Bray Productions was the dominant animation studio based in the United States in the years before World War I. Animation studios Animation Studios, like Movie Studios may be production facilities, or financial entities. ... Combatants Allied Powers: British Empire French Empire Italy Russian Empire Kingdom of Serbia United States Central Powers: Austria-Hungary Bulgaria German Empire Ottoman Empire Commanders Douglas Haig Sir John Jellicoe Ferdinand Foch Nikolay II Nikolay Yudenich Radomir Putnik Woodrow Wilson John Pershing Wilhelm II Reinhard Scheer Franz Josef I Oskar...

History

The studio was founded in December of 1914 by J. R. Bray, perhaps the first studio entirely devoted to animation, and series animation at that (he was probably beaten a few months earlier by Raoul Barré's studio). Its first series was Bray's Heeza Liar, but from the beginning the studio brought in outsiders to direct promising new series. Carl Anderson, later known for the comic strip Henry, directed The Police Dog from the beginning of the company. The year 1915 brought Earl Hurd and Paul Terry; the former became J. R. Bray's business partner and directed Bobby Bumps, the latter was employed under duress and directed Farmer Al Falfa. The Fleischer brothers joined in 1916. In 1919, the rival International Film Service studio folded and owner William Randolph Hearst licensed Bray to continue the IFS series, leading most of the staff of the former studio to transfer to Bray. Most of these new cartoons were directed by the same man who directed them for IFS, Gregory La Cava. 1914 (MCMXIV) was a common year starting on Thursday. ... 12 drawings per second is the typical rate for an animated cartoon. ... Barré Studio was, in all probability, the first film studio dedicated to animation (the rival for this honor is Bray Productions). ... This article is about the comic strip, the sequential art form as published in newspapers and on the Internet. ... Henry is a male given name and a surname. ... // Events June 18 : The Motion Picture Directors Association (MPDA) was formed by twenty-six film directors in Los Angeles, California. ... Mighty Mouse, the signature character of the studio. ... Max Fleischer (July 19, 1883–September 11, 1972) was an important pioneer in the development of the animated cartoon. ... // Events November 19 - Samuel Goldfish (later renamed Samuel Goldwyn) and Edgar Selwyn establish Goldwyn Company (the company later became one of the most successful independent filmmakers). ... See also: 1918 in film 1919 1920 in film years in film film // Events February 5 - Charlie Chaplin, Mary Pickford, Douglas Fairbanks and D.W. Griffith launch United Artists Oscar Micheaux releases The Homesteader, becoming the first African-American to produce and direct a motion picture. ... International Film Service was an American animation studio created to exploit the popularity of the comic strips controlled by William Randolph Hearst. ... William Randolph Hearst William Randolph Hearst (April 29, 1863 – August 14, 1951) was an American newspaper magnate, born in San Francisco, California. ... A cartoon is any of several forms of art, with varied meanings that evolved from one to another. ... Gregory La Cava (March 10, 1892 - March 1, 1952) was an American film director of the 1930s. ...

Bray's goal was to have four units working on four cartoons at any one time; since it took a month to complete a film, four units with staggered schedules produced one cartoon a week for use of the "screen magazines" (a one-reel collection of live-action didactic pieces and travelogs in addition to the cartoon, that was played before the feature). Bray started with Pathé as his distributor, switched to Paramount in 1916, and then switched to Goldwyn in 1919. Of the units, one produced his Colonel Heeza Liar, one produced Hurd's Bobby Bumps, and one produced non-series cartoons, usually topical commentaries on the news directed by Leighton Budd, J. D. Leventhal, and others. The fourth unit was the one that kept changing hands. It produced Terry's Farmer Al Falfa from 1915 to 1916, when Terry left. It then produced Max Fleischer's Out of the Inkwell until 1921, when he left. The influx of IFS series at the same time broke up the four-unit system--in 1920 there were ten series going simultaneously, with Heeza Liar in hiatus from 1917. Film refers to the celluloid media on which movies are printed. ... Pathé or Pathé Frères is the name of various businesses founded and originally run by the Pathé Brothers of France. ... The Paramount Pictures logo from the 1990s to 2002. ... 1921 (MCMXXI) was a common year starting on Saturday (see link for calendar). ... 1920 (MCMXX) was a leap year starting on Thursday (link will take you to calendar) // Events January January 3 - Babe Ruth is traded by the Boston Red Sox to the New York Yankees for $125,000, the largest sum ever paid for a player at that time. ...

Bray was constantly looking to expand his studio. He financed the semi-independent studio of C. Allen Gilbert to create a series of serious Silhouette Fantasies on classical themes (he actually did some of the animation work for this series). In 1917 he bought out his distributor's screen magazine to produce one of his own, moving him into the realm of live-action shorts producer. During World War I he assigned Leventhal and Max Fleischer's units to create training and educational cartoons for the U.S. Army. These did so well that after the war Bray was swamped with orders from the government and big business to make films for them. Over a period of years Bray moved the focus of his company from entertainment to education, setting Leventhal and E. Dean Parmelee in change of the technical department. A Dr. Rowland Rogers became educational director, while Jamison "Jam" Handy was put in change of a Chicago-Detroit branch for creating films for the auto industry, Bray's largest private client. Charles Allan Gilbert (1873-1929) was an American artist and illustrator. ... See also: 1916 in film 1917 1918 in film years in film film Events Technicolor is introduced Top grossing films Cleopatra Movies released Movies released in 1917 include: The Adventurer, a Charlie Chaplin short. ... The Army is the branch of the United States armed forces which has primary responsibility for land-based military operations. ... (in silhouette from bottom center) Tom Servo, Joel Robinson, and Crow T. Robot from Mystery Science Theater 3000 watching Hired! Part One. ...

The 1919 move from Paramount to Goldwyn also included a re-incorporation of the studio, now called Bray Pictures Corporation. The studio was putting out more than three reels of screen magazines, the educational and training films, and experimental films such as an unnamed sound-on-film cartoon of Dr. Hugo Reisenfield, and "The Debut of Thomas Cat" (February 8, 1920), the first cartoon made in color. The expenses quickly outweighed the revenue, and in January of 1920, Samuel Goldwyn bought a controlling interest in Bray Pictures and ordered a massive reorganization. Max Fleischer and J. D. Leventhal's positions as executive producers of the entertainment and technical branches of the studio were greatly strengthened, and the company was streamlined to work more like Goldwyn Picture Corporation, with two cartoons released a week. The result was a massive exodus of talent, including Max Fleischer and even Earl Hurd. Goldwyn dropped Bray Pictures like a hot potato. In the wake of this disaster, first Vernon Stallings, then Walter Lantz was put in charge of Bray's entertainment cartoons. Stallings directed Krazy Kat and the revival of Heeza Liar, while Lantz directed Dinky Doodle. Among the big names who passed through the studio were Wallace Carlson, Milt Gross, Frank Moser, Burt Gillett, Grim Natwick, Raoul Barré, Pat Sullivan, Jack King, David Hand, Clyde Geronimi and Shamus Culhane. See also: 1918 in film 1919 1920 in film years in film film // Events February 5 - Charlie Chaplin, Mary Pickford, Douglas Fairbanks and D.W. Griffith launch United Artists Oscar Micheaux releases The Homesteader, becoming the first African-American to produce and direct a motion picture. ... // Samuel Goldwyn (July, 1879, Warsaw, Poland – January 31, 1974, Los Angeles, California, United States) was a widely known motion picture producer and founding contributor of several motion picture studios. ... In 1916 Samuel Goldfish partnered with Broadway producers Edgar and Archibald Selwyn, using a combination of both names to call their movie-making enterprise the Goldwyn Picture Corporation. ... This article needs to be cleaned up to conform to a higher standard of quality. ... Detail of a Sunday page in which Ignatz, disguised as a painting, hurls a brick at Krazy Kat, who interprets it as an expression of love. ... Milt Gross (1895-1953), was an American comic book illustrator, and animator. ... Burton F. Gillett (October 15, 1891 _ December 28, 1971) was an animation director. ... Myron Grim Natwick (August 16, 1890 - October 7, 1990) was an American animator and film director, regarded as one of the greatest of all time. ... Raoul Barré (January 29, 1874 - May 21, 1932) was a Canadian and American cartoonist, animator of the Silent Era, and artist. ... There have been several well-known people named Pat Sullivan, including: Pat Sullivan (film producer) Pat Sullivan (football player) Pat Sullivan (software developer, author) This is a disambiguation page — a navigational aid which lists other pages that might otherwise share the same title. ... Jack King is a pseudonym for a former top-secret government courier, who was privy to all the ins and outs of covert maneuvering on a global scale. ... The Most Reverend Geoffrey David Hand KBE GCL MA (born Clermont, Queensland, Australia, 11 May 1918, died Port Moresby, 6 April 2006, was the Anglican Archbishop of Papua New Guinea. ... James Shamus Culhane was an Irish-American animator, film director, and film producer, often regarded as one of the greatest animators of all time. ...

J.R. Bray paid little attention to the animation side of things during the 1920s, focusing instead on beating Hal Roach as the king of two-reel comedy. When this adventure failed, he slipped out of the business. The entertainment branch of Bray Pictures Corporation closed. The educational/commercial branch, Brayco, made mostly filmstrips from the 1920s until it closed in 1963. Jam Handy's offshoot company (The Jam Handy Organization) made several thousand industrial and sponsored films and tens of thousands of filmstrips, many for the automobile industry, until it closed in 1983. It has been suggested that this article or section be merged with Social issues of the 1920s. ... Harold Eugene Roach, Sr. ... 1963 (MCMLXIII) was a common year starting on Tuesday (the link is to a full 1963 calendar). ... This article or section does not cite its references or sources. ...

In evaluating the quality of the Bray product, there is a strong conflict between the cheap cost-cutting exemplified in the business practices of J. R. Bray contrasted with the equally-strong artistic sensibilities of the directors Bray hired, most of whom quit rather than bend to the pressure to cheapen their product. The success of Bray Productions, driven entirely on assembly-line methods, simultaneously guaranteed the survival of animated films in general and at the same time doomed them to near-extinction by the end of the Silent Era.

Series produced by Bray Productions

• Colonel Heeza Liar (1913-1917, 1922-1924): directed by J. R. Bray 1913-1917; Vernon Stallings 1922-1924
• The Police Dog (1914-1916, 1918): directed by C. T. Anderson
• The Trick Kids (1916): director unknown
• Plastiques (1916): directed by Ashley Miller
• Bobby Bumps (1916-1922): directed by Earl Hurd
• Farmer Al Falfa (1916-1917): directed by Paul Terry
• Silhouette Fantasies (1916): directed by C. Allen Gilbert
• Miss Nanny Goat (1916-1917): directed by Clarence Rigby
• Out of the Inkwell (1916, 1918-1919): directed by Max Fleischer and Dave Fleischer
• Quacky Doodles (1917): directed by F.M. Follett
• Picto Puzzles (1917): Sam Lloyd
• Otto Luck (1917): directed by Wallace A. Carlson
• Goodrich Dirt (1917-1919): directed by Wallace A. Carlson
• Hardrock Dome (1919): directed by Pat Sullivan
• Us Fellers (1919-1920): directed by Wallace A. Carlson
• Jerry on the Job (1919-1920): directed by Gregory La Cava, Vernon Stallings
• Lampoons (1920): directed by Burt Gillett
• Ginger Snaps (1920): directed by Milt Gross
• Shenanigan Kids (1920): directed by Gregory La Cava, Burt Gillett, and Grim Natwick
• Krazy Kat (1920-1921): directed by Vernon Stallings
• Bud and Suzy (1920-1921): directed by Frank Moser
• Happy Hooligan (1920-1921): directed by Gregory La Cava, Bill Nolan
• Judge Rummy (1920-21): directed by Gregory La Cava
• Technical Romances (1922-1923): directed by J.A. Norling, Ashley Miller, and F. Lyle Goldman
• Ink Ravings (1922-1923): directed by Milt Gross
• Dinky Doodle (1924-1926): directed by Walter Lantz
• Un-Natural History (1925-1927): directed by Walter Lantz and Clyde Geronimi
• Hot Dog Cartoons (1926-1927): directed by Walter Lantz and Clyde Geronimi

Staff

• Producer: J. R. Bray
• Directors: J. R. Bray, Earl Hurd (1915-1922), Max Fleischer (1916-1921), J.D. Leventhal (1916-1921), Vernon "George" Stallings (1919-1924), Jamison "Jam" Handy (1919-), C.T. Anderson (1914-1918), L.M. Glackens (1915-1919), Leighton Budd (1916-1919), Leslie Elton (1916-1919), Wallace A. Carlson (1917-1920), Milt Gross (1919-1920, 1922-1923), Frank Moser (1916, 1920-1921), Ashley Miller (1916, 1922-1923), Gregory La Cava (1919-1921), F. Lyle Goldman (1920, 1922-1923), W.C. Morris (1915-1916), Paul Terry (1915-1916), Clarence Rigby (1916-1917), E. Dean Parmelee (1918-1919), Dave Fleischer (1920-1921), Jean Gic (1920-1921), Burt Gillett (1920-1921), Grim Natwick (1920-1921), Bill Nolan (1920-21), J.A. Norling (1922-1923), Walter Lantz (1924-1925), Vincent Colby (1915), Flohri (1915), C. Allen Gilbert (1916), H.C. Greening (1916), A.D. Reed (1916), Hugh M. Shields (1916), John C. Terry (1916), Charles Wilhelm (1916), F.M. Follett (1917), Sam Lloyd (1917), Santry (1918), Raoul Barré (1919), Pat Sullivan (1919), R.D. Crandall (1920)
• Animators: all of the directors, plus Raoul Barré (1915), Johnny B. Gruelle (1917), Jack King (1920-1921), Isadore Klein (1920-1921), Leon A. Searl (1920-1921), Bert Green (1920-1921), Edward Grinham (1920-1921), Ben Sharpsteen (1920-1921), Will Powers (1920-1921), Walter Lantz (1920-1921), David Hand (1925-1927), Ving Fuller (1925-26), Frank Paiker (c. 1924)
• Inker/Cel Painter: James (Shamus) Culhane (1924-27)
• Screenwriters: H. E. Hancock (1920-1921), Louis De Lorme (1920-1921), Clyde Geronimi [also animator] (1924-26), Webb Smith

Louis M. Glackens (1866-1933) American illustrator, animator and cartoonist, was the brother of Ashcan School painter and illustrator William Glackens. ...

Distributors

• Pathé (1913-1916)
• Paramount (1916-1921)
• Thomas A. Edison, Inc. (1917)
• Goldwyn Pictures (1919-1921)
• W. W. Hodkinson (1922-1923)
• Standard Cinema (1924-1925)
• Film Booking Office (1924-1926)

W. W. (William Wadsworth) Hodkinson (16 August 1881 - 2 June 1971) has been given the soubriquet of The Man Who Invented Hollywood. ...

References

• Donald Crafton; Before Mickey: The Animated Film, 1898-1928; University of Chicago Press; ISBN 0-226-11667-0 (2nd edition, paperback, 1993)
• Denis Gifford; American Animated Films: The Silent Era, 1897-1929; McFarland & Company; ISBN 0-89950-460-4 (library binding, 1990)
• Leonard Maltin; Of Mice and Magic: A History of American Animated Cartoons; Penguin Books; ISBN 0-452-25993-2 (1980, 1987)

External links

• Animators before 1970, by Alberto Becattini: http://www.immaginariofiorentino.com/albertopage/index.html
• The Big Cartoon DataBase entry for Bray Productions