The term Chinese orchestra can refer to either:

• The ancient Chinese orchestra, or
• The modern Chinese orchestra

The ancient Chinese orchestra

According to recent archaeological findings, ancient Chinese music was much more developed and sophisticated than is generally believed. Music had already been an important element in traditional ritualistic ceremonies during the Shang Dynasty (c. 1550-1111 BC), and it reached one of its greatest peaks during the Zhou Dynasty (c. 1111-222 BC). Allegory of Music on the Opéra Garnier Music is an art form that involves organized and audible sounds and silence. ... The Shāng Dynasty (Chinese: 商朝) or Yīn Dynasty (殷代) (ca. ... BC or B.C. may stand for: Before Christ, a year before the beginning of the year count that starts with the conventional year of the birth of Jesus British Columbia, a Canadian province B.C. (comic), syndicated comic strip by Johnny Hart BC wheel, the impossible wheel, a unicycle... This article or section does not cite its references or sources. ...

It featured a great abundance of percussion instruments. There were also several wind instruments, but only a few zither-type string instruments were used. All the bowed string instruments and most of the plucked string instruments first came to China from Central Asia after the Han dynasty (202 BC-AD 219). Percussion instruments are played by being struck, shaken, rubbed or scraped. ... A Musima Guitar Zither 45 strings with 21 melody, 24 chords The zither is a musical string instrument, mainly used in folk music. ... Map of Central Asia showing three sets of possible boundaries for the region Central Asia located as a region of the world Central Asia is a vast landlocked region of Asia. ... The Han Dynasty (Traditional Chinese: ; Simplified Chinese: ; Hanyu Pinyin: ; Wade-Giles: Han Chau; 206 BC–AD 220) followed the Qin Dynasty and preceded the Three Kingdoms in China. ...

The Tang dynasty (AD 618-907) saw the first wave of musical influence from Central Asia, which was a very important epoch in the evolution of Chinese music. However, it was during the Song dynasty (AD 960-1279) that Chinese music reached its maturity. The Tang Dynasty (Chinese: ; pinyin: ) (18 June 618 – 4 June 907), lasting about three centuries, followed the Sui Dynasty and preceded the Song Dynasty and the Five Dynasties and Ten Kingdoms Period in China. ... Look up AD, ad-, and ad in Wiktionary, the free dictionary. ... Map of Central Asia showing three sets of possible boundaries for the region Central Asia located as a region of the world Central Asia is a vast landlocked region of Asia. ... The Song Dynasty (Chinese: ; pinyin: ) was a ruling dynasty in China from 960-1279. ...

Traditional Chinese musical instruments were classified into eight groups (bayin) according to their materials: gourd, earthenware, hide, wood, stone, bronze, silk and bamboo. It is said that there were more than 70 different musical instruments, but many of them have been lost or are obsolete today. This does not cite its references or sources. ... Earthenware is a particularly common type of ceramic material and is used extensively for tableware and decorative objects. ... Look up hide in Wiktionary, the free dictionary. ... Trunks A tree trunk as found at the Veluwe, The Netherlands Wood is a solid material derived from woody plants, notably trees but also shrubs. ... The rocky side of a mountain creek near Orosí, Costa Rica. ... Assorted ancient Bronze castings found as part of a cache, probably intended for recycling. ... Silk weaver Silk is a natural protein fiber, some forms of which can be woven into textiles. ... Diversity Around 91 genera and 1,000 species Subtribes Arthrostylidiinae Arundinariinae Bambusinae Chusqueinae Guaduinae Melocanninae Nastinae Racemobambodinae Shibataeinae See the full Taxonomy of the Bambuseae. ...

The modern large Chinese orchestra

The modern large Chinese orchestra is a 20th century development and is based on the Western symphony orchestra, but uses Chinese instruments in place of Western instruments. It also emulates the Western orchestra in terms of the seating position of its musicians. (19th century - 20th century - 21st century - more centuries) Decades: 1900s 1910s 1920s 1930s 1940s 1950s 1960s 1970s 1980s 1990s As a means of recording the passage of time, the 20th century was that century which lasted from 1901–2000 in the sense of the Gregorian calendar (1900–1999...

The typical Chinese orchestra of today also includes the Western cello and double bass, as well as other Western instruments like the vibraphone and triangle. Also, many of the Chinese instruments are modified versions of traditional instruments, for example, the diyinsheng (large bass sheng), and the zhongyin (alto) suona, which is fitted with keys. The violoncello, almost always abbreviated to cello, or cello (the c is pronounced as the ch in cheese), is a bowed stringed instrument, the lowest-sounding member of the violin family. ... Side and front views of a modern double bass with a French bow. ... A typical Ludwig-Musser vibraphone. ... A triangle is one of the basic shapes of geometry: a polygon with three vertices and three sides which are straight line segments. ... The Chinese sheng (Chinese: 笙, Pinyin shēng) is a mouth-blown free reed instrument (the first) consisting essentially of vertical tubes, in the Chinese orchestra. ... This article is about the voice-type. ... Two Suonas The suona (simplified: 唢呐; traditional: 嗩吶; also called the laba 喇叭 or haidi 海笛) is a Han Chinese shawm (oboe). ...

Since its inception, the music produced by the Chinese orchestra is unique and very distinct from any its Western counterpart. However, the repertoire of the Chinese orchestra still includes adaptations of some Western orchestral pieces.

Instruments

The modern Chinese orchestra typically consists of four main sections. These instruments are generally grouped according to the way they are played - the bowed strings (inclusive of the Western bass section), plucked strings, woodwinds and percussion.

Plucked string (弹拨乐)

This section sets the structure of Chinese orchestras apart from Western symphony orchestras. Consisting of the yangqin (扬琴), liuqin (柳琴), pipa (琵琶), zhongruan (中阮), daruan (大阮), sanxian (三弦), guzheng (古筝), and konghou (箜篌), this largely plucked chordophone-based section creates tunes unachievable by the Western orchestral instruments. This article or section does not cite its references or sources. ... A liuqin The liuqin (柳琴; pinyin: liÇ”q­ín) is a four-stringed Chinese lute with a pear-shaped body. ... A woman plays the pipa in the New York City Subways Times Square Station, 2004. ... Zhongruan is the Chinese alto moon guitar. ... Daruan is the Chinese bass moon guitar. ... Chinese postage stamp depicting a sanxian The sanxian (Chinese: 三弦, pinyin sānxián, Wade-Giles san1-hsien2, lit. ... The guzheng, or gu zheng (Chinese: ; pinyin: gÇ”zhÄ“ng) or zheng (箏) (gu- means ancient) is a traditional Chinese musical instrument. ... The konghou is an ancient Chinese harp. ... A chordophone is any musical instrument which produces sound primarily by way of a vibrating string or strings stretched between two points. ...

Yangqin (扬琴)

The yangqin is a dulcimer played using a pair of bamboo mallets rubberised on one end. Besides hitting the strings with the rubberised ends, the mallets can also be turned over to create a sharper note (this technique is called 反竹 (fanzhu)). Some songs even require the player to hold the mallets vertically and use the other end to pluck. It is a versatile instrument capable of playing rapid running notes or arpeggios. This article or section does not cite its references or sources. ... A diatonic hammered dulcimer made by Masterworks The hammered dulcimer is a stringed musical instrument with the strings stretched over a trapezoidal sounding board. ... Various arpeggi as seen on a staff In music, an arpeggio (plural, arpeggi) is a spread chord played top-to-bottom or vice versa in sheet music, or rather the sounding of the tones of a chord in rapid succession rather than simultaneously. ...

Liuqin (柳琴)

The liuqin is a soprano range lute. It looks similar to the pipa but smaller with two soundholes on each side of the body. The four strings are tuned G3-D4-G4-D5. By pressing slightly above any of the frets on the instrument, one can vary the pitch of the liuqin. It is commonly played using a plectrum like in the guitar. The sound is very bright and penetrating, making it a very effective soprano instrument. Its range is similar to that of a violin. A liuqin The liuqin (柳琴; pinyin: liǔq­ín) is a four-stringed Chinese lute with a pear-shaped body. ... Look up soprano in Wiktionary, the free dictionary. ... The lute is a plucked string instrument with a fretted neck and a deep round back. ... A woman plays the pipa in the New York City Subways Times Square Station, 2004. ... Various guitar picks A plectrum (plural plectra or plectrums) is a device for plucking or strumming a stringed instrument. ... This article or section does not cite its references or sources. ... The violin is a bowed string instrument with four strings tuned in perfect fifths. ...

Pipa (琵琶)

The pipa is the alto range member of the plucked string section. One of the more well-known Chinese instruments, this instrument has been associated with imperial concubines and songstresses at teahouses, often conveying the stereotypical image of a demure damsel. Despite the absence of soundholes, it is able to produce music as well as other plucked string instruments. The modern-day player has to wear a set of customised acrylic nails on the right hand. From simple plucking with the thumb and index finger and saoxian(sweeping one's fingers across all strings with gusto) to yaozhi (tilting the instrument and using the middle finger to continuously cut across the strings) and lunzou (by plucking with all five fingers, one after another in a wavelike motion), the playing techniques of the pipa are visibly dimensionless. Its tuning is A2-D3-E3-A3. A woman plays the pipa in the New York City Subways Times Square Station, 2004. ... A swampy marsh area ... In music a singer or vocalist is a type of musician who uses his or her voice as an instrument to make music. ... Yugao-tei, Kanazawa A tea house (茶室, cha-shitsu) is a structure designed for holding Japanese tea ceremonies. ... For the term used in its original printing sense, see etymology below. ... Look up acrylic in Wiktionary, the free dictionary. ...

Zhongruan (中阮)

The zhongruan is plays the role of the tenor in this section. Its four strings are tuned to G2-D3-G3-D4. The instrument can be played using a plectrum similar to a guitar pick, as with the liuqin, or using a set of 2 to 5 acrylic fingernails. Mainstream ruan players use plectrums, though there are some schools which teach the fingernail technique, similar to that of the pipa. Pipa players who play ruan as a second instrument also use fingernails. Plectrums produce a louder and more clearer tone, which makes them suitable for orchestral use. Fingernails allow performance of polyphonic solo music, however this advantage is not useful in orchestras, where the zhongruan mainly plays the accompaniment. It possesses a very mellow tone. Zhongruan is the Chinese alto moon guitar. ... In music, a tenor is a male singer with a high vocal range. ... The ruan (阮, pinyin: ruǎn) is a Chinese plucked string instrument. ...

Daruan (大阮)

The daruan is the bass lute. A larger version of the zhongruan with strings tuned to a perfect fourth lower: D2-A2-D3-A3. Soloists generally use the D-A-D-A tuning, as it allows easy performance of diatonic chords. Some orchestral players tune to C-G-D-A, which is the same as cello tuning. The advantage of using C-G-D-A in orchestras is so that the daruan can easily double the cello part. Daruan is the Chinese bass moon guitar. ... Bass (IPA: [], rhyming with face), when used as an adjective, describes tones of low frequency or range. ... Zhongruan is the Chinese alto moon guitar. ...

Other members of the ruan family are gaoyinruan (soprano, tuning G3-D4-G4-D5); xiaoruan (alto, tuning D3-A3-D4-A4) and diyinruan (contrabass, tuning G1-D2-G2-D3). Image:Zhongruan. ... The ruan (阮, pinyin: ruǎn) is a Chinese plucked string instrument. ... Image:Zhongruan. ... Side and front views of a modern double bass with a French bow. ...

Sanxian (三弦)

The sanxian is the only plucked string instrument without frets. As can be inferred from the name (san, lit. three; xian, lit. string), it has three strings. The sanxian family of instruments is very large, with different variants used in different tribes in China. The orchestra often uses dasanxian (da, lit. large) has a soundbox covered on both sides with python skin. Its sound is forceful, penetrating and articulated; in fact, a single sanxian can be clearly heard even in a 70-member orchestra. Chinese postage stamp depicting a sanxian The sanxian (Chinese: 三弦, pinyin sānxián, Wade-Giles san1-hsien2, lit. ... The neck of a guitar showing the first four frets. ...

It has a strong folk flavour, which often puts it in the limelight when in usage with other instruments. For this reason too, it is not suitable for playing accompaniment, as it tends to overshadow the sound of the melody instruments. It is more frequently used in plucked string ensembles and solos. Even when used in the orchestra, it is also attributed with the main melody. However, since the orchestral usage of the sanxian is lower as compared to the other instruments, sanxian players also take up a second instrument, which is usually the zhongruan.

Guzheng (古筝)

The guzheng used in the modern-day Chinese orchestra consists of 21 strings with movable bridges. The strings are tuned to a pentatonic scale, and different scales are tuned by shifting the bridges. Some modern pieces require the guzheng tuned to non-standard scales. The guzheng, or gu zheng (Chinese: ; pinyin: gǔzhēng) or zheng (箏) (gu- means ancient) is a traditional Chinese musical instrument. ... In music, a pentatonic scale is a scale with five notes per octave. ...

Like pipa players, guzheng players also have to wear synthetic nails, sometimes on both hands depending on the requirements of the piece. Common techniques include glissando, bending-tones and vibrato. It is more commonly used for solos than orchestra music. The role of a guzheng in a Chinese orchestra is similar to that of a harp in a Western orchestra. A woman plays the pipa in the New York City Subways Times Square Station, 2004. ... Glissando (plural: glissandi) is a musical term that refers to either a continuous sliding from one pitch to another (a true glissando), or an incidental scale played while moving from one melodic note to another (an effective glissando). ... Vibrato is a musical effect where the pitch or frequency of a note or sound is quickly and repeatedly raised and lowered over a small distance for the duration of that note or sound. ... The harp is a stringed instrument which has the plane of its strings positioned perpendicular to the soundboard. ...

Konghou (箜篌)

A konghou is somewhat similar to the Western orchestral harp. The modern konghou has 7 pedals for raising or lowering the strings' notes, and the mechanism is similar to the harp. Though the konghou has a smaller range than the Western harp, it can perform many techniques the harp cannot. This is because konghou strings are set on movable bridges on one side of the soundbox. Most guzheng techniques, like tone-bending and vibratos can therefore be performed on the konghou. The konghou is an ancient Chinese harp. ... The harp is a stringed instrument which has the plane of its strings positioned perpendicular to the soundboard. ...

However, for most of the time orchestral pieces rarely require these special konghou techniques. Therefore, sometimes a Western harp is used as a substitute when a konghou is not available.

Bowed strings (弦乐)

The bowed strings mainly consist of the huqin (胡琴) family of instruments, and sometimes the cello and double bass instruments, which provide the bass sound that traditional Chinese music lacks. Huqin are a family of instruments used in Chinese music. ...

Huqin (胡琴)

The huqin series of instruments in common usage consist of the erhu (二胡), zhonghu (中胡) and gaohu (高胡). The gaohu (highest-pitched of the series) and zhonghu (lowest-pitched huqin) are proportionately fewer in numbers in the Chinese orchestra. The erhu forms the bulk of this section and is divided into distinct sections, known as erhu I and erhu II. These two sub-sections play either similar or vastly different melodies simultaneously, which is akin to the first and second violins in a Western orchestra. Occasionally, the concertmaster will play the banhu (板胡) - an example is the piece Mang Chun (忙春)), or jinghu (京胡), for instance in Zhao Ji Ping's Festival Overture (庆典序曲), if there is a solo part for it. Side view of an erhu. ... Zhonghu The zhonghu (中胡, pinyin: zhōnghú) is a low-pitched Chinese bowed string instrument. ... The gaohu (高胡) is a Chinese bowed string instrument used in playing traditional Guangdong Cantonese music and operas. ... Concert-master. ... Banhu is a huqin family instrument in China. ... A jinghu (Pinyin: JÄ«ng Hú) is a bowed Chinese instrument used in Beijing Opera. ... Overture (French ouverture, meaning opening) in music is the instrumental introduction to a dramatic, choral or, occasionally, instrumental composition. ...

The uniqueness of the huqin series lies in how music can be produced from two fine metal strings less than 2 mm apart, without any frets or fingerboards. Well-known solo pieces for the erhu includes Sanmen Gorge Capriccio (三门峡畅想曲), Guang Ming Xing (光明行) as well as Lan Hua Hua (兰花花）. Fretted guitar fingerboard. ... Side view of an erhu. ... A gorge is a narrow passage between steep mountains or hills. ... A capriccio or caprice is a piece of music, usually fairly free in form and of a lively character. ...

Cello and double bass (低音)

The cello and double bass can also be considered part of this section. This is true in some orchestras, but in others the cello and bass are considered distinct from the bowed strings. Some Chinese orchestras still use the gehu and diyingehu (bass gehu), but due to the limitations of the instrument, it is now quite rare. A notable example of an ensemble still utilising the gehu and diyingehu is the Hong Kong Chinese Orchestra. The violoncello, almost always abbreviated to cello, or cello (the c is pronounced as the ch in cheese), is a bowed stringed instrument, the lowest-sounding member of the violin family. ... Side and front views of a modern double bass with a French bow. ... The Gehu is a Chinese instrument developed by Yang Yusen in the 20th century. ... Diyingehu is a bowed Chinese huqin family string instrument. ...

Wind (吹管乐)

Chinese wind instruments include the dizi (笛子, a bamboo flute), sheng (笙, which is free reed mouth organ) and suona (唢呐, a double reed oboe). Bangdi The dizi (Chinese: 笛子; Pinyin: dízi), is a Chinese transverse flute. ... Diversity Around 91 genera and 1,000 species Subtribes Arthrostylidiinae Arundinariinae Bambusinae Chusqueinae Guaduinae Melocanninae Nastinae Racemobambodinae Shibataeinae See the full Taxonomy of the Bambuseae. ... The flute is a musical instrument of the woodwind family. ... The Chinese sheng (Chinese: 笙, Pinyin shēng) is a mouth-blown free reed instrument (the first) consisting essentially of vertical tubes, in the Chinese orchestra. ... A free reed aerophone is a musical instrument where sound is produced as air passes a reed in a chamber, causing the reed to vibrate. ... Two Suonas The suona (simplified: 唢呐; traditional: 嗩吶; also called the laba 喇叭 or haidi 海笛) is a Han Chinese shawm (oboe). ... The oboe is a double reed musical instrument of the woodwind family. ...

Dizi (笛子)

The main types of dizis frequently used in the wind section are the bangdi (梆笛), the qudi (曲笛), and occasionally the xindi (新笛). The bangdi is shorter in length and smaller in diameter and produces a clear and bright tone. It is frequently used in bangzi opera of Northern and southern China, hence the name bangdi. The longer and thicker qudi produces a richer and mellower tone. The qudi is usually a fourth higher in pitch than the bangdi. Alternative meaning: In geology, North China (continent) and South China (continent) were two ancient landmasses that correspond to modern northern and southern China. ...

Sheng (笙)

The sheng is a Chinese free-reed bamboo mouth organ. The earliest type ever recorded in history had 14 pipes and was discovered in Zeng Houyi’s tomb in Hubei province. The most common types of sheng today include a 17-pipe instrument and a modified version for contemporary compositions, which has an expanded range of 21-37 pipes. The tone of the sheng is lucid and bright. It has a huge range, a chromatically complete scale and is able to produce chord voicings. Hubei (Chinese: 湖北; Hanyu Pinyin: ; Wade-Giles: Hu-pei; Postal System Pinyin: Hupeh) is a central province of the Peoples Republic of China. ... // Look up scale in Wiktionary, the free dictionary. ... Look up chord in Wiktionary, the free dictionary. ...

Suona (唢呐)

The tone produced by suona is loud, piercing and uplifting, thus it is usually used to perform vibrant and lively pieces. However, its repertoire also includes some mellower pieces. The suona is commonly used as an accompaniment in the Chinese opera, singing or dancing, but also for more sombre occasions, such as during a traditional Chinese funeral procession. It is also utilised in solos or ensembles for various occasions and ceremonies. 19th century Chinese opera Chinese opera costumes Chinese opera is a popular form of drama in China. ...

Percussion (打击乐)

The history of Chinese percussion instruments is longer than any other section of traditional Chinese instruments. The character of the drum was first recorded in the ancient inscriptions on oracle bones and tortoise shells dating from the Shang Dynasty. At that time (1562-1066 BC) more than 50 percent of Chinese instruments were percussive in nature. Classic-Spanish Marching Drum A drum is a musical instrument in the percussion family, technically classified as a membranophone. ...

Percussion instruments produce sound through striking on the surface. Common materials used for making percussion instruments in the past were gold, rock, wood and bamboo.

The percussion section is the most important section in Chinese opera, particularly in scenes involving martial arts, known as wu chang. The player of the bangu, directs the rest of the orchestra through his different methods and positions of striking his instrument. He has control over the overall development of the action and creation of atmosphere, and is equivalent to the conductor of the Western orchestra. Hawaiian State Grappling Championships. ...

Because of the richness of the timbre, sound and variety of Chinese percussion instruments, they are frequently used in Western-style musical compositions. A large gong can create a stately and imposing atmosphere; dramatic effects can be achieved with the tanggu (堂鼓), muyu (木鱼) and qing (磬) also can invoke an element of mystery. A gong is any one of a wide variety of metal percussion instruments. ... Tanggu is a city in the Tianjin municipality in the innermost gulf of the Yellow Sea on the coast of northeastern China. ... A Japanese mokugyo A Korean moktak A wooden fish (Chinese: 木魚, pinyin: mùyú), (Japanese: mokugyo), (Korean: Moktak), sometimes known as a Chinese block, is a wooden percussion instrument similar to the Western wood block. ...

Percussion instruments are usually considered easy to learn and perform. As many different percussion instruments produce different sound effects, it is frequently used in depicting joyful and exciting occasions such as harvests, marriages, as well as other traditional Chinese festivals.

The more popular percussion instruments include luo (锣), gu (鼓), bo (cymbals), and bianzhong (编钟).

Bangu (板鼓)

The bangu (ban, lit. flat board; gu, lit. drum) is also commonly called jing bangu (京板鼓) (bangu for Beijing opera) and danpi (single drumhead). The drum frame is constructed of thick wedges of hardwood glued together in a circle, wrapped with a metal band. Its body is bell-mouthed in shape, which opens at the bottom. Its top surface (about 25 cm), covered with a piece of pig or cow hide, has a small convex central circular opening (about 5 or 6 cm in diameter), which is called the guxin (lit. drum heart), the actual sounding position. The player strikes on this central area with a pair of bamboo sticks. Beijing [English Pronunciation] (Chinese: 北京 [Chinese Pronunciation]; Pinyin: BÄ›ijÄ«ng; IPA: ), a metropolis in northern China, is the capital of the Peoples Republic of China (PRC). ... Beech is a typical temperate zone hardwood The term hardwood designates wood from angiosperm trees. ...

The type used for Beijing opera and other northern Chinese musical dramas, with a smaller central striking area, has a relatively solid tone quality. In the southern gong and drum ensemble, the bangu has a larger striking area, rendering a looser and softer tone. The southern type can be used for solos with a variety of techniques and rhythms. The jingbangu is the lead instrument in the Beijing opera.

Bo (钹)

The bo (bronze cymbals) were frequently used in Sui and Tang dynasties (AD 581-907) with varying designs. Now it is commonly made of high-tin bronze. The Sui Dynasty (Chinese: ; pinyin: ; 581-619[1]) followed the Southern and Northern Dynasties and preceded the Tang Dynasty in China. ... The Tang Dynasty (Chinese: ; pinyin: ) (18 June 618 – 4 June 907), lasting about three centuries, followed the Sui Dynasty and preceded the Song Dynasty and the Five Dynasties and Ten Kingdoms Period in China. ...

The performer strikes the cymbals together. The most common type now is the jingbo (the prefix jing referring to Beijing, the prefix used to define the instruments in the Beijing opera). This type is clear and forceful in tone quality. It is also used in other regional opera genres and ensembles, and is one of the four major instruments (drum, large and small gongs and cymbals) in the jubilant luogu (锣鼓) (gong and drum) music. In local operas, the luogu ensemble often accompanies acrobatic fighting. It is also possible that you want to know about the Cymbalum instrument. ...

Luo (锣)

The luo, or Chinese gong, is made of high-tin bronze, hammered into the shape of a sifter. Its central resonating area can be either flat or convex. Its long history can be traced back to the early Western Han period (206 BC-AD 24) according to an archaeological find from a tomb of that period in Guangxi. In a text dating to the Tang period (AD 618-907), it was known as the shaluo (沙锣, lit. sand gong), which is among the earlier evidence of gong usage in classical literature. The Lwo (also Lwoo or Luo) are a family of linguistically-related ethnic groups (tribes) which live in an area that stretches from the south of Sudan, through Northern Uganda and Eastern Congo (DRC), into Western Kenya, and ending in the upper tip of Tanzania. ...

There are many varieties of gongs, each with varying tone qualities. The name is usually preceded by a prefix to specify each different kind. The largest type (over 120 cm in diameter) called dachaoluo, known for its deep and grave tone, is used in official settings like weddings, funerals and temple ceremonies. The smallest, the goujiaoluo (狗叫锣, lit. dog-calling gong), only 8 cm in diameter, can often be seen in theatrical ensembles in the southern parts of Fujian. Both the larger and the smaller boast distinct acoustic features, functions and performing styles.   (Chinese: ; pinyin: ; Wade-Giles: Fu-chien; Postal map spelling: Fukien, Foukien; local transliteration Hokkien from Min Nan Hok-kiàn) is one of the provinces on the southeast coast of the Peoples Republic of China. ...

Tanggu (堂鼓)

The tanggu drum (tang, lit. hall; gu, lit. drum) is listed as a hide instrument in the traditional bayin classification of Chinese instruments. The common type is similar in shape to a barrel. Its wooden body, entirely painted red with decorative patterns, is covered with two drumheads of cowhide or pig skin. Four lateral iron rings around the shell allow the drum to be vertically suspended in a frame. It is struck with a pair of wooden beaters. Tone quality can be modified by moving the striking point closer to the centre of the surface, with varying dynamics. Tanggu is a city in the Tianjin municipality in the innermost gulf of the Yellow Sea on the coast of northeastern China. ... Cowhides are natural products and a by product of the food industry. ...

The tanggu is constructed mainly in two types. The larger one, with diameters of over a meter, can produce a deep and sonorous tone and the smaller, with a diameter of 20 to 30 cm, is solid and forceful in tone quality. It is traditionally used with other instruments like luo and bo in folk festivals, and in ensembles or for accompaniment as well. Types for local operas are mostly smaller, for instance, the jing tanggu in Beijing opera.

Muyu (木鱼)

The muyu (mu, lit. wooden; yu, lit. fish) was used originally to accompany Buddhist chants only. An account of this instrument was found in the literature of the Ming dynasty (AD 1368-1644): "The muyu is carved from a block of wood and into the shape of a fish, then its interior is hollowed out. Sounds can be produced by striking." Since the Qing dynasty (AD 1644-1911) the instrument has appeared in folk ensembles. A Japanese mokugyo A Korean moktak A wooden fish (Chinese: 木魚, pinyin: mùyú), (Japanese: mokugyo), (Korean: Moktak), sometimes known as a Chinese block, is a wooden percussion instrument similar to the Western wood block. ... For other uses, see Ming. ... The Qing Dynasty (Chinese: ; pinyin: Qīng cháo; Wade-Giles: Ching chao; Manchu: daicing gurun), occasionally known as the Manchu Dynasty, was a dynasty founded by the Manchu clan Aisin Gioro, in what is today northeast China, expanded into China and the surrounding territories, establishing the Empire...

The muyu is mostly made of mulberry (or Chinese toon) wood. The larger type is primarily used in Buddhist temples, but recently appears in sets, varying in diameters and tonal qualities. The set is mainly used for regular rhythms when used for accompaniment. Species See text Mulberry (Morus) is a genus of 10–16 species of deciduous trees native to warm temperate and subtropical regions of Asia, Africa and North America, with the majority of the species native to Asia. ... Buddhism is a dharmic, non-theistic religion, which is also a philosophy and a system of psychology[]. Buddhism is also known as Buddha Dharma or Dhamma, which means the teachings of the Awakened One in Sanskrit and Pali, the languages of ancient Buddhist texts. ...

Bianzhong (编钟)

The bianzhong (bian, lit. collected; zhong, lit. bell) is listed as a primary metal instrument, and thus heads the metal section under the bayin classifications. Its long history dates back to the Shang dynasty (1766-1122 BC), when a set of 3 bronze bells was common, though the earlier earthenware type of the late Stone Age was unearthed in Shaanxi province. From the 5th to the 3rd century BC the number of bells increased, mostly from 9 to 13. Bianzhong (編鐘) is an ancient Chinese musical instrument consisting of a set of bronze bells. ... The Shāng Dynasty (Chinese: 商朝) or Yīn Dynasty (殷代) (ca. ...

The largest set ever recorded was exhumed from the tomb of Zeng Houyi (from the 5th century BC) in Hubei province. This archaeological finding has become a focus of international academic attention. The bianzhong set consists of 64 bells, hung in three layers, with the upper ones called niuzhong (bells with bronze loops for vertical suspension), while those on the two lower layers were called yongzhong (bells with handles for suspension at a slight angle). Because of the shape of the bells, two different pitches, a major or minor third apart, can be produced on any of the bells, depending on the two striking locations, which are either the frontal or the lateral. 12 semitones are found in the set, with a total range of 5 octaves. A semitone (also known in the USA as a half step) is a musical interval. ... In music, an octave (sometimes abbreviated 8ve or 8va) is the interval between one musical note and another with half or double the frequency. ...

The inscriptions on the bells unite to form a literary text on the large tone system of the bianzhong, valuable sources for the study of the musical culture in the Warring States period during the Eastern Zhou dynasty (475-221 BC). With the construction for two different pitches from a single bell and its unique casting methods, the bianzhong has established itself as one of the wonders of traditional Chinese music. Alternative meaning: Warring States Period (Japan) The Warring States Period (traditional Chinese: 戰國時代, simplified Chinese: 战国时代 pinyin Zhànguó Shídài) takes place from sometime in the 5th century BC to the unification of China by Qin in 221 BC. It is nominally... Alternative meaning: Zhou Dynasty (690 CE - 705 CE) The Zhou Dynasty (周朝; Wade-Giles: Chou Dynasty) (late 10th century BC to late 9th century BC - 256 BC) followed the Shang (Yin) Dynasty and preceded the Qin Dynasty in China. ...

Lion drum

The size of a lion drum is very big, and is widely used for the Chinese lion dance. There are normally 2 types, the northern Lion drum (normally in red) and southern lion drum (painted in black). It is a single-headed drum, and its large size helps to create a majestic, booming resonance upon striking of the drum head. The lion drum head is made of thick, durable goat skin, and its wooden body is normally decorated with intricate hand-drawn drawings.

Yunluo (Small bronze gongs)

The yunluo (yun, lit. cloud; luo, lit. gong) was first mentioned in historical records as yun'ao during the Yuan dynasty (1271-1368). The small gongs in a set, usually numbering up to 10 and in distinct pitches, are suspended vertically in a wooden frame. Each is attached to a cubicle within the frame, secured by cords. These gongs are all of the same diameter but vary in thickness. In terms of tuning, thicker dimensions give higher pitches, and thinner ones, lower. The instruments are struck with a small beater. Yunluo (cloud gongs) is a traditional Chinese musical instrument. ... The Yuan Dynasty (Chinese: ; pinyin: Yuáncháo; Mongolian: Dai Ön Yeke Mongghul Ulus), lasting officially from 1279 to 1368, followed the Song Dynasty and preceded the Ming Dynasty in the historiography of China. ...

In a recently-redesigned type, the number of gongs was increased, ranging from 29 to 38, and two mallets with either hard or soft tips are used for different tonal effects. One sounds loud and solid, while the other soft and drifting. Owing to the expanded range, modification in yunluo thickness cannot change the pitch of each small gong. Thus varying diameters are used for the new tones for variation.

The yunluo are mostly used in ensembles, and recently in solos as well.

Notation

Whilst jianpu (numerical notation) is most often used in the modern Chinese orchestra, standard notation is also sometimes used, especially for the keyed sheng, Western instruments like the cello and double bass, and also occasionally for certain percussion instruments (for Western instruments like the vibraphone and triangle). The numbered musical notation, better known as jianpu (PY: jiǎnpǔ, TC: 簡譜, SC: 简谱), meaning simplified notation in Chinese, is a musical notation system widely used among the Chinese people. ... Hand-written musical notation by J.S. Bach: beginning of the Prelude from the Suite for Lute in G minor BWV 995 (transcription of Cello Suite No. ...

References

See also

• Traditional Chinese musical instruments
• Music of China
• Hong Kong Chinese Orchestra