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Encyclopedia > Cockaygne
Pieter Bruegel the Elder's The Land of Cockaigne, painted in 1567. Oil on panel. Currently in the collection of the Alte Pinakothek, Munich, Germany.

Cockaigne was a medieval fictional island, a mythical land of plenty, where all the harshness of medieval peasant life did not exist. It traces to 14th century Europe.

Contents

Etymology of Cockaigne

The word Cockaigne traces to Middle English cokaygne, tracing to Middle French (pais de) cocaigne "(land of) plenty," ultimately adapted or derived from a word for cake. The Dutch equivalent is Luilekkerland ("lazy luscious land") and the German equivalent is Schlarraffenland ("land of milk and honey").


Descriptions

Like Atlantis and El Dorado, the land of Cockaigne was a fictional utopia, a place where idleness and gluttony were the principal occupations. In Specimens of Early English Poets (1790), George Ellis printed a 13th century French poem called "The Land of Cockaign" where

"the houses were made of barley sugar and cakes, the streets were paved with pastry, and the shops supplied goods for nothing."

According to one a Columbia University Press reference,

... roasted pigs wander about with knives in their backs to make carving easy, where grilled geese fly directly into one's mouth, where cooked fish jump out of the water and land at one's feet. The weather is always mild, the wine flows freely, sex is readily available, and all people enjoy eternal youth.

According to the New York Public Library, Cockaigne was a

medieval peasant’s dream, offering relief from backbreaking labor and the daily struggle for meager food.

Traditions

A Neapolitan tradition, extended to other Latin-culture countries, is the Cockaigne pole, a horizontal or vertical pole with a prize (like a ham) on one extreme. The pole is covered with grease or soap and planted during a festival. Then, men try to climb the pole to get the prize. The crowd laughs at the often failed attempts to hold to the pole.


In Spain, an equivalent place of Cockaigne is named Jauja, after a rich mining region of the Andes.


Cockaigne in the arts

Cockaigne was depicted by Pieter Bruegel the Elder in The Land of Cockaigne (1567, above). There is a 1901 overture by Edward Elgar titled Cockaigne. The book, Dreaming of Cockaigne, by Herman Pleij (Columbia University Press, 2001) offers the most complete modern collection of information on the topic. The musical play, The Golden Dream, by Joe Syiek (www.thegoldendream.com) tells the story of oppressed peasants who yearn for, attain and ultimately lose their ideal of Cockaigne.


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Humans were simple and -- with the exception of the Land of Cockaygne (see below) -- pious, and felt themselves close to the gods.
The Land of Cokaygne [also spelled Cockaygne or Cockaigne] (in the German tradition referred to as Schlaraffenland) has been aptly called the "poor man's heaven", being a popular fantasy of pure hedonism and thus a foil for the innocent and instinctively virtuous life that is depicted in all the other accounts mentioned above.
Cockaygne is a land of extravagance and excess rather than simplicity and piety.
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Cockaygne is the ultimate daydream, a land not simply of plenty but of hyper- abundance.
Some folklorists have concluded that the Cockaygne tradition, most likely maintained by popular oral performances in conjunction with Carnival, may have been partly based upon hallucinations of abundant food experienced by hungry victims of famine or practitioners of monastic fasting.
Cockaygne is an alternative to paradise, a heaven on earth, an anarchic utopia, a harmonized commonwealth of perpetual plenty, a working man's Abbey of Thelema.
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