FACTOID # 1: Guinea has the wettest capital on Earth, with 3.7 metres of rain a year.
 
 Home   Encyclopedia   Statistics   Countries A-Z   Flags   Maps   Education   Forum   FAQ   About 
 
 
 
WHAT'S NEW
RECENT ARTICLES
More Recent Articles »
 

SEARCH ALL

FACTS & STATISTICS    Advanced view

Search encyclopedia, statistics and forums:

 

 

(* = Graphable)

 

 


Encyclopedia > Colley Cibber
Colley Cibber, actor, playwright, Poet Laureate, first British actor-manager, and head Dunce of Alexander Pope's Dunciad.
Colley Cibber, actor, playwright, Poet Laureate, first British actor-manager, and head Dunce of Alexander Pope's Dunciad.

Colley Cibber (6 November 1671November 12, 1757) was an English playwright, actor, and Poet Laureate. His status as the first in a long line of actor-managers established his importance in theater history, and his colorful memoir (Apology for the Life of Colley Cibber) was key in starting the British tradition of rambling autobiographical style. Cibber's works provide valuable documentation of London stage practices for today's historians, and two of his original comedies are particularly useful records of the changing culture and ideology of the early 18th century. Download high resolution version (700x981, 217 KB) The two-dimensional work of art depicted in this image is in the public domain in the United States and in those countries with a copyright term of life of the author plus 100 years. ... Download high resolution version (700x981, 217 KB) The two-dimensional work of art depicted in this image is in the public domain in the United States and in those countries with a copyright term of life of the author plus 100 years. ... A Poet Laureate is a poet officially appointed by a government and often expected to compose poems for state occasions and other government events. ... Alexander Pope, an English poet best known for his Essay on Criticism and Rape of the Lock Alexander Pope (21 May 1688 – 30 May 1744) is generally regarded as the greatest English poet of the early eighteenth century, best known for his satirical verse and for his translation of Homer. ... The Dunciad is a landmark literary satire by Alexander Pope published in three different versions at different times. ... November 6 is the 310th day of the year (311th in leap years) in the Gregorian Calendar, with 55 days remaining. ... Events May 9 - Thomas Blood, disguised as a clergyman, attempts to steal the Crown Jewels from the Tower of London. ... November 12 is the 316th day of the year (317th in leap years) in the Gregorian Calendar, with 49 days remaining. ... 1757 was a common year starting on Saturday (see link for calendar). ... Motto: (French for God and my right) Anthem: God Save the King/Queen Capital London (de facto) Largest city London Official language(s) English (de facto) Unification    - by Athelstan AD 927  Area    - Total 130,395 km² (1st in UK)   50,346 sq mi  Population    - 2006 est. ... Template:Unsourced A playwright, also known as a dramatist, is someone who writes dramatic literature or drama. ... A Poet Laureate is a poet officially appointed by a government and often expected to compose poems for state occasions and other government events. ... Cover of An autobiography, from the Greek auton, self, bios, life and graphein, write, is a biography written by the subject or composed conjointly with a collaborative writer (styled as told to or with). The term dates from the late eighteenth century, but the form is much older. ... This article is about the capital of England and the United Kingdom. ...


Cibber wrote some original plays for performance by his own company at Drury Lane and adapted many more. His work received frequent criticism for "miserable mutilation"[1] of "hapless Shakespeare, and crucify'd Molière" (Alexander Pope). He regarded himself as first and foremost an actor, and though his persistent efforts as a tragic performer were widely ridiculed, he enjoyed success in portraying humorous and foppish characters. The present-day Theatre Royal in Drury Lane, sketched when it was new, in 1813. ... Wikipedia does not yet have an article with this exact name. ... This article or section does not cite its references or sources. ... Alexander Pope, an English poet best known for his Essay on Criticism and Rape of the Lock Alexander Pope (21 May 1688 – 30 May 1744) is generally regarded as the greatest English poet of the early eighteenth century, best known for his satirical verse and for his translation of Homer. ... FOP (Formatting Objects Processor) is an XSL-FO processor written in Java, which provides the feature to convert XSL-FO files to PDF or direct-printable-files. ...


Contemporaries frequently accused Cibber of tasteless theatrical productions and shady business dealings. Social and political opportunism was thought to have gained him the laureateship over far better writers, and despite the award his poetic works are considered nugatory by modern scholars. In addition, Cibber's brash and extroverted personality offended many, and he rose to herostratic fame as the chief target of Alexander Pope's satirical poem The Dunciad. Herostratus was a young man who set fire to the Temple of Artemis in Ephesus (currently in the territory of Turkey) in his quest for fame on July 21, 356 BC. The Temple of Artemis in Ephesus was built of marble, and was considered the most beautiful of some thirty... Alexander Pope, an English poet best known for his Essay on Criticism and Rape of the Lock Alexander Pope (21 May 1688 – 30 May 1744) is generally regarded as the greatest English poet of the early eighteenth century, best known for his satirical verse and for his translation of Homer. ... Alexander Pope The Dunciad is a landmark literary satire by Alexander Pope published in three different versions at different times. ...

Contents

Life

Cibber was born in London, his father being Caius Gabriel Cibber, a distinguished sculptor originally from Denmark.[2] Colley's parents wanted him to become a clergyman, but he was irresistibly attracted to the stage and in 1690 began working as an actor at the Drury Lane theatre, a more insecure and socially much inferior job. "Poor, at odds with his parents, and entering the theatrical world at a time when players were losing their power to businessmen-managers" (Biographical Dictionary of Actors), Cibber nevertheless married early in life (1693), to Katherine Shore. He had a large number of children, for whom his parental feeling seems to have been mostly casual. Most certainly received short shrift in his will. His only son to reach adulthood, Theophilus Cibber, became an actor at Drury Lane, and was an embarrassment to his father because of his scandalous private life. Colley's youngest daughter Charlotte Charke also followed in her father's footsteps (though she too fell out with him) as did others in the family. In his later years Cibber acted in productions with his own grandchildren. Catherine, the eldest daughter, seems to have been the dutiful one who looked after Cibber in old age and was duly rewarded at his death with most of his estate. This article is about the capital of England and the United Kingdom. ... Melancholy and Raving Madness Caius Gabriel Cibber (1630-1700) was a sculptor, and the father of Colley Cibber. ... Clergy is the generic term used to describe the formal religious leadership within a given religion. ... Interior of the 1928 B. F. Keith Memorial Theatre, Boston, Massachusetts. ... The present-day Theatre Royal in Drury Lane, sketched when it was new, in 1813. ... Theophilus Cibber in the role of Ancient Pistol. ... This article needs to be cleaned up to conform to a higher standard of quality. ...


After an inauspicious start as an actor, Cibber eventually became a popular comedian, wrote and adapted many plays, and rose to become himself one of the newly empowered businessmen-managers. He took over the management of Drury Lane in 1710 and was as theatre manager highly commercially, if not artistically, successful. In 1730, he was made Poet Laureate, an appointment which attracted widespread scorn, particularly from Alexander Pope and other Tory satirists. A Poet Laureate is a poet officially appointed by a government and often expected to compose poems for state occasions and other government events. ... Alexander Pope, an English poet best known for his Essay on Criticism and Rape of the Lock Alexander Pope (21 May 1688 – 30 May 1744) is generally regarded as the greatest English poet of the early eighteenth century, best known for his satirical verse and for his translation of Homer. ... The term Tory (from Irish Gaelic tóraighe, an outlaw or guerrilla fighter, during the Wars of the Three Kingdoms — literally meaning pursued man) applied to the Tory Party, the ancestor of the modern UK Conservative Party. ... List of satirists below - writers, cartoonists and others known for their involvement in satire - humourous social criticism. ...


When he was seventy-three years old he made his last appearance on the stage as Pandulph in his own Papal Tyranny in the Reign of King John (Covent Garden, 15 February 1745), a miserable paraphrase of Shakespeare's play. He died in 1757. February 15 is the 46th day of the year in the Gregorian Calendar. ... // Events May 11 - War of Austrian Succession: Battle of Fontenoy - At Fontenoy, French forces defeat an Anglo-Dutch-Hanoverian army including the Black Watch June 4 – Frederick the Great destroys Austrian army at Hohenfriedberg August 19 - Beginning of the 45 Jacobite Rising at Glenfinnan September 12 - Francis I is elected...


Cibber's autobiography

"Uniting the self-sufficiency of youth with the garrulity of age."
"Uniting the self-sufficiency of youth with the garrulity of age."

Cibber's colourful autobiography, An Apology for the Life of Colley Cibber (1740), pioneered the truly personal autobiography, and inaugurated a distinctive British tradition of chatty, meandering, anecdotal memoirs. At the time of writing the word "apology" meant a statement in defence of ones' actions rather than a statement of regret for having transgressed. This is a small version of Image:Colley Cibber Apology 1740. ... Cover of An autobiography, from the Greek auton, self, bios, life and graphein, write, is a biography written by the subject or composed conjointly with a collaborative writer (styled as told to or with). The term dates from the late eighteenth century, but the form is much older. ...


Cibber wrote in detail about his time in the theatre, especially his early years as a young actor at Drury Lane in the 1690s, giving a vivid account of the cutthroat theatre company rivalries and chicanery of the time, as well as providing pen portraits of the actors he knew. The Apology is notoriously vain and self-serving, as both contemporaries and posterity have enjoyed pointing out (see Barker). For the early part of Cibber's career, it is also unreliable in respect of chronology and other hard facts, understandably, since he was writing down his recollections fifty years after the events, apparently without the help of any journal or notes. Nevertheless, it is an invaluable source for the theatre history of the Restoration and early 18th-century period, for which documentation is otherwise scanty. Because he worked with many actors from the early days of Restoration theatre, such as Thomas Betterton and Elizabeth Barry (albeit at the end of their careers) and lived to see the ultra-modern David Garrick perform, he is a fascinating bridge between a mannered and a more naturalistic style of performance. King Charles II, the first monarch to rule after the English Restoration. ... Thomas Betterton (c. ... Elizabeth Barry changed like Nature which she represents, from Passion to Passion, from Extream to Extream, with piercing Force and with easy Grace. Elizabeth Barry (1658–November 7, 1713) was an English actress. ... Portrait of David Garrick David Garrick (February 19, 1717 – January 20, 1779) was an English actor, dramatist, theatrical producer and theatrical manager, and a friend and pupil of Samuel Johnson. ...


The self-complacency of Cibber's Apology infuriated some of his contemporaries, notably Pope, but generations of readers have found it an amusing and engaging read, "uniting the self-sufficiency of youth with the garrulity of age" and expressive of Cibber's outgoing personality, which was always "happy in his own good opinion."(William Hazlitt, quoted by Robert Lowe in the introduction to the Apology). William Hazlitt (10 April 1778 – 18 September 1830) was an English writer remembered for his humanistic essays and literary criticism, often esteemed the greatest English literary critic after Samuel Johnson. ...


Cibber as actor

Anne Bracegirdle. "I had but a Melancholy Prospect of ever playing a Lover with Mrs. Bracegirdle."
Anne Bracegirdle. "I had but a Melancholy Prospect of ever playing a Lover with Mrs. Bracegirdle."

Cibber began his career as an actor at Drury Lane in 1690, with little success for several years. "The first Thing that enters into the Head of a young Actor", he wrote in his autobiography half a century later, "is that of being a Heroe: In this Ambition I was soon snubb'd by the Insufficiency of my Voice; to which might be added an uninform'd meagre Person… with a dismal pale Complexion. Under these Disadvantages, I had but a melancholy Prospect of ever playing a Lover with Mrs. Bracegirdle, which I had flatter'd my Hopes that my Youth might one Day have recommended me to." At this time the London stage was in something of a slump after the glories of the early Restoration period, and the two theatre companies had been merged into a monopoly, leaving actors in a weak negotiating position and basically at the mercy of the dictatorial manager Christopher Rich. When the senior actors rebelled and established a cooperative company of their own in 1695, Cibber "wisely", as the Biographical Dictionary of Actors puts it, stayed with the remnants of the old company, "where the competition was less keen". He had still after five years not been very successful in his chosen profession, and there had been no heroic parts and no love scenes. However, the return of two-company rivalry created a sudden demand for new plays, and Cibber seized this opportunity to launch his career by writing a comedy with a big, flamboyant part for himself to play. He scored a double triumph: his comedy Love's Last Shift, or Virtue Rewarded (1696) was a great success, and his own uninhibited performance as the Frenchified fop Sir Novelty Fashion delighted the audiences. His name was made, both as playwright and as comedian. The two-dimensional work of art depicted in this image is in the public domain in the United States and in those countries with a copyright term of life of the author plus 100 years. ... The two-dimensional work of art depicted in this image is in the public domain in the United States and in those countries with a copyright term of life of the author plus 100 years. ... Anne Bracegirdle, (c. ... Anne Bracegirdle, (c. ... King Charles II, the first monarch to rule after the English Restoration. ... In economics, a monopoly (from the Latin word monopolium - Greek language monos, one + polein, to sell) is defined as a persistent market situation where there is only one provider of a product or service. ... Christopher Rich (1657—1714) was a lawyer and theatrical manager in London in the late 17th and early 18th century, and the father of the important impresario John Rich. ... Comedy has a classical meaning (comical theatre) and a popular one (the use of humour with an intent to provoke laughter in general). ... Colley Cibber himself, the author of Loves Last Shift, in the role of Sir Novelty Fashion. ... FOP (Formatting Objects Processor) is an XSL-FO processor written in Java, which provides the feature to convert XSL-FO files to PDF or direct-printable-files. ... A comedian, or comic, is an entertainer who amuses an audience by making them laugh. ...

Young Colley Cibber in the role of Lord Foppington.
Young Colley Cibber in the role of Lord Foppington.

Later in life, when Cibber himself had the last word in casting at Drury Lane, he wrote, or patched together, several tragedies that were tailored to fit his continuing hankering after playing "a Heroe". But his performances of such parts never pleased audiences, which wanted to see him typecast as an affected fop, a kind of character that fitted both his private reputation as a vain man, his exaggerated, mannered acting style, and his habit of ad libbing. The two-dimensional work of art depicted in this image is in the public domain in the United States and in those countries with a copyright term of life of the author plus 100 years. ... The two-dimensional work of art depicted in this image is in the public domain in the United States and in those countries with a copyright term of life of the author plus 100 years. ... Tragedy is one of the oldest forms of drama. ... See AdLib for the computer sound card manufacturer. ...

A break with Cibber's melodrama tradition: David Garrick's innovative realistic performance as Richard III.
A break with Cibber's melodrama tradition: David Garrick's innovative realistic performance as Richard III.

His tragic efforts were consistently ridiculed by contemporaries: when Cibber in the role of Richard III makes love to Lady Anne, wrote the Grub Street Journal, "he looks like a pickpocket, with his shrugs and grimaces, that has more a design on her purse than her heart". His most famous part for the rest of his career remained that of Lord Foppington in The Relapse, a sequel to Cibber's own Love's Last Shift but written by John Vanbrugh. Pope mentions the audience jubilation that always used to greet the small-framed Cibber's donning of Lord Foppington's enormous wig, which would be ceremoniously carried on stage in its own sedan chair. The two-dimensional work of art depicted in this image is in the public domain in the United States and in those countries with a copyright term of life of the author plus 100 years. ... The two-dimensional work of art depicted in this image is in the public domain in the United States and in those countries with a copyright term of life of the author plus 100 years. ... Portrait of David Garrick David Garrick (February 19, 1717 – January 20, 1779) was an English actor, dramatist, theatrical producer and theatrical manager, and a friend and pupil of Samuel Johnson. ... Frontispage of the First Quarto Richard The Third. ... Published from 1730 to 1737, The Grub-Street Journal was a satire on popular journalism and hack-writing as it was conducted in Grub Street in London. ... Pickpocketing is a crime, a form of larceny which involves the stealing of money and valuables off the person of a victim without them noticing. ... John Vanbrugh (1664–1726), author of The Relapse. ... A sequel is a work of fiction in literature, film, and other creative works that is produced after a completed work, and is set in the same universe but at a later time. ... Sir John Vanbrugh in Godfrey Knellers Kit-cat portrait, considered one of Knellers finest portraits. ... A wig or toupee is a head of hair—human, horse-hair or synthetic—worn on the head for fashion or various other aesthetic and stylistic reasons, including cultural and religious observance. ... A Sedan chair, revived at the Turkish Village of the Worlds Columbian Exposition, 1893 A Sedan chair is an enclosed windowed chair with an upholstered interior suitable for a single occupant, which was carried by two porters, one in front, one behind, using wooden rails that passed through metal...


Cibber loved to act. After he had sold his interest in Drury Lane in the mid-1730s (see below) and was a wealthy man of sixty-five, he still returned to the stage a number of times to play the classic fop parts of Restoration comedy that audiences appreciated him in: Lord Foppington in Vanbrugh's Relapse, Sir Courtly Nice in John Crowne's Sir Courtly Nice, and Sir Fopling Flutter in George Etherege's Man of Mode. These were the kind of parts where affectation and mannerism were positively desirable; but in tragedy, audiences were at this time being entranced by the innovatively naturalistic acting of the rising star David Garrick, and wanted less than ever to see Cibber play a hero. Refinement meets burlesque in Restoration comedy. ... John Crowne (d. ... Sir George Etherege (1635? - c. ... Portrait of David Garrick David Garrick (February 19, 1717 – January 20, 1779) was an English actor, dramatist, theatrical producer and theatrical manager, and a friend and pupil of Samuel Johnson. ...


Cibber as playwright

Cibber's comedies Love's Last Shift (1696) and The Careless Husband (1704) are early heralds of a massive shift in audience taste, away from the intellectualism and sexual frankness of Restoration comedy and towards the conservative certainties and gender role backlash of exemplary or sentimental comedy.[3] In particular, according to Parnell, Love's Last Shift illustrates Cibber's opportunism at a moment in time before the change was assured: fearless of self-contradiction, he puts something for everybody into his first play, combining the old outspokenness with the new preachiness. An intellectual is a person who uses his or her intellect to study, reflect, and speculate on a variety of different ideas. ... Refinement meets burlesque in Restoration comedy. ... Gender often refers to the distinctions between males and females in common usage. ... Backlash has meaning in both socio-political and engineering contexts. ...


Neither Cibber's adaptations nor his own original plays have stood the test of time, and hardly any of them have been staged or reprinted after the early 18th century. An exception is his popular adaptation of Shakespeare's Richard III, which remained the standard stage version for 150 years. Wikipedia does not yet have an article with this exact name. ... Frontispage of the First Quarto Richard The Third. ...


The American actor, George Berrell (1849-1933), in his autobiographical "Theatrical and Other Reminiscenses," [unpublished]in speaking of Edwin Booth's rendition of Richard III in St. Louis in the 1870, says of Cibber's work on Richart III: "Hamlet" was followed by Shakespeare’s “Richard III,” not the version generally played—a hodge-podge concocted by Colley Cibber, who cut and transposed the original version, and added to it speeches from four or five other of Shakespeare’s plays, and several really fine speeches of his own. The speech to Buckingham: “I tell thee, coz, I’ve lately had two spiders crawling o’er my startled hopes”-; the well-known line – “Off with his head! So much for Buckingham!” the speech ending with “Conscience, avaunt! Richard’s himself again!” and other lines of power and effect were written by Cibber, who, with all due respect to the “divine bard,” improved upon the original, for acting purposes.


Love's Last Shift

The central action of Love's Last Shift is a celebration of the power of a good woman, Amanda, to reform a rakish husband, Loveless, by means of sweet patience and a daring bed-trick whereby she masquerades as a prostitute ("Enter Amanda, in an undress") and seduces Loveless without being recognized by him. She then confronts him with unanswerable logic: he did enjoy the night with her while taking her for a stranger, which proves that a wife can be as good in bed as an illicit mistress. Loveless is convinced and stricken by this argument, and a rich choreography of mutual kneelings, risings and prostrations follows, generated by Loveless' penitence and Amanda's "submissive eloquence": she kneels down while he stands "amazed", then she falls in a swoon, he supports her, he "turns from her" (ashamed), she kneels again, he begs her to rise, he embraces her, she weeps, he kneels; she begs him to rise. The première audience is said to have wept at this climactic scene (Davies, 1783–1784|84). The play was a great box-office success and was for a time the talk of the town, in both a positive and a negative sense. Some contemporaries regarded it as moving and amusing, others as a sentimental tear-jerker, incongruously interspersed with sexually explicit Restoration comedy jokes and semi-nude bedroom scenes. The Tavern Scene from A Rakes Progress by William Hogarth. ... Prostitution is the sale of sexual services (typically manual stimulation, oral sex, sexual intercourse, or anal sex) for cash or other kind of return, generally indiscriminately with many persons. ... Refinement meets burlesque in Restoration comedy. ...


Love's Last Shift is today read only by the most dedicated scholars, and mainly for gaining a perspective on Vanbrugh's sequel The Relapse, which has by contrast remained a stage favorite. Modern scholars often endorse the criticism that was leveled at Love's Last Shift from the first, namely that it is a blatantly commercial combination of sex scenes and drawn-out sentimental reconciliations (see Hume).


The Careless Husband

Outstanding wifely tact in The Careless Husband: Lady Easy finds her husband asleep with the maid and places her scarf on his head so he won't catch cold, but will know that she has seen him.
Outstanding wifely tact in The Careless Husband: Lady Easy finds her husband asleep with the maid and places her scarf on his head so he won't catch cold, but will know that she has seen him.

The comedy The Careless Husband (1704), generally considered to be Cibber's best play, is another example of the retrieval of a straying husband by means of outstanding wifely tact, this time in a more domestic and genteel register. The easy-going Sir Charles Easy is chronically unfaithful to his wife, seducing both ladies of quality and his own female servants with insouciant charm. The turning point of the action, famous in the annals of British theatre history as "the Steinkirk scene", comes when his wife finds him and a maidservant asleep together in a chair, "as close an approximation to actual adultery as could be presented on the 18th-century stage" (Parnell, 291). His periwig has fallen off, an obvious suggestion of intimacy and abandon on the 18th-century stage, and an opening for Lady Easy's tact. Soliloquizing to herself about how sad it would be if he caught cold, she "takes a Steinkirk off her Neck, and lays it gently on his Head" (V.i.21). (A "steinkirk" was a loosely tied lace collar or scarf, named after the way the officers wore their cravats at the Battle of Steenkirk in 1692.) She steals away, Sir Charles wakes, notices the steinkirk on his head, marvels that his wife did not wake him and make a scene, and realizes how wonderful she is. The Easys go on to have a reconciliation scene which is much more low-keyed and tasteful than that in Love's Last Shift, without kneelings and risings, and with Lady Easy shrinking with feminine delicacy from the coarse subjects that Amanda had broached without blinking. Paul Parnell has analyzed the manipulative nature of Lady Easy's lines in this exchange, showing how they are directed towards the sentimentalist's goal of "ecstatic self-approval" (Parnell, 294). The Steinkirk scene from Colley Cibbers play The Careless Husband, 1704. ... The Steinkirk scene from Colley Cibbers play The Careless Husband, 1704. ... A lady is a woman who is the counterpart of a lord; or, the counterpart of a gentleman. ... Adultery is voluntary sexual intercourse between a married person and a partner other than the lawful spouse. ... This article needs cleanup. ... Soliloquy is an audible oratory or conversation with oneself. ... Modern neckties, shown here tied as if they were on a person, may be found in a plethora of colours and designs. ... The Battle of Steinkeerke was fought on August 3, 1692 and resulted the victory of French under marshall Luxembourg-Montmorency against British-Dutch-German army under King William of Orange. ...


The Careless Husband was a great success on the stage and remained a repertory play throughout the 18th century. Although it has now joined Love's Last Shift as a forgotten curiosity, it kept a respectable critical reputation into the 20th century, coming in for serious discussion both as an interesting example of doublethink and manipulation (Parnell), and as somewhat morally or emotionally insightful (Kenny). As late as 1929, the well-known critic F. W. Bateson described the play's psychology as "mature", "plausible", "subtle", "natural", and "affecting". To meet Wikipedias quality standards, this article may require cleanup. ... This article or section does not cite its references or sources. ... The word manipulation can refer to: Joint manipulation Social influence Sleight of hand tricks in magic or XCM. Abuse Advertising Brainwashing Charisma Fraud Indoctrination Love bombing Machiavellianism Media manipulation Mind control Neuro-linguistic programming (NLP) Propaganda Social psychology Puppeteer Photo manipulation Categories: | | ... Frederick (Noel) Wilse Bateson (1901-1978) was an English literary scholar and critic. ...


Other plays

Cibber wrote two other original comedies. Woman's Wit (1697) was produced under unpropitious circumstances and had no discernible theme (see Barker, 30–31); Cibber, not usually shy about any play of his, even elided its existence in the Apology. The Lady's Last Stake (1707) is a rather bad-tempered reply to female critics of Lady Easy's wifely patience in The Careless Husband. It was coldly received, and its main interest lies in the glimpse the prologue gives of angry female reactions to The Careless Husband, of which we would otherwise have known nothing (since all contemporary published reviews of The Careless Husband approve and endorse its message). Some women, says Cibber sarcastically in the prologue, seem to think Lady Easy ought rather to have strangled her husband with her steinkirk:

"Yet some there are, who still arraign the Play,
At her tame Temper shock'd, as who should say—
The Price, for a dull Husband, was too much to pay,
Had he been strangled sleeping, Who shou'd hurt ye?
When so provok'd—Revenge had been a Virtue."

Most of Cibber's plays, listed below, were hastily cobbled together from borrowings, or drastically adapted from Shakespeare. His last play, Papal Tyranny in the Reign of King John, may serve as an example: it was "a miserable mutilation of Shakespeare's King John" (Lowe), heavily politicized, and caused such a storm of ridicule during its 1736–37 rehearsal that Cibber withdrew it. During the 1745 crisis, when the nation was in fear of yet another Popish pretender, it was finally acted, and this time accepted for patriotic reasons. The Death and Death of Queen John is one of the Shakespearean histories, plays written by William Shakespeare and based on the history of England. ... Historically, the words popery and popish have been used as derogatory terms for Roman Catholicism and Roman Catholic, respectively. ...


Cibber as manager

Drury Lane playbill, 1725.
Drury Lane playbill, 1725.

Cibber's creation of the combined actor-manager role is important in the history of the British stage because he was the first in a long and illustrious line that would include such luminaries as Garrick, Henry Irving, and Herbert Beerbohm Tree. Rising from actor at Drury Lane to advisor and spy (see Dictionary of Actors) on behalf of the manager Christopher Rich, Cibber worked himself by degrees into a position to take over the company. With two other actors, Thomas Doggett and Robert Wilks, he was able to buy the company outright around 1710 (the events are well documented, but the three actors' maneuvering to squeeze out previous owners was so lengthy and complex that an approximate date must suffice here), and, after a few stormy years of power-struggle with the other two, to become in practice sole manager of Drury Lane. He wrote no more original plays, though he continued producing adaptations and patchwork plays from "hapless Shakespeare, and crucify'd Molière" (Pope) for the company, and to act on the stage. He thus set a pattern for the line of more charismatic and successful actors that were to succeed him in this combination of roles. His near-contemporary Garrick, as well as the 19th century actor-managers Irving and Tree, would later structure their careers, writing, and manager identity around their own striking stage personalities. Cibber's forte as actor-manager was, by contrast, the manager side: he was a clever, innovative, and unscrupulous businessman who retained all his life a love of appearing on the stage, and his triumph was that he rose to a position where London audiences had, in consequence of his sole power over production and casting at Drury Lane, to put up with him as an actor. Download high resolution version (700x889, 121 KB)Drury Lane playbill from 1718, advertising a performance of John Fletchers This image is in the public domain because its copyright has expired in the United States and those countries with a copyright term of life of the author plus 100 years. ... Download high resolution version (700x889, 121 KB)Drury Lane playbill from 1718, advertising a performance of John Fletchers This image is in the public domain because its copyright has expired in the United States and those countries with a copyright term of life of the author plus 100 years. ... Sir Henry Irving, as Hamlet, in an 1893 illustration from The Idler magazine John Henry Brodribb (February 6, 1838 – October 13, 1905), knighted in 1895, as Sir Henry Irving, was one of the most famous stage actors of the Victorian era. ... Sir Herbert Beerbohm Tree (December 17, 1853 - July 2, 1917) was an English actor-manager. ... Thomas Doggett (or Dogget), (ca. ... Robert Wilks ( 1665 - September 27, 1732) was a British actor and theatrical manager who was one of the leading managers of Theatre Royal, Drury Lane in its hey day of the 1710s. ...


Cibber had learned from the bad example of Rich to be a careful and approachable employer for his actors, and was not unpopular with them, but made enemies in the literary world by his obvious enjoyment of the power he wielded over authors. Many were outraged by his sharp business methods, which may be exemplified by the characteristic way he abdicated as manager in the mid-1730s: first selling his share for over 3,000 pounds, he immediately encouraged his scapegrace son Theophilus to lead the actors in a walkout to set up for themselves in the Haymarket, rendering worthless the commodity he had sold. Cibber's application on behalf of his son for a patent to perform at the Haymarket was, however, refused by the Lord Chamberlain, who was "disgusted at Cibber's conduct" (Lowe). See also: Haymarket Theatre (Leicester) Haymarket Theatre, ca. ... Letters Patent by Queen Victoria creating the office of Governor-General of Australia Letters patent are a type of legal instrument in the form of an open letter issued by a monarch or government granting an office, a right, monopoly, title, or status to someone or some entity such as... The Lord Chamberlain or Lord Chamberlain of the Household is one of the chief officers of the Royal Household in the United Kingdom, and is to be distinguished from the Lord Great Chamberlain, one of the Great Officers of State. ...


Cibber as poet

Cibber's appointment as Poet Laureate in 1730 was widely assumed to be a political rather than artistic honor, and a reward for his untiring support of the controversial Whig Prime Minister Robert Walpole. His verses had no admirers even in his own time, and Cibber acknowledges quite cheerfully in the Apology that he does not himself think much of them. His birthday odes for the Royal family and other duty pieces incumbent on him as Poet Laureate came in for particular scorn, and these offerings would regularly be followed by a flurry of anonymous parodies. In the 20th century, D. B. Wyndham-Lewis and Charles Lee considered some of Cibber's laureate poems funny enough to be included in their classic "anthology of bad verse", The Stuffed Owl (1930). The Whigs (with the Tories) are often described as one of two political parties in England and later the United Kingdom from the late 17th to the mid 19th centuries. ... The Right Honourable Robert Walpole, 1st Earl of Orford, KG, KB, PC (26 August 1676 – 18 March 1745), usually known as Sir Robert Walpole, was a British statesman who is generally regarded as having been the first Prime Minister of Great Britain. ... Parody of Back to the Future In contemporary usage, a parody is a work that imitates another work in order to ridicule, ironically comment on, or poke some affectionate fun at the work itself, the subject of the work, the author or fictional voice of the parody, or another subject. ... (Dominic) Bevan Wyndham-Lewis FRSL (March 9, 1891–November 21, 1969) was a British writer best known for his humorous contributions to newspapers and for controversial biographies. ... Charles Lee may refer to: Charles Lee (general) (1732–1782), American Revolutionary War Charles Lee (Attorney General) (1758–1815) This human name article is a disambiguation page — a list of pages that might otherwise share the same title, which is a persons or persons name. ...


Cibber as dunce

Pamphlet wars

From the very beginning of the 18th century, when Cibber first rose to being Rich's right-hand man and spy at Drury Lane, his opportunism and his brash, thick-skinned personality gave rise to many barbs in print, especially against his patchwork plays. The early attacks were mostly anonymous, but some have been ascribed to Daniel Defoe and Tom Brown (see Lowe). Later, Jonathan Swift, John Gay, James Thomson, Richard Blackmore, John Dennis, and Henry Fielding all lambasted Cibber in print. The most famous conflict Cibber had was with Alexander Pope, the greatest poet of the age. In the first version of his landmark literary satire The Dunciad (1728), Pope referred contemptuously to Cibber's "past, vamp'd, future, old, reviv'd, new" plays, produced with "less human genius than God gives an ape", and Cibber's elevation to laureateship in 1730 further inflamed Pope against him. The selection of Cibber for this honor was widely seen as outlandish, at a time when Pope, John Gay, Thomson, Ambrose Philips, and Edward Young were all in their prime. As one epigram of the time put it: Daniel Defoe Daniel Defoe (1660 [?] â€“ April 1731) was an English writer, journalist and spy, who gained enduring fame for his novel Robinson Crusoe. ... Tom Brown (1662 – 18 June 1704) was an English translator and writer of satire, largely forgotten today save for a four-line gibe he wrote concerning Dr John Fell. ... Jonathan Swift Jonathan Swift (November 30, 1667 – October 19, 1745) was an Irish priest, satirist, essayist, political pamphleteer, and poet, famous for works like Gullivers Travels, A Modest Proposal, A Journal to Stella, The Drapiers Letters, The Battle of the Books, and A Tale of a Tub. ... John Gay John Gay (30 June 1685 - 4 December 1732) was an English poet and dramatist. ... James Thomson (September 11, 1700 – August 27, 1748) was a Scottish poet. ... Sir Richard Blackmore (c. ... John Dennis (1657 - January 6, 1734), English critic and dramatist, the son of a saddler, was born in London. ... Henry Fielding (April 22, 1707 – October 8, 1754) was an English novelist and dramatist known for his rich earthy humor and satirical prowess and as the author of the novel Tom Jones. ... Alexander Pope, an English poet best known for his Essay on Criticism and Rape of the Lock Alexander Pope (21 May 1688 – 30 May 1744) is generally regarded as the greatest English poet of the early eighteenth century, best known for his satirical verse and for his translation of Homer. ... Alexander Pope The Dunciad is a landmark literary satire by Alexander Pope published in three different versions at different times. ... John Gay John Gay (30 June 1685 - 4 December 1732) was an English poet and dramatist. ... Ambrose Philips (c. ... For Her Majesty the Queens private secretary see Edward Young (Royal Household). ... It has been suggested that poetic epigram be merged into this article or section. ...

"In merry old England it once was a rule,
The King had his Poet, and also his Fool:
But now we're so frugal, I'd have you to know it,
That Cibber can serve both for Fool and for Poet." (Recorded by Pope in the 1743 Dunciad).

That he was selected immediately after a change in the government from Tory to Whig was also noticeable. Further, Cibber associated himself with Robert Walpole, the highly divisive "first Prime Minister." The Right Honourable Robert Walpole, 1st Earl of Orford, KG, KB, PC (26 August 1676 – 18 March 1745), usually known as Sir Robert Walpole, was a British statesman who is generally regarded as having been the first Prime Minister of Great Britain. ...

Alexander Pope made Cibber the ultimate hero of the Dunciad.
Alexander Pope made Cibber the ultimate hero of the Dunciad.

Pope, mortified by the elevation of Cibber to laureatehood and incredulous at the vainglory of his Apology (1740), took every opportunity to attack him in his poetry, and easily got the laughers on his side. Mostly Cibber replied quite good-humoredly to Pope's aspersions ("some of which are in conspicuously bad taste", as Lowe points out), but in 1742 he snapped and hit below the belt in an angry and damaging pamphlet, A Letter from Mr. Cibber, to Mr. Pope, inquiring into the motives that might induce him in his Satyrical Works, to be so frequently fond of Mr. Cibber's name. In this pamphlet, Cibber's most effective ammunition came from a reference in Pope's Epistle to Arbuthnot (1735) to Cibber's "whore", which gave Cibber a pretext for retorting in kind with a scandalous anecdote about Pope in a brothel. "I must own", wrote Cibber, "that I believe I know more of your whoring than you do of mine; because I don't recollect that ever I made you the least Confidence of my Amours, though I have been very near an Eye-Witness of Yours." Since Pope was around four feet tall and hunchbacked due to a tubercular infection of the spine he contracted when young, Cibber regarded the prospect of Pope with a woman as something humorous, and he speaks mockingly of the "little-tiny manhood" of Pope. For once the laughers were on Cibber's side, and the story "raised a universal shout of merriment at Pope's expense" (Lowe). Pope made no direct reply, but took one of the most famous revenges in literary history: in the revised Dunciad that appeared in 1743, he changed his hero, the King of Dunces, from Lewis Theobald to Colley Cibber. Alexander Pope, ca 1727, studio of Michael Dahl, oil on canvas, National Portrait Gallery 4132, Primary Collection. ... Alexander Pope, an English poet best known for his Essay on Criticism and Rape of the Lock Alexander Pope (21 May 1688 – 30 May 1744) is generally regarded as the greatest English poet of the early eighteenth century, best known for his satirical verse and for his translation of Homer. ... The Dunciad is a landmark literary satire by Alexander Pope published in three different versions at different times. ... A brothel, also known as a bordello or whorehouse, is an establishment specifically dedicated to prostitution. ... Tuberculosis (abbreviated as TB for Tubercle Bacillus) is a common and deadly infectious disease caused by the mycobacterium Mycobacterium tuberculosis or Mycobacterium bovis, which most commonly affects the lungs (pulmonary TB) but can also affect the central nervous system, lymphatic system, circulatory system, genitourinary system, bones, joints, and even the... Lewis Theobald (1688 - 1744), British textual editor and author, was a landmark figure both in the history of Shakespearean editing and in literary satire. ...




The King of Dunces

The derogatory allusions to Cibber in consecutive versions of Pope's mock-heroic Dunciad, from 1728 to 1743, became more elaborate as the conflict between the two men escalated, until, in the final version of the poem, Pope crowned Cibber King of Dunces. From being merely one symptom of the artistic decay of Britain, he was transformed into the demigod of stupidity, the true son of the goddess Dulness. Apart from the personal quarrel, Pope had reasons of literary appropriateness for letting Cibber take the place of his first choice of King, Lewis Theobald. Theobald, who had embarrassed Pope by contrasting Pope's impressionistic Shakespeare edition (1725) with Theobald's own scholarly edition (1726), also wrote Whig propaganda for hire, as well as dramatic productions which were to Pope abominations for their mixing of tragedy and comedy and for their "low" pantomime and opera. However, Cibber was an even better King in these respects, more high-profile both as a political opportunist and as the powerful manager of Drury Lane, and with the crowning circumstance that his political allegiances and theatrical successes had gained him the laureateship. To Pope this made him an epitome of all that was wrong with British letters. Pope explains in the "Hyper-critics of Ricardus Aristarchus" prefatory to the 1743 Dunciad that Cibber is the perfect hero for a mock-heroic parody, since his Apology exhibits every trait necessary for the inversion of an epic hero. An epic hero must have wisdom, courage, and chivalric love, says Pope, and the perfect hero for an anti-epic therefore should have vanity, impudence, and debauchery. As wisdom, courage, and love combine to create magnanimity in a hero, so vanity, impudence, and debauchery combine to make buffoonery for the satiric hero. The two-dimensional work of art depicted in this image is in the public domain in the United States and in those countries with a copyright term of life of the author plus 100 years. ... Generally, mock-heroic is a satirical piece or parody that mocks common Romantic or modern stereotypes of heroes. ... In general usage a tragedy is a play, movie or sometimes a real world event with a sad outcome. ... Comedy has a classical meaning (comical theatre) and a popular one (the use of humour with an intent to provoke laughter in general). ... The Christmas Pantomime colour lithograph bookcover, 1890 Pantomime (informally, panto) refers to a theatrical genre, traditionally found in Great Britain, Australia, South Africa, New Zealand and Ireland, which is usually performed around the Christmas and New Year holiday season. ... The Teatro alla Scala in Milan, Italy. ... Generally, mock-heroic is a satirical piece or parody that mocks common Romantic or modern stereotypes of heroes. ... Parody of Back to the Future In contemporary usage, a parody is a work that imitates another work in order to ridicule, ironically comment on, or poke some affectionate fun at the work itself, the subject of the work, the author or fictional voice of the parody, or another subject. ... The epic is a broadly defined genre of poetry, and one of the major forms of narrative literature. ... Sir Galahad, a hero of Arthurian legend, detail of a painting by George Frederic Watts From the Greek , in mythology and folklore, a hero (male) or heroine (female) usually fulfills the definitions of what is considered good and noble in the originating culture. ... Platonic love in its modern popular sense is an affectionate relationship into which the sexual element does not enter, especially in cases where one might easily assume otherwise. ... Magnanimity is the generosity of the victor to the defeated. ...

"Monstrous Medlies that have so long infested the Stage": Cibber's afterpiece / opera / pastoral farce Damon and Phillida. Charlotte Charke, Cibber's daughter, here plays Damon as a breeches role.

Writing about the degradation of taste brought on by theatrical effects, Pope quotes Cibber's own confessio in the Apology": William Jones, Damon and Phillida Reconciled: A Scene from Colley Cibbers Damon and Phillida, 1740, oil on canvas, Tate Gallery. ... William Jones, Damon and Phillida Reconciled: A Scene from Colley Cibbers Damon and Phillida, 1740, oil on canvas, Tate Gallery. ... An afterpiece is a short, usually humorous one-act playlet following the main attraction, the full-length play, and concluding the theatrical evening. ... The Teatro alla Scala in Milan, Italy. ... Titians The Pastoral Concert Pastoral refers to the lifestyle of shepherds and pastoralists, moving livestock around larger areas of land according to seasons and availability of water and feed. ... A farce is a comedy written for the stage, or a film, which aims to entertain the audience by means of unlikely and extravagant - yet often possible - situations, disguise and mistaken identity, verbal humour of varying degrees of sophistication, which may include puns and sexual innuendo, and a fast-paced... This article needs to be cleaned up to conform to a higher standard of quality. ... A breeches role (also pants role or trouser role) is a role in which an actress appears in male clothes (breeches being tight-fitting knee-length pants, the standard male garment at the time breeches roles were introduced). ... Special effects (abbreviated SPFX or SFX) are used in the film, television, and entertainment industry to create effects that cannot be achieved by normal means, such as depicting travel to other star systems. ...

"Of that Succession of monstrous Medlies that have so long infested the Stage, and which arose upon one another alternately, at both Houses [London's two playhouses, Cibber's Drury Lane and John Rich's domain Lincoln's Inn's Fields ]... If I am ask'd (after my condemning these Fooleries myself) how I came to assent or continue my Share of Expence to them? I have no better Excuse for my Error than confessing it. I did it against my Conscience! and had not Virtue enough to starve".

Pope's notes call Cibber a hypocrite, and in general the attacks on Cibber are conducted in the notes added to the Dunciad, and not in the body of the poem. As hero of the Dunciad, Cibber merely watches the events of Book II, dreams Book III, and sleeps through Book IV. There are multiple individuals by this name with entries in Wikipedia. ...


Once Pope struck, Cibber became an easy target for other satirists. He was attacked as the epitome of morally and aesthetically bad writing, largely for the sins of his autobiography. In the Apology, Cibber speaks daringly in the first person and in his own praise. Although the major figures of the day were jealous of their fame, self-promotion of such an overt sort was shocking, and Cibber offended Christian humility as well as gentlemanly modesty. Additionally, Cibber consistently fails to see any faults in his own character, praises his vices, and makes no apology for his misdeeds, so it was not merely the fact of the autobiography, but the manner of it that shocked contemporaries. His rather diffuse and chatty writing style, conventional in poetry and sometimes incoherent in prose, was bound to look even worse than it was when he squared up to a master of style like Pope, causing Henry Fielding, who was an actual Justice of the Peace, to issue a bench warrant for the arrest of Colley Cibber on a charge of "murder" of "the English language". The Tory wits were altogether so successful in their satire of Cibber that the historical image of the man himself was almost obliterated, and it is as the King of Dunces that he has come down to posterity. Christianity is a monotheistic[1] religion centered on the life and teachings of Jesus of Nazareth as presented in the New Testament. ... Bors Dilemma - he chooses to save a maiden rather than his brother Lionel Chivalry[1] is a term related to the medieval institution of apple juice. ... Henry Fielding (April 22, 1707 – October 8, 1754) was an English novelist and dramatist known for his rich earthy humor and satirical prowess and as the author of the novel Tom Jones. ... A Justice of the Peace (JP) is a puisne judicial officer appointed by means of a commission to keep the peace. ... A bench warrant is a variant of an arrest warrant which authorizes the immediate arrest on sight of the individual in question who is in contempt of court possibly for failing to appear at the appointed time and date for a scheduled court appearance. ...


Plays

The plays below were produced at the Theatre Royal, Drury Lane unless otherwise stated. The dates given are of first known performance. The present-day Theatre Royal in Drury Lane, sketched when it was new, in 1813. ...

Cibber also adapted Shakespeare's Richard III (1700), King John as Papal Tyranny in the Reign of King John (1745) and Molière's Tartuffe as The Nonjuror in 1717. October 26 is the 299th day of the year (300th in leap years) in the Gregorian Calendar, with 66 days remaining. ... Events March 8 - William III died; Princess Anne Stuart becomes Queen Anne of England, Scotland and Ireland. ... November 26 is the 330th day (331st on leap years) of the year in the Gregorian calendar. ... Events March 8 - William III died; Princess Anne Stuart becomes Queen Anne of England, Scotland and Ireland. ... December 7 is the 341st day (342nd in leap years) of the year in the Gregorian calendar. ... Events Building of the Students Monument in Aiud, Romania. ... December 3 is the 337th (in leap years the 338th) day of the year in the Gregorian calendar. ... // Events Construction begins on Blenheim Palace, in Oxfordshire, England. ... February 4 is the 35th day of the year in the Gregorian Calendar. ... Events January 1 - John V is crowned King of Portugal March 26 - The Acts of Union becomes law, making the separate Kingdoms of England and Scotland into one country, the Kingdom of Great Britain. ... November 1 is the 305th day of the year (306th in leap years) in the Gregorian Calendar, with 60 days remaining. ... Events January 1 - John V is crowned King of Portugal March 26 - The Acts of Union becomes law, making the separate Kingdoms of England and Scotland into one country, the Kingdom of Great Britain. ... December 13 is the 347th day of the year (348th in leap years) in the Gregorian calendar. ... Events January 1 - John V is crowned King of Portugal March 26 - The Acts of Union becomes law, making the separate Kingdoms of England and Scotland into one country, the Kingdom of Great Britain. ... January 11 is the 11th day of the year in the Gregorian calendar. ... // Events January 12 - Two-month freezing period begins in France - The coast of the Atlantic and Seine River freeze, crops fail and at least 24. ... June 29 is the 180th day of the year (181st in leap years) in the Gregorian Calendar, with 185 days remaining. ... // Events April 10 - The worlds first copyright legislation became effective, Britains Statute of Anne Ongoing events Great Northern War (1700-1721) War of the Spanish Succession (1702-1713) Births January 3 - Richard Gridley, American Revolutionary soldier (d. ... November 28 is the 332nd day (333rd on leap years) of the year in the Gregorian Calendar. ... // Events Treaty of Aargau signed between Catholic and Protestants. ... December 1 is the 335th (in leap years the 336th) day of the year in the Gregorian calendar. ... // Events July 24 - Spanish treasure fleet of ten ships under admiral Ubilla leave Havana, Cuba for Spain. ... February 14 is the 45th day of the year in the Gregorian calendar. ... // Events Pope Innocent XIII becomes pope Johann Sebastian Bach composes the Brandenburg Concertos April 4 - Robert Walpole becomes the first prime minister of Britain September 10 - Treaty of Nystad is signed, bringing an end to the Great Northern War November 2 - Peter I is proclaimed Emperor of All the Russias... December 9 is the 343rd day (344th in leap years) of the year in the Gregorian calendar. ... Events January 14 - King Philip V of Spain abdicates the throne February 20 - The premiere of Giulio Cesare, an Italian opera by George Frideric Handel, takes place in London June 23 - Treaty of Constantinople signed. ... Sir John Vanbrugh in Godfrey Knellers Kit-cat portrait, considered one of Knellers finest portraits. ... January 10 is the 10th day of the year in the Gregorian calendar. ... Events Astronomical aberration discovered by the astronomer James Bradley Swedish academy of sciences founded at Uppsala The founding of the University of Havana (Universidad de la Habana), Cubas most well-established university. ... January 7 is the seventh day of the year in the Gregorian calendar. ... Events July 30 - Baltimore, Maryland is founded. ... Wikipedia does not yet have an article with this exact name. ... Frontispage of the First Quarto Richard The Third. ... The Death and Death of Queen John is one of the Shakespearean histories, plays written by William Shakespeare and based on the history of England. ... This article or section does not cite its references or sources. ... Tartuffe is a comedy by Molière, and is one of the most famous French plays of all time. ...


Literary trivia

"Kolley Kibber" is the newspaper nom de plume for Fred Hale, a former gangster, who returns to Brighton to anonymously distribute cards for a newspaper competition and disappears, presumably murdered, at the end of the first chapter of the novel Brighton Rock by Graham Greene. Kolley Kibber is a fictional character from Graham Greenes 1937 novel Brighton Rock. ... This article refers to the book by Graham Greene. ... Graham Greene Henry Graham Greene, OM, CH (October 2, 1904 – April 3, 1991) was a prolific English novelist, playwright, short story writer, travel writer and critic whose works explore the ambivalent moral and political issues of the modern world. ...


Notes

  1. ^ Robert Lowe in the introduction to An Apology for the Life of Colley Cibber.
  2. ^ Except where otherwise indicated, all details of Cibber's private life, as well as all role information, performance dates, and quotations from contemporary reviews come from "Cibber, Colley" in the authoritative Highfill et. al., Biographical Dictionary of Actors, and have where relevant been double-checked against the calendar The London Stage.
  3. ^ This aspect of the plays has been scathingly analyzed by Paul Parnell, but defended by Shirley Strum Kenny as yielding, in comparison with classic Restoration comedy, a more "humane" comedy.

Refinement meets burlesque in Restoration comedy. ...

References

Wikiquote has a collection of quotations related to:
Colley Cibber
  • Barker, R. H. (1939). Mr Cibber of Drury Lane. New York.
  • Bateson, F. W. (1929). English Comic Drama. Oxford.
  • Cibber, Colley (first published 1740, ed. Robert Lowe, 1889). An Apology for the Life of Colley Cibber, vol.1, vol 2. London. This is a scholarly 19th-century edition, containing a full account of Cibber's long-running conflict with Alexander Pope at the end of the second volume, and an extensive bibliography of the pamphlet wars with many other contemporaries in which Cibber was involved.
  • Highfill, Philip Jr, Burnim, Kalman A., and Langhans, Edward (1973–93). Biographical Dictionary of Actors, Actresses, Musicians, Dancers, Managers and Other Stage Personnel in London, 1660–1800. 16 volumes. Carbondale, Illinois: Southern Illinois University Press.
  • Hume, Robert D. (1976). The Development of English Drama in the Late Seventeenth Century. Oxford: Clarendon Press.
  • Kenny, Shirley Strum (1977). "Humane comedy". Modern Philology, 75, 29–43.
  • Lewis, D. B. Wyndham, and Lee, Charles (first published 1930, Everyman Classic 1984). The Stuffed Owl: An Anthology of Bad Verse. London: Dent.
  • Parnell, Paul (1963). "The sentimental mask". PMLA, 57, 519–34.
  • Pope, Alexander (ed. John Butt, 1963). The Poems of Alexander Pope. New Haven: Yale University Press.
  • Van Lennep, William, et. al. (ed.) (1960–79). The London Stage 1660—1800: A Calendar of Plays, Entertainments & Afterpieces Together with Casts, Box-Receipts and Contemporary Comment Compiled From the Playbills, Newspapers and Theatrical Diaries of the Period. Carbondale, Illinois: Southern Illinois University Press.
Preceded by
Laurence Eusden
British Poet Laureate
1730–1757
Succeeded by
William Whitehead


 
 

COMMENTARY     


Share your thoughts, questions and commentary here
Your name
Your comments

Want to know more?
Search encyclopedia, statistics and forums:

 


Lesson Plans | Student Area | Student FAQ | Reviews | Press Releases |  Feeds | Contact
The Wikipedia article included on this page is licensed under the GFDL.
Images may be subject to relevant owners' copyright.
All other elements are (c) copyright NationMaster.com 2003-5. All Rights Reserved.
Usage implies agreement with terms, 1022, m