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Encyclopedia > Chryselephantine

Chryselephantine (from Greek χρυσος (chrysos), “gold,” and ελεφαντινος (elephantinos), “ivory”), the architectural term given to statues which were built up on a wooden core, with ivory representing the flesh and gold the drapery. The two most well known examples are those sculpted by Pheidias of the statue of Athena (known as the "Athena Polias", where Athena is depicted in a warrior-like fashion and driving a war chariot) in the Parthenon and of Zeus in the temple at Olympia. Phidias, (or Pheidias), son of Charmides, (circa 490 BC - circa 430 BC) was an ancient Greek sculptor, universally regarded as the greatest of Greek sculptors. ... Drawing from a sculpture of Athena at the Louvre. ... The Parthenon seen from the hill of the Pnyx to the west The Parthenon (Greek: Παρθενώνας) is the best-known surviving building of Ancient Greece and is regarded as one of the worlds greatest cultural monuments. ... Statue of Zeus Phidias created the 12-m (40-ft) tall statue of Zeus at Olympia about 435 BC. The statue was perhaps the most famous sculpture in ancient Greece, imagined here in a 16th-century engraving. ... Olympia (Greek: Ολυμπία Olympía or Ολύμπια Olýmpia, older transliterations, Olimpia, Olimbia), a sanctuary of ancient Greece in Elis, is known for having been the site of the Olympic Games in classical times, comparable in importance to the Pythian Games held in Delphi. ...


References

This article incorporates text from the Encyclopædia Britannica Eleventh Edition, a publication now in the public domain. Encyclopædia Britannica, the 11th edition The Encyclopædia Britannica Eleventh Edition (1910–1911) is perhaps the most famous edition of the Encyclopædia Britannica. ... The public domain comprises the body of all creative works and other knowledge—writing, artwork, music, science, inventions, and others—in which no person or organization has any proprietary interest. ...


  Results from FactBites:
 
Bryn Mawr Classical Review 2002.08.21 (2628 words)
In this volume Kenneth Lapatin presents a detailed view of chryselephantine statuary in the ancient Mediterranean from the Bronze Age through the Roman period.
This is the first comprehensive study of chryselephantine sculpture since 1815 and much has been discovered since that time.
Chryselephantine (Ch.) statues attested by literary and epigraphical sources, by site, subject, and period; and 2.
  More results at FactBites »


 

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