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Encyclopedia > Christmas crib
A traditional nativity scene from Naples, Italy

A nativity scene (usually capitalized if referring to the birth of Jesus), also called a crib or crèche (meaning "crib" or "manger" in French) generally refers to any depiction of the birth or birthplace of Jesus. Nativity scenes, in two dimensions (drawings, paintings, icons, etc.) or three (sculpture or other three-dimensional crafts), usually show Jesus in a manger, Joseph, and Mary in a barn (or a cave) intended for the housing of animals. A mule and an ox surround them, after the Apocryphal Gospels. The scene sometimes includes three wise men, shepherds, angels and the Star of Bethlehem.

Detail from a German nativity scene, the Holy Family and the three wise men

They are placed around Christmas in Catholic (and some Protestant) homes, churches and parks. A life-sized one is on Piazza San Pietro in the Vatican City.


The origin of three-dimensional Nativity Scenes is attributed to St Spain from Naples during the reign of Charles III of Spain.


In Catalonia, a figure (caganer) is included representing a Catalan peasant in the act of defecation.


In Provence in the South of France nativity scenes are sometimes made up of hundreds of small painted clay figurines called santon. They represent all the traditional trades and professions of old Provence. Because of their cultural value the santons are often collected as art or craft objects, regardless of their possible use in a nativity scene.


The traditional manger scenes that assemble together the shepherds and wise men are not true to Scripture, since the Magi arrived much later (Luke 2:7-16). When the shepherds arrived, Jesus was in the manger (a feeding trough in a stable). By the time the wise men arrived, Jesus was moved into a house (Matthew 2:11).

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  Results from FactBites:
 
CATHOLIC ENCYCLOPEDIA: Crib (1136 words)
The crib or manger in which the Infant Saviour was laid after his birth is properly that place in the stable or khan where food for domestic animals is put, formed probably of the same material out of which the grotto itself is hewn.
Be this as it may, what pertains to the crib we may consider in the present article under three separate headings: (I) The Basilica of the Nativity and the Grotto of the Nativity at Bethlehem; (II) The relics of the crib preserved at St. Mary Major's in Rome; (III) Devotion to the crib.
In this crib the famous Santo Bambino di Ara Coeli is exposed from the eve of Christmas to the feast of the Epiphany.
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