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Encyclopedia > Concept albums

Usually, in popular music, an album of an artist or group simply consists of a number of unconnected songs that the members of the group or the artist have written or have chosen to cover. In a concept album, on the other hand, all songs contribute to a single overall theme or unified story.


Frank Sinatra released several albums with songs about the same subject. This gave rise to the phrase "concept album." What may have been the first example of a concept album in rock of any form was the Beach Boys' 1963 Little Deuce Coupe, which features 12 songs, each one about America's automobile culture. It was one of the few Sinatra-style concept albums in rock. Three years later, Frank Zappa and the Mothers of Invention created an odd farce about rock music as a whole with Freak Out!

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Sgt. Pepper's Lonely Hearts Club Band, generally considered to be the first concept album

The 1967 album Sgt. Pepper's Lonely Hearts Club Band by The Beatles is generally considered to have been the first true concept album. For this album, the members of the band were each supposed to adopt a fictionalized persona, and the title song, styled as the theme song of the fictional "Lonely Hearts Club Band", wraps around the rest of the album like bookends. However, most of the songs on the album are unrelated to the theme, and the fictional characters have little life beyond the introduction of Ringo as "Billy Shears" on the first track. Thus, there is some debate over whether Sgt. Pepper really qualifies as a true concept album, although its reputation as such helped in spreading the idea of concept albums. Certainly, many of the songs on Sgt. Pepper are like short stories ("She's Leaving Home", "A Day in the Life") and others are like character sketches ("When I'm 64", "Lovely Rita"), making the album something clearly special.


Several albums that could be considered candidates for early concept albums include S.F. Sorrow by the Pretty Things, which tells the life-story of the eponymous character, and Days of Future Passed by the Moody Blues, which combines the acoustic instrumentation of the Moodys with the orchestral interludes of the London Festival Orchestra to document a typical "everyman's day". Both these albums were released in the same year (1967) as Sgt. Pepper.


Sgt. Pepper was itself inspired by an earlier work: the abandoned Beach Boys album SMiLE.


The concept album genre overlaps with rock opera and to some extent with rock musical. Concept albums are especially common in the progressive rock genre. For classical music that tells a story or evokes a concrete idea see Program Music.


An extension of the concept album idea could be seen in a series of albums which all contribute to a single effect or unified story. This was the original plan behind the first four albums by King Crimson, which were all related to the four elements of Occidental mythology. These are In the Court of the Crimson King for the Air Element, In the Wake of Poseidon for the Water Element, Lizard for the Fire Element and Islands for the Earth element.


See also


  Results from FactBites:
 
Concept album Summary (4190 words)
Concept albums can be seen to embody two similar but separate camps: the epic, grandiose albums conceived by progressive rock groups, and the more subtle conceptually-based albums created by singer-songwriters who tended to veer away from what was considered to be the mainstream.
While the concept album in all these genres may have served to raise the level of the respective art forms, the concept album in the cultural consciousness of the late twentieth century exists mainly as a symbol of excess and pseudo-intellectualism in popular music, forever branded by its association with progressive rock.
Concept albums are especially common in the progressive rock genre of the 1970s, although rarely did that equal a lasting commercial or critical legacy for the band or artist involved.
Concept album - Wikipedia, the free encyclopedia (3062 words)
The unifying nature of the album (such as it was) came primarily from the musical atmosphere, the subject matter of the lyrics, and the psychedelic cover art; the Stones themselves never identified the album as a concept album.
Concept albums are especially common in the progressive rock genre of the 1970s, although rarely did that equal a lasting commercial or critical legacy for the band or artist involved.
This concept album was a sequel to their original song from their 1992 album Images and Words, about a present day man's nightmares of his death in his previous life in 1928.
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