|
A copyright collective (also known as a copyright collecting agency or collecting society) is a body created by private agreements or by copyright law that collects royalty payments from various individuals and groups for copyright holders. They may have the authority to license works and collect royalties as part of a statutory scheme or by entering into an agreement with the copyright owner to represent the owners interests when dealing with licensees and potential licensees. The copyright symbol is used to give notice that a work is covered by copyright. ...
It has been suggested that Licensing (strategic alliance) be merged into this article or section. ...
A statutory license or compulsory license is a copyright license to use content under reasonable and non-discriminatory terms. ...
Authors of literary or artistic works as well as holders of related rights enjoy exclusive rights to authorise or prohibit the use of their works. In cases where the rights cannot be enforced vis-à-vis individual members of the public or where individual management would not be appropriate, given the number and type of uses involved, right holders are granted a remuneration right instead. These rights are typically managed by collecting societies. The underlying idea of collective copyright management is widely shared and collecting societies have a key role in all developed countries. Because of historical, legal, economic and cultural diversity among countries, regulation of collecting societies and the markets where they act vary from one country to another. In Europe collecting societies require their members to transfer them exclusive administration rights of all of their works. United States and Canada have less restricting rules as members maintain their rights simultaneously with collecting societies. Societies tasks
Collecting societies are effectively an organization handling the outsourced function of right management. Right owners transfer to collecting society rights to: 1) sell non-exclusive licenses; 2) collect royalties 3) distribute collected royalties 4) enter into reciprocal arrangements with other collecting societies 5) enforce their rights. Collecting societies also negotiate license fees for public performance and reproduction and act as lobbying interests groups. Collecting societies sell blanket licences, which grant the right to perform their catalogue for a period of time. Such a licence might for example provide a broadcaster with a single annual authorisation encompassing thousands of songs owned by thousands of composers, lyricists and publishers. The societies also sell individual licenses for users who reproduce and distribute music. For example, Apple has to send in the download reports for the iTunes Music Store, which are used to determine their royalty payments. Apple Computer, Inc. ...
It has been suggested that this article or section be merged into ITunes. ...
In the U.S. and Canada, when dealing with works that are performed such as music these groups are called performance rights organisations or PROs. Other organizations such as artist rights groups license and collect royalties for the reproduction of paintings of living or recently deceased artists whose work has not yet entered the public domain. There are also collectives that collect royalties for copies from magazines and scholarly journals such as Access copyright in Canada. United States is the current Good Article Collaboration of the week! Please help to improve this article to the highest of standards. ...
A performance rights organisation exists to collect and distribute royalties on behalf of audio and video artists, for performances of their copyrighted works under copyright law. ...
The public domain comprises the body of all creative works and other knowledge—writing, artwork, music, science, inventions, and others—in which no person or organization has any proprietary interest. ...
Access © or Access Copyright is the name of the Canadian Copyright Licensing Agency (formerly Cancopy). ...
External links Global Australia Canada Finland Germany - Gesellschaft für musikalische Aufführungs- und mechanische Vervielfältigungsrechte (GEMA) (musical recordings and performances)
- Verwertungsgesellschaft Werbung + Musik mbH (VGWM) (musical recordings and performances)
- Gesellschaft zur Verwertung von Leistungsschutzrechten (GVL) (performing artists)
- Verwertungsgesellschaft Wort (VG Wort) (texts of all kind)
- Verwertungsgesellschaft Bild-Kunst (VG Bild-Kunst) (pictures, movies and fine arts)
- Verwertungsgesellschaft Musikedition (VG Musikedition) (musical collections, music textbooks for school use, songbooks for church use)
The Netherlands Norway - TONO (Copyright collective for authors and composers of musical works)
- Kopinor (books, newspapers, magazines, sheet music, and similar publications)
Sweden United Kingdom - Authors' Licensing & Collecting Society (ALCS)
- Broadcasting Data Services (BDS)
- British Equity Collecting Society (BECS)
- Copyright Licensing Agency (CLA)
- Design and Artists Copyright Society (DACS)
- Directors' and Producers' Rights Society (DPRS)
- Educational Recording Agency (ERA)
- Mechanical-Copyright Protection Society (MCPS)
- Motion Picture Licensing Company (MPLC)
- Newspaper Licensing Agency (NLA)
- Open University Worldwide (OUW)
- Performing Artists' Media Rights Association (PAMRA)
- Performing Right Society (PRS)
- Phonographic Performance Limited (PPL)
- Publishers' Licensing Society (PLS)
- Video Performance Limited (VPL)
United States - Artists Rights Society of New York (ARS)
- American Society of Composers, Authors, and Publishers (ASCAP)
- Broadcast Music Incorporated (BMI)
- Society of European Stage Authors & Composers (SESAC)
See also - Copyright collection societies (category)
- ASCAP, USA
- BMI, USA
- SESAC, USA
- SOCAN, Canada
- CCLI (Christian Copyright Licensing International)
- Copyright Agency Limited, Australia
- APRA, Australia
- PRS, UK
- NLA (Newspaper Licensing Agency), UK
|