"Churchyard Poets" or "Graveyard Poets" is a critical term applied in retrospect to a number of English poets of the 1750's to the 1790's who wrote in the vein of Thomas Gray's Elegy in a Country Churchyard (http://www.thomasgray.org/cgi-bin/display.cgi?text=elcc) (1750). These poets are also sometimes called "pre_Romantics." Despite the name, the term encompasses at least two major works written before Gray's Elegy (http://www.thomasgray.org/cgi_bin/display.cgi?text=elcc): James Thomson's The Seasons (1726 - 1730) and Edward Young's Night Thoughts (1742 - 1745).
What the term refers to is a set of characteristics that may apply to all the poets in question. Each member of the "school" writes about melancholy, and each shows an interest in nature. Further, the poets show an interest in "ancient" English poetic forms and folk poetry. Thus, the Churchyard Poets include Thomas Warton, Thomas Percy, Thomas Gray, James MacPherson, and even Thomas Chatterton's forgeries.
Scholars have demonstrated that most of the characteristics of the Churchyard School are not unique to them, that the production of ballads and odes, e.g., did not rise in their years. However, these were notable and influential figures who created a stir in the public and, at the very least, gave the impression of a shift in mood and form in English poetry in the second half of the 18th century.
Although he was one of the least productive poets (his collected works published during his lifetime amount to less than 1,000 lines), he is regarded as the predominant poetic figure of the middle decades of the 18th century.
Gray combined traditional forms and poetic diction with new topics and modes of expression and may be considered as a classically focussed precursor of the romantic revival.
A few of these include: ChurchyardPoets or Graveyard Poets is a critical term applied in retrospect to a number of English poets of the 1750s to the 1790s who wrote in the vein of Thomas Grays Elegy in a Country Churchyard (1750).
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