The Cello Concerto No. 1 in E Flat Major, Opus 107, was written by Dmitri Shostakovich in 1959. He wrote it for Mstislav Rostropovich, who memorised the work in four days and gave the premiere in Leningrad under Yevgeny Mravinsky. Dmitri Dmitrievich Shostakovich (Russian Дмитрий Дмитриевич Шостакович) (September 25, 1906 – August 9, 1975) was a Russian composer of the Soviet period. ... 1959 was a common year starting on Thursday (link will take you to calendar). ... Mstislav Leopoldovich Rostropovich (Мстисла́в Леопо́льдович Ростропо́вич) (born March 27, 1927) is a Russian cellist and conductor, considered to be one of the greatest living cellists. ... Saint Petersburg (Russian: Санкт-Петербу́рг, English transliteration: Sankt-Peterburg), colloquially known as Питер (transliterated Piter), formerly known as Leningrad (Ленингра́д, 1924–1991) and Petrograd (Петрогра́д, 1914–1924), is a city located in Northwestern Russia on the Gulf of Finland of the Baltic Sea. ... Yevgeny Aleksandrovich Mravinsky (June 4, 1903 - January 19, 1988) was a Russian conductor. ...

The concerto lasts around 25 minutes and has four movements including the cadenza: Origin Etymology Concerto (pl. ... The term Movement has a variety of different meanings: Physical movement between points in space (A to B). The amount of movement is called distance. ... A cadenza is usually now taken to mean a portion near the end of a movement of a concerto in which the orchestra stops playing, leaving the soloist to play alone in free time (without a strict, regular pulse). ...

1. Allegretto
2. Moderato
3. Cadenza -- Attacca
4. Allegro con moto

The work is similar in some respects to the Symphony-Concerto of Sergei Prokofiev, a work Shostakovich greatly admired. The insistent first movement includes quotations from the Trepak in Mussorgsky's Songs and Dances of Death. It is followed by an elegiac second movement, which leads into the cadenza. The cadenza is based on material from the earlier movements and comes to be dominated by the opening theme. The finale includes a quotation from Suliko, a song favoured by Stalin and used by Shostakovich in Rayok, his satire on the Soviet system. The opening theme then re-emerges to conclude the work. This article is about tempo in music. ... This article is about tempo in music. ... Allegro is: a direction in musical notation indicating that the music is to be played fast and lively. ... Sergei Prokofievs Sinfonia Concertante, his Cello Concerto No. ... Sergei Sergeyevich Prokofiev (Russian: ) (April 271, 1891 – March 5, 1953) was one of the Soviet Unions greatest composers. ... Modest Petrovich Mussorgsky (Russian: Моде́ст Петро́вич Му́соргский) (March 21, 1839 – March 28, 1881; sometimes spelled Modeste Moussorgsky), was an innovative Russian composer famed for his colourful, exotic, and lush orchestral pieces dedicated to various subjects of medieval Russian history. ... Iosif (usually Anglicized as Joseph) Vissarionovich Stalin (Russian: Иосиф Виссарионович Сталин), original name Ioseb Jughashvili (Georgian: იოსებ ჯუღაშვილი; see Other names section) (December 21, 1879[1] – March 5, 1953) was a Bolshevik revolutionary and leader of the Soviet Union. ... Rayok (opus 78B, also known as Anti-formalist Rayok, Little Paradise, The Peep-show (see rayok), The Gods and A Learners Manual) is a satirical cantata for four voices, chorus and piano by Dmitri Shostakovich. ... The Union of Soviet Socialist Republics (USSR) (Russian: (СССР)  listen; tr. ...