In motion picture terminology, a crane shot is a shot taken by a camera on a crane. The most obvious uses are to view the actors from above or to move up and away from them, a common way of ending a movie. But some filmmakers like to have the camera on a boomoperated by remote control--there are some spectacular shots using remote cranes in the car-chase sequence of To Live and Die in L.A.. The film industry is built upon a large number of technologies and techniques. ... To Live and Die in L.A. is an action/thriller movie released in 1985. ...
The WesternHigh Noon had a famous crane shot. The shot backs up and raises, and we see Marshal Will Kane totally alone and isolated on the street. i like western films The Western is an American genre in literature and film. ... High Noon is a 1952 western film which tells the story of a town sheriff, who has just married a pacifist Quaker woman. ...
The television comedy SCTV uses the very concept of the crane shot as comedic material. After using a crane shot in one of the first NBC produced episodes, the network complained about the exorbitant cost of renting the crane. SCTV writers responded by making the "crane shot" a ubiquitous symbol of production excess while also lampooning network executives who care nothing about artistic vision and everything for the bottom line. At the end of the second season, an inebriated Johnny LaRue is given his very own crane by Santa Claus, implying he would be able to have a crane shot whenever he wanted it. This article or section does not cite its references or sources. ...
An articulating crane is a mobile crane in which there is a joint between two sections of the boom, allowing it to move in a way similar to a knuckle in a human finger.
Cranes are known for their loud trumpeting call that can be heard for miles and for the rhythmic, jumping dances both males and females perform during mating season.
A crane is the Egyptian hieroglyphic symbol for the letter "B." Also, the word "pedigree" comes from the Old French phrase, "pie de grue", which means "foot of a crane", as the pedigree diagram looks similar to the branches coming out of a crane's foot.
The zoom shot uses a lens with several elements that allows the filmmaker to change the focal length of the lens (see telephoto shot) while the shot is in progress.
Craneshots are often long or extreme long shots: they lend the camera a sense of mobility and often give the viewer a feeling of omniscience over the characters.
A standard tracking shot, as it was devised in the Classical Studio filmmaking, consisted in placing the camera on a wheeled support called a dolly, and moving it along rails or tracks to ensure the smoothness of movement associated with the continuity editing style.
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