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Encyclopedia > Copynorms

As used by copyright theorists, the term copynorm (or more frequently copynorms) is used to refer to a normalized social-standard regarding the ethical issue of duplicating copyrighted material. Questions about the ethics of copying came to public attention as a result of peer-to-peer (P2P) filesharing systems, such as Napster, Gnutella, KaZaA, BitTorrent and Direct Connect . Survey research indicates that most users of filesharing systems do not believe that it is wrong to download MP3 files of copyrighted music, even though such downloading may be unlawful. These questions are important to legal theory, because the ability of copyright law to control the copying of digital material may depend more on voluntary compliance than on hypothetical criminal or civil actions against individuals. Copyright symbol. ... A peer-to-peer (or P2P) computer network is a network that relies on the computing power and bandwidth of the participants in the network rather than concentrating it in a relatively few servers. ... File sharing is the activity of making files available to other users for download over the Internet, but also over smaller networks. ... Second version (revised 2001) of Napster logo: Cat wearing headphones. ... Gnutella (pronounced or ) is a file sharing network used primarily to exchange music, films and software. ... Kazaa Media Desktop (once capitalized as KaZaA, but now usually left as Kazaa) is a controversial peer-to-peer file sharing application using the FastTrack protocol. ... This article is about the protocol. ... MPEG Audio Layer 3, more commonly referred to as MP3, is a popular digital audio encoding and lossy compression format invented and standardized in 1991 by a team of engineers working in the framework of the ISO/IEC MPEG audio committee under the chairmanship of Professor Hans Musmann (University of... Music is an art, entertainment, or other human activity which involves organized and audible sound, though definitions vary. ...

Contents


Copyrights and copynorms

Copyright is actually a collection of legal rules. Typically, copyright statutes confer a bundle of legal rights on the author or proprietor of a work (writing, a musical composition, or an image), including the exclusive right to make copies of the work, subject to the fair use. In the United States, the Constitution grants Congress power to confer exclusive rights upon authors to their writings, and Congress has exercised that power in a comprehensive statutory scheme, codified in Title 17 of the United States Code. Legal rules carry legal consequences. Violation of copyrights can give rise to civil and criminal liability. Each nation has its own copyright laws and international treaties set minimum standards for copyright legislation. This entry focuses on the laws of the United States as an example. Congress in Joint Session. ... The United States Code (U.S.C.) is a compilation and codification of the general and permanent federal Law of the United States. ...


Copynorms are informal social rules. Social norms include rules of etiquette as well as moral norms (such as the moral prohibitions on theft or murder) and quasi-moral norms (such as the social rules that create zones of privacy in public places). Copynorms are simply the informal social norms that determine the social acceptability of copying works created by others. Social norms are enforced by informal social sanctions, ranging from simple expressions of disapproval (mild) to shunning or vandalism (severe).


Copyright law and copynorms are interrelated but distinct. Some copying that is not prohibited by copyright law violates copynorms—plagiarism of work in the public domain would be an example. More significant to copyright theory and policy, copying that is prohibited by law may be considered socially acceptable. Plagiarism is a form of academic malpractice specifically referring to the use of anothers information, language, or writing, when done without proper acknowledgment of the original source. ... The public domain comprises the body of all creative works and other knowledge—writing, artwork, music, science, inventions, and others—in which no person or organization has any proprietary interest. ...


Socially acceptable violations of copyright law

In the late 1990s and early in the 2000s, peer-to-peer filesharing over the Internet became increasingly popular. The first P2P program to receive widespread attention in the media and popular consciousness was Napster. After the Napster service was shut down by an injunction issued by the United States District Court for the Northern District of California, a variety of other P2P (Gnutella, Bearshare, KaZaA, etc.) programs became popular. Perhaps the most significant use of P2P programs involves the distribution of MP3 files created by ripping copyrighted music from a commercial Compact Disc. The use of P2P to distribute digital copies of DVD files has also grown in popularity. The 1990s decade refers to the years from 1990 to 1999, inclusive, the last decade of the 20th Century. ... Saddam Hussein shortly after his capture Major controversy over U. S. presidential election (November 7-December 13, 2000) September 11, 2001 terrorist attack on New Yorks World Trade Center and Virginias Pentagon killing almost 3000 people. ... Second version (revised 2001) of Napster logo: Cat wearing headphones. ... The United States district courts are the general trial courts of the United States federal court system. ... Gnutella (pronounced or ) is a file sharing network used primarily to exchange music, films and software. ... BearShare is a popular closed source Gnutella client software package from a company called Free Peers, Inc. ... Kazaa Media Desktop (once capitalized as KaZaA, but now usually left as Kazaa) is a controversial peer-to-peer file sharing application using the FastTrack protocol. ... DVD is an optical disc storage media format that is used for playback of movies with high video and sound quality and for storing data. ...


There is considerable controversy over the application of the copyright laws to individual, noncommercial use of P2P programs to distribute MP3 files, but judicial opinion, so far, has sided with the music industry and held that an individual who copies and distributes an MP3 file containing copyrighted music violates federal copyright law. Nonetheless, the use of P2P to share and download copyrighted music is considered socially acceptable. Survey research supports this conclusion, as does the use of P2P programs by tens or hundreds of millions of persons.


Although P2P has been the focal point in discussions of copynorms, the phenomenon is more general in scope. Some other contexts in which copynorms diverge from United States copyright law include the following: The power to enact United States copyright law is granted in Article One, section 8, of the United States Constitution, which states: The Congress shall have Power. ...

  • Videotape recording of copyrighted broadcast and cable television content for archival (as opposed to time shifting) use,
  • Systematic photocopying of books and journal articles for academic and business use,
  • Audiotape recording of live music concerts,
  • The use of copyrighted digital images (PNG, JPEG, etc.) on personal websites.

To varying degrees, in each of these cases, copying that violates the law is socially acceptable. Anecdotal evidence suggests that illegal archiving of television programs is widely regarded as socially acceptable, and it is doubtful that many users of home Video Cassette Recorders (VCRs) are aware that this activity is unlawful in some countries. A PNG image with an 8-bit transparency layer (top), overlayed onto a chequered background (bottom). ... A photo of a flower compressed with successively lossier compression ratios from left to right. ... There is no universal common usage of or accepted general meaning for Anecdotal evidence. ...


Empirical research on copynorms

Although the empirical research on copynorms is limited, important survey research has been done by the Pew Center on Internet and Society.


What causes weak copynorms?

In the absence of social science research, theorizing about the causes of the divergence between copyright laws and copynorms is necessarily speculative. Several tentative hypotheses have been suggested, including the following: Terms like SOSE (Studies of Society & the Environment) not only refer to social sciences but also studies of the environment. ...

  • A simple rational choice model might suggest that illegal copying is accepted simply because it is in the self-interest of individuals who can obtain copyrighted materials for free with very little risk of getting caught.
  • Another possible factor is connected to technological change. Copying technology was relatively centralized and expensive until after the middle of the twentieth century. Until the advent of inexpensive audio tape recorders, the sharing of copyrighted recordings was very difficult and expensive. The transition from reel-to-reel to 8-track cartridge and later cassette tape recorders reduced costs substantially, but a significant investment of time was required to make each copy. Digital technology, the Internet, and specialized P2P software in turn substantially reduced the costs of file sharing. Social norms develop over time and necessarily emerge only with respect to conduct that is sufficiently feasible to become a social issue.
  • A third factor springs from the fact that most laypeople do not know the precise scope of the monopoly that a copyright grants to the author.
  • A final factor concerns the perceived legitimacy or justice of copyright laws. Many individuals may believe that copyright laws are unjust. For example, many users of P2P programs believe that large music companies rather than artists are the beneficiaries of the economic rents created by copyright laws. The most fervent advocates will engage in public civil disobedience of those parts of copyright law that they believe unjust, in hope of getting an eventual jury nullification or otherwise bringing the issues to public attention.

In economic theory, economic rent is an analytic term employed to distinguish the difference between the income earned by an input or factor of production, and the cost of the factor of production. ... It has been suggested that Civil and social disobedience be merged into this article or section. ... Jury nullification is a jurys refusal to render a verdict according to the law, as instructed by the court, regardless of the weight of evidence presented. ...

Implications for the law

What are the implications of weak copynorms for copyright theory and policy? This is a large and complex question, but some tentative points follow:

  • The content of copyright law may affect the emergence of copynorms. For example, if copyright law is perceived as fair and legitimate, this may strengthen copynorms.
  • Weak copynorms may prevent copyright law from achieving its policy goals. For example, the music industry has argued that P2P has reduced sales, and hence investments in the industry's production of new music recordings.
  • Proposals for more vigorous enforcement of copyright laws against individual users may affect copynorms, although both the direction and magnitude are uncertain. On one hand, more enforcement might strengthen copynorms by expressing social disapproval of illegal copying. On the other hand, strict enforcement might cause a backlash, further weakening social support for the copyright laws.

See also

Copyright symbol. ... The word norm coming from the latin word norma which means angle measure or (lawlike) rule, has a number of meanings: A social or sociological norm; see norm (sociology). ... The reversed c is the copyleft symbol. ... FairShare is an idea for a voluntary investment-based patronage system to replace intellectual property and copyright while still insuring that artists are fairly compensated. ... Intellectual property, or IP, refers to a legal entitlement which sometimes attaches to the expressed form of an idea, or to some other intangible subject matter. ... A peer-to-peer (or P2P) computer network is a network that relies on the computing power and bandwidth of the participants in the network rather than concentrating it in a relatively few servers. ... Second version (revised 2001) of Napster logo: Cat wearing headphones. ... Abandonware is computer software which is no longer being sold or supported by its copyright holder. ... Orphaned works are, broadly speaking, any copyrighted works where the rights holder is hard to find. ...

Bibliography

  • Eric Posner, Law and Social Norms (Cambridge, Massachusetts: Harvard University Press 2000).
  • Mark F. Schultz, "Fear and Norms and Rock & Roll: What Jambands Can Teach Us about Persuading People to Obey Copyright Law" (September 2005). http://ssrn.com/abstract=805945

Cambridge City Hall Cambridge is a city in the Greater Boston area of Massachusetts, United States. ... The Harvard University Press is a publishing house, a division of Harvard University, that is highly respected in academic publishing. ... This article is about the year 2000. ...

External links

  • Music Downloading, File-sharing and Copyright: A Pew Internet Project Data Memo

  Results from FactBites:
 
SSRN-Copynorms: Copyright and Social Norms by Mark Schultz (451 words)
Social norms regarding the copying, distribution, and use of expressive works (copynorms) are essential to understanding how copyright law affects society.
Next, there are copynorms that arise from collective behavior more than conscious design: the acceptance of search engine indexing and archiving; e-mail replying and forwarding norms; blogger norms; and consumer home recording.
Last, the paper examines the role of social norms in the greatest of copyright's current social dilemmas - file sharing - and concludes that copynorms are essential to understanding and resolving this challenge.
Copynorms at AllExperts (1238 words)
Copynorms are simply the informal social norms that determine the social acceptability of copying works created by others.
In the absence of social science research, theorizing about the causes of the divergence between copyright laws and copynorms is necessarily speculative.
Implications of weak copynorms for copyright theory and policy are a large and complex question.
  More results at FactBites »


 

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