"Come Out" was composed by Steve Reiche in 1966. It is a single spoken line ("Come Out to Show Them") that is introduced and then expanded upon gradually. The line was recorded on two channels, which are initially played in unison. Quickly into the piece they fall out of synchronization as channel two is played slightly before channel one. Gradually the discrepancy becomes a reverberation, and then two voices split into four, looped continuously. The effect is to intimately reveal the rhythmic and tonal patterns of spoken word, as the one line becomes a self-contained ensemble. Four voices split into eight and so on until the line is almost unintelligible for all of the times it is repeated on top of itself. The conclusion of the 11 minute piece is a polyphony of sound and rhythmic elements. The piece is a great example of Systems Music, which involves the continual progress from the initial theme to an entirely new result.
Come odd bets that are "off" will be returned to the player if the line bet loses on the comeout roll.
This means the odds on pass and come bets are paid 2-1 for the 4 and 10, 3-2 for the 5 and 9, and 6-5 for the 6 and 8.
The odds for don't pass and don't come bets are paid 1-2 for the 4 and 10, 2-3 for the 5 and 9, and 5-6 for the 6 and 8 (this is called "laying" odds).
A city-wide festival packed with activities such as physical activity and socializing, Manhattan's ComeOut and Play is one of the most surprising and strange video game events we've seen this year.
The ComeOut and Play Festival brings video games into the real world, thanks to the dedicated and creative work of the festival's volunteers.
ComeOut and Play takes place all weekend in Manhattan, with the festivities starting Friday at 6:00 at Eyebeam, located at 541 West 21st Street.