Classical Hollywood cinema designates both a visual and sound style for making motion pictures and a mode of production that arose in the Los Angeles film industry of the 1910s and 1920s. This article is about the largest city in California. ...
Classical style is fundamentally built on the principle of "invisible" style. That is, the camera and the sound recording should never call attention to themselves (as they might in a modernist or postmodernist work). This article focuses on the cultural movement labeled modernism or the modern movement. See also: Modernism (Roman Catholicism) or Modernist Christianity; Modernismo for specific art movement(s) in Spain and Catalonia. ... Postmodernism (sometimes abbreviated pomo) is a term applied to a wide-ranging set of developments in critical theory, philosophy, architecture, art, literature, and culture, which are generally characterized as either emerging from, in reaction to, or superseding, modernism. ...
The mode of production came to be known as the Hollywood studio system, which standardized the way movies were produced.
Further Reading
Bordwell, David; Staiger, Janet; Thompson, Kristin (1985). The Classical Hollywood Cinema. New York: Columbia University Press. ISBN 0231060556.
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She claimed that 1940s Hollywood films provided a collective dream portrait of its era and proposed deciphering "the dream that all of us have been buying at the box office, to cut through to the real nature of the identification we have experienced there" (1969: 5-6).
Since the main Hollywood studios repeatedly reproduced the types of film that they thought were the most popular, Hollywoodcinema became primarily a genre cinema in which popular formulas are repeated in cycles of genres that in turn deal with central societal conflicts, problems, and concerns of its audiences.
Hollywood films are the most capital intensive and thus have the most spectacular special effects; they are effectively marketed throughout the world and are popular everywhere.