore and into the growing house scene. On its change, Bowie said "the show has always been a reflection of the Scottish dance scene. I did play a lot of hardcore, although at that time the sound was really kicking off here to that 160 BPM Scott Brown sound, well, bouncy techno, really. It was rave, then techno, now house."^[16] Unlike Tom Wilson's hardcore orintentated Steppin' Out programme found only on Forth FM, the GM Experience was syndicated on five commercial radio stations around Scotland - the first nationwide Scottish dance music show - and reached a far greater audience than Steppin' Out. 102. ... Tom Wilson (Died March 2004) Tom Wilson // A tribute to the legend Tom Wilson died on Thursday March 25th 2004 from a heart attack after a short illness. ... 97. ... In the entertainment and news industries, syndication is a method of making content available to a range of outlets simultaneously. ... Commercial broadcasting - Wikipedia /**/ @import /skins-1. ...

By 1996, the music being played in the hardcore scene was changing. Music allegiances had been switched from Netherlands to England,^[17] with their happy hardcore music growing as a result.^[18] Happy hardcore was introduced to move the scene away from its hardcore single-mindedness, but the music was not popular with all the existing hardcore contingent. Remaining events closed due to the lack of interest and decline in numbers due to this new musical direction. Allegiance is a duty of fidelity said to be owed by a subject or a citizen to his state or sovereign. ...

The hardcore scene was devastated when the almighty Rezerection rave promotion, the last remaining stalwart of a once thriving scene, went into liquidation following the collapse of the ticket agency, TOCTA.^[19] Whilst a factor in Rezerection's demise, as with other promotions, they no longer attracted the same numbers as before. Their last event on May 31, 1997, had only one of the three advertised music tents in place due to low ticket sales. Winding up redirects here. ... is the 151st day of the year (152nd in leap years) in the Gregorian calendar. ... For the band, see 1997 (band). ...

Upon this news, Scott Brown wrote in his monthly M8 Magazine column that it "will always be looked upon as the month the Scottish hardcore scene died. I have expanded my horizons by producing more commercial dance and gabber, but for me, Scottish bouncy techno is almost a thing of the past."^[20] Through 1997, M8 Magazine would more-or-less drop any remaining hardcore coverage - something that they had greatly covered and supported since their launch in many ways - in favour of other music.

Through demand from the die-hard remaining fan base, Brown hailed the return of new bouncy techno music in August, 1998, by launching the fittingly named Bouncy Techno Records label. It did not see past the 20th century as the label distributor went out of business. Before the turn of the 21st century, the landscape of the United Kingdom-wide scene had changed due to the rise of the club scene and its inherent music, such as house and trance. Year 1998 (MCMXCVIII) was a common year starting on Thursday (link will display full 1998 Gregorian calendar). ... (19th century - 20th century - 21st century - more centuries) Decades: 1900s 1910s 1920s 1930s 1940s 1950s 1960s 1970s 1980s 1990s As a means of recording the passage of time, the 20th century was that century which lasted from 1901–2000 in the sense of the Gregorian calendar (1900–1999 in the... Trance is a style of electronic music that developed in the 1990s. ...

Present day

Through lineage, bouncy techno's musical attributes remain in the United Kingdom rave-based hardcore music output, in-part due to Scott Brown being at the forefront of a new sound, UK hardcore. Indeed, various old bouncy techno tracks from the early-1990s have seamlessly been adapted to the UK Hardcore sound in the mid-2000s due to their shared identity (the original 1990s versions are usually included in the release too). Whilst there is some musical similarities, there has been demand from the enthusiast, disillusioned with the current UK hardcore sound, for a return of bouncy techno. This millennium, and increasingly more so to 2008, a new type of a new bouncy techno movement called Scouse House, also known as Bouncy House or "Donk" (Pipe-sounding mid-beat) has surfaced. The music is being produced and listened to more and more and at a fast rate. Especially in the North West and North Eest of England, and some parts of Scotland in night clubs such as Wigan Pier, and Maximes. UK Hardcore is a broad term to describe the evolved United Kingdom rave hardcore lineage 4/4-kick drum and breakbeat fueled sound, which emerged there around the start of the 1990s and grew in strength during the 21st century. ... This article is about the decade of 2000-2009. ... Enthusiasm (from Gr. ... For other uses, see England (disambiguation). ... This article is about the country. ... A nightclub (often dance club or club, particularly in the UK) is an entertainment venue which does its primary business after dark. ... Location within the British Isles. ...

The early music itself is still actively played, far more so in the United Kingdom than the Netherlands. Not only is it found at dedicated old school themed events in the United Kingdom, it also crops up as part of the main arena scene, something usually reserved for new music. It is also found in the North American hardcore DJ circuit, with the Los Angeles based Baco Brothers releasing a "throwback happy gabber" track in 2005 (Undercover Records Limited, UDL001, 2005).^[21] Old school, variously spelled old skool, oldschool or oldskool, is a slang term referring to an older school of thinking or acting and to old objects in general, within the context of newer, more modern times. ... North American redirects here. ... Flag Seal Nickname: City of Angels Location Location within Los Angeles County in the state of California Coordinates , Government State County California Los Angeles County Mayor Antonio Villaraigosa (D) Geographical characteristics Area     City 1,290. ... Year 2005 (MMV) was a common year starting on Saturday (link displays full calendar) of the Gregorian calendar. ...

Terminology

Bouncy techno is derived from crowds bouncing to music at raves. Amongst early uses, DJ ZBD described the Scottish group Q-Tex record release as "this bouncy techno cut should do their reputation a power of good" in the December 1992, issue of Clubscene magazine.^[22] Bouncy hardcore is more-or-less an alternative name to the original term, that fits in better with the hardcore lingo, whilst shorter less descriptive terms such as techno and hardcore are also used. A throng of people returning from a show of fireworks spill in to the street stopping traffic at the intersection of Fulton Street and Gold Street in Lower Manhattan. ... Speech community is a concept in sociolinguistics that describes a more or less discrete group of people who use language in a unique and mutually accepted way among themselves. ...

Happy gabber tends to be used for the Dutch side of productions, which started during the mid-1990s.^[23] The Dutch artists introduced lyric samples lifted from old pop and rock songs into the already existing bouncy techno format in ever increasing ways, more so than the original Scottish productions that tended to be quite sparse and basic in comparison. Funcore is another alternative word, first used on the Dutch based Babyboom Records, along with others. These terms have existed since 1995. Image File history File links Funcore. ... A 12-inch record (left), a 7-inch record (right), and a CD (above) Two 7 singles (left), two colored 7 singles (middle), and two 7 singles with large spindle holes (right). ...

Tartan techno is a term more directed to the overall Scottish rave music scene, of which hardcore music is one component, albeit the far greatest in quantity and popularity. The term has existed since 1994. An article in the October 23, 2004, edition of the Daily Record tabloid citing indigenous words based on popular culture in Scottish society that could be entered in a Scots language dictionary listed tartan techno as their choice for 1994; only highlighting the scale of the scene at that time. is the 296th day of the year (297th in leap years) in the Gregorian calendar. ... Year 2004 (MMIV) was a leap year starting on Thursday of the Gregorian calendar. ... Daily Record building at Central Quay, Glasgow The Daily Record is a combination of a comic for the mentally sub-normal and substitute tiolet paper, based in Glasgow. ... This article does not cite any references or sources. ...

Selected information

Artists: - Bass Reaction, Bass X, Brothers In Crime, Casio Brothers, Dance Overdose, Davie Forbes, DJ Gizmo, DJ Isaac, DJ Waxweazle, Gordon Tennant, Hyperact, Infernus, Marc Smith, Q-Tex, Scott Brown, Technosis, The Rhythmic State, TTF, Ultra-Sonic, Scooter Scott Brown is a Glasgow-based Scottish DJ and music producer. ... Music sample: Scooter are a successful German dance band, who have sold over 12 million records and have earned 60 gold and platinum awards. ...

DJs: - Bass Generator, Dj Brisk, Buzz Fuzz, Carl Cox, DJ Rab S, DJ Ten, DJ Tizer, DJ Vince, Marc Smith, Scott Brown, Vertical Drop, Technotrance, The Nightraver, Tom Wilson, DJ X-ray Northern Ireland, Darren Grant, Joey Riot Carl Cox (born July 29, 1962 in Oldham, Lancashire, England) is a popular international techno and house DJ. // Carl Cox began as a hardcore and acid house DJ in the mid 1980s, making a name for himself as the Three Deck Wizard in 1988, when, during the Second Summer of... Tom Wilson (Died March 2004) Tom Wilson // A tribute to the legend Tom Wilson died on Thursday March 25th 2004 from a heart attack after a short illness. ... Northern Ireland (Irish: , Ulster Scots: Norlin Airlann) is a constituent country of the United Kingdom lying in the northeast of the island of Ireland, covering 5,459 square miles (14,139 km², about a sixth of the islands total area). ...

Raves: - Awesome 101, Colosseum, Dance Concept, Dreamscape, Fantazia, FUBAR, Hanger 13, Hellraiser, Helter Skelter, Hysteria, Intelligence, Judgement Day, Futureglow, Mayday, Metro, Nightmare in Rotterdam, Nosebleed, Rezerection, Kontor Records, Sheffield Tunes Hanger 13 was an infamous Scottish hardcore rave venue in Ayr, Scotland. ...

Record labels: - Babyboom Records, Bass Generator Records, Breeze Records, Clubscene Records, Dwarf Records, Evolution Records, Forze Records, Global Records, Jolly Roger Records, Massive Respect Records, Pengo Records, Rave Records, Screwdriver Records, Shoop!, Twisted Vinyl, Waxweazle Records, Quosh, Steven caroll records

Releases: -

• Bass Reaction - Technophobia (Shoop!, SHOOP 8, 1993)
• MIC - Bounce, Bounce, Bounce (Bass Generator Records, GTX 015, 1994)
• The Scotchman - Mayhem (Dwarf Records, DWARF 001, 1994)
• Infernus - Funcore (Babyboom Records, BABY 005, 1995)

References

Year 2006 (MMVI) was a common year starting on Sunday of the Gregorian calendar. ... Year 2006 (MMVI) was a common year starting on Sunday of the Gregorian calendar. ... Year 2006 (MMVI) was a common year starting on Sunday of the Gregorian calendar. ... Year 2006 (MMVI) was a common year starting on Sunday of the Gregorian calendar. ... Year 2006 (MMVI) was a common year starting on Sunday of the Gregorian calendar. ... Year 2006 (MMVI) was a common year starting on Sunday of the Gregorian calendar. ... Year 2006 (MMVI) was a common year starting on Sunday of the Gregorian calendar. ... Year 2006 (MMVI) was a common year starting on Sunday of the Gregorian calendar. ... Year 2006 (MMVI) was a common year starting on Sunday of the Gregorian calendar. ... Year 2006 (MMVI) was a common year starting on Sunday of the Gregorian calendar. ... Year 2006 (MMVI) was a common year starting on Sunday of the Gregorian calendar. ... Year 2006 (MMVI) was a common year starting on Sunday of the Gregorian calendar. ... Year 2006 (MMVI) was a common year starting on Sunday of the Gregorian calendar. ... Year 2006 (MMVI) was a common year starting on Sunday of the Gregorian calendar. ...

See also

• List of electronic music genres

This is a list of electronic music genres and sub-genres, though for the latter, not all possess their own article (in which case, see the main genre article). ...

External links

• Back To The Future - UK rave promotion
• Rezerection - UK rave promotion
• scottishhardcore.co.uk - Scottish hardcore music website
• United States of Hardcore - UK based hardcore music website