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Encyclopedia > Credo

The credo (Latin for "I believe"; pronounced [ˈkɾeːd̪oː]) is a statement of religious belief, such as the Nicene Creed (or, less often, another creed, such as the Apostles' Creed). It especially refers to the use of the creed in the Catholic Mass, either as text, Gregorian chant, or other musical settings of the mass. Latin was the language originally spoken in the region around Rome called Latium. ... Articles with similar titles include the NATO phonetic alphabet, which has also informally been called the “International Phonetic Alphabet”. For information on how to read IPA transcriptions of English words, see IPA chart for English. ... Icon depicting the Holy Fathers of the First Council of Nicaea holding the Nicene Creed. ... Topics in Christianity Movements · Denominations Ecumenism · Preaching · Prayer Music · Liturgy · Calendar Symbols · Art · Criticism Important figures Apostle Paul · Church Fathers Constantine · Athanasius · Augustine Anselm · Aquinas · Palamas · Luther Calvin · Wesley Arius · Marcion of Sinope Pope · Archbishop of Canterbury Patriarch of Constantinople Christianity Portal This box:      The Apostles Creed (Latin: Symbolum Apostolorum... Wikipedia does not yet have an article with this exact name. ... Gregorian chant is the central tradition of Western plainchant, a form of monophonic, unaccompanied sacred song of the Roman Catholic Church. ... The Mass, a form of sacred musical composition, is a choral composition that sets the fixed portions of the Eucharistic liturgy (principally that of the Roman Catholic Church, the Anglican Church, generally known in the US as the Episcopal Church, and also the Lutheran Church) to music. ...

Contents

History

After the formulation of the Nicene Creed, its initial liturgical use was in baptism, which explains why the text uses the singular "I believe" instead of "we believe." The text was gradually incorporated into the liturgies, first in the east and in Spain, and gradually into the north, from the sixth to the ninth century. In 1014 it was accepted by the Church of Rome as a legitimate part of the service. Icon depicting the Holy Fathers of the First Council of Nicaea holding the Nicene Creed. ... Baptism in early Christian art. ...


Probably because of its late adaptation, and the length of the text (the longest in the Ordinary of the Mass), there are relatively few musical chant settings of it. What is identified as "Credo I" in the Liber Usualis was apparently widely considered the only authentic credo, and it is the element of the ordinary that was most strongly associated with a single melody. The Liber Usualis contains only two other settings, designated as "Credo V" and "Credo VI," which is far fewer than for other settings of the Ordinary. The Ordinary of the Mass (Latin: Ordo Missae) is the set of texts of the Roman Catholic Church Latin Rite Mass that are generally invariable. ... The Liber usualis is a book of commonly-used Gregorian chants compiled by the monks of the Abbey of Solesmes in France. ...


In musical settings of the credo, as in the Gloria, the first line is intoned by the celebrant alone ("Credo in unum Deum"), while the choir or congregation joins in with the second line. This tradition continued through the Middle Ages and Renaissance, and is even followed in more recent settings. In Stravinsky's Mass, for example, a soloist intones the first line, which is from the plainchant Credo I. Gloria in Excelsis Deo (Latin for Glory to God on High) is the title and beginning of the great doxology (song of praise) used in the Roman Catholic Mass and, in translation, in the services of many other Christian churches. ... This article does not cite any references or sources. ... Renaissance music is European music written during the Renaissance, approximately 1400 to 1600. ... Igor Fyodorovich Stravinsky (Russian: Игорь Фёдорович Стравинский, Igor Fëdorovič Stravinskij) (June 17, 1882 – April 6, 1971) was a Russian composer, considered by many in both the West and his native land to be the most influential composer of 20th-century music. ... Original cover to the vocal score of the Mass, published by Boosey & Hawkes Igor Stravinsky composed his Mass between 1944 and 1948. ...


The melody of Credo I first appears in eleventh-century manuscripts, but it is believed to be much older, and perhaps Greek in origin. It is almost entirely syllabic, probably because of the length of the text, and consists of a great deal of repetition of melodic formulas. In music, melisma (commonly known as vocal runs or simply runs) is the technique of changing the note (pitch) of a syllable of text while it is being sung. ...


In polyphonic settings of the Mass, the Credo is usually the longest movement, but is usually set more homophonically than other movements, probably because the length of the text demanded a more syllabic approach, as was seen with chant as well. A few composers have set a Credo individually, but it is generally part of a Mass. In music, the word texture is often used in a rather vague way in reference to the overall sound of a piece of music. ... In music, the word texture is often used in a rather vague way in reference to the overall sound of a piece of music. ...


Text

This is the Latin version used in chants and most modern settings of the Mass. For other translations, see Nicene Creed.

Credo in unum Deum, Patrem omnipoténtem, factórem cæli et terræ, visibílium ómnium et invisibílium; Icon depicting the Holy Fathers of the First Council of Nicaea holding the Nicene Creed. ...


Et in unum Dóminum Jesum Christum, Fílium Dei unigénitum, et ex Patre natum ante ómnia sæcula: Deum de Deo, lumen de lúmine, Deum verum de Deo vero, génitum non factum, consubstantiálem Patri, per quem ómnia facta sunt; qui propter nos hómines et propter nostram salútem descéndit de cælis; et incarnátus est de Spíritu Sancto ex María Vírgine et homo factus est; crucifíxus étiam pro nobis sub Póntio Piláto, passus et sepúltus est; et resurréxit tértia die secúndum Scriptúras; et ascéndit in cælum, sedet ad déxteram Patris; et íterum ventúrus est cum glória judicáre vivos et mórtuos; cujus regni non erit finis;


Et in Spíritum Sanctum, Dóminum et vivificántem: qui ex Patre Filióque procédit; qui cum Patre et Fílio simul adorátur et conglorificátur; qui locútus est per Prophétas; In Christian theology the filioque clause or filioque controversy (filioque meaning and [from] the son in Latin) is a heavily disputed addition to the Nicene Creed, that forms a divisive difference in particular between the Catholic and Eastern Orthodox traditions. ...


Et in unam sanctam cathólicam et apostólicam Ecclésiam.


Confíteor unum baptísma in remissiónem peccatorum; et exspecto resurrectionem mortuorum et vitam ventúri sæculi. Amen.


Personal belief

In some religions, especially those having no formal creed such as Unitarian Universalism, a credo can be a statement of personal belief.[1] The flaming chalice is the universally recognized symbol for Unitarian Universalism. ...


Reference

  • Hoppin, Richard. Medieval Music. New York: Norton, 1978. Pages 136-138.

See also

Vusamazulu Credo Mutwa (b 1921 in Natal, South Africa) is a South African author and witch doctor. ...

External links

  • Credo for a cappella choir from Hristo Tsanoff
  • CredoPeda.com para los que estan bien CREDOTES


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Gregorian chants of the Roman Mass Image File history File links Sample of Gregorian chant; Kyrie orbis factor File history Legend: (cur) = this is the current file, (del) = delete this old version, (rev) = revert to this old version. ... Gregorian chant is the central tradition of Western plainchant, a form of monophonic, unaccompanied sacred song of the Roman Catholic Church. ... Latin Rite, in the singular and accompanied, in English, by the definite article, refers to the sui juris particular Church of the Roman Catholic Church that developed in the area of western Europe and northern Africa where Latin was for many centuries the language of education and culture. ... A Medieval Low Mass by a bishop. ...

Ordinary:
Proper:
Accentus: The Ordinary of the Mass (Latin: Ordo Missae) is the set of texts of the Roman Catholic Church Latin Rite Mass that are generally invariable. ... The Proper (Latin proprium) is that part of the Christian liturgy that varies according to the date, either representing an observance within the Liturgical Year, or of a particular saint or significant event. ... Accentus Ecclesiasticus is a Church music term, the counterpart of concentus. ...

 

Kyrie | Gloria | Credo | Sanctus | Agnus Dei | Ite missa est or Benedicamus Domino
Introit | Gradual | Alleluia or Tract | Sequence | Offertory | Communion
Collect | Epistle | Gospel | Secret | Preface | Canon | Postcommunion Kyrie is the vocative case of the Greek word κύριος (kyrios - lord) and means O Lord; it is the common name of an important prayer of Christian liturgy, also called Kyrie eleison. ... Gloria in Excelsis Deo (Latin for Glory to God on High) is the title and beginning of the great doxology (song of praise) used in the Roman Catholic Mass and, in translation, in the services of many other Christian churches. ... Sanctus is the Latin word for holy, and is the name of an important hymn of Christian liturgy. ... A lamb holding a Christian banner is a typical symbol for Agnus Dei. ... The Ite missa est is the concluding salutation of the Mass (liturgy) of the Roman Catholic Church. ... Benedicamus Domino (Latin for Let us bless the Lord) is a closing salutation used in the Roman Mass instead of the Ite missa est in Masses which lack the Gloria (such as those during Lent). ... The introit (Latin: introitus, entrance) is part of the opening of the celebration of the Mass. ... The Gradual (Latin: graduale, sometimes called the Grail) is a chant in the Roman Catholic Mass, sung after the reading or singing of the Epistle and before the Alleluia, or, during penitential seasons, before the Tract. ... Hallelujah, Halleluyah, or Alleluia, is a transliteration of the Hebrew word הַלְלוּיָהּ meaning [Let us] praise (הַלְלוּ) God (יָהּ) (or Praise (הַלְלוּ) [the] Lord (&#1497... The tract (Latin: tractus) is part of the proper of the Roman Mass, which is used instead of the Alleluia during Lenten or pre-Lenten seasons, and a few other penitential occasions, when the joyousness of an Alleluia is deemed inappropriate. ... In Latin poetry, a sequence (Latin sequentia) is a poem written in a non-classical metre, often on a sacred Christian subject. ... Offertory (from the ecclesiastical Latin offertorium, French offertoire, a place to which offerings were brought), the alms of a congregation collected in church, or at any religious service. ... The Communion is the Gregorian chant sung during the Eucharist in the Roman Mass. ... In Christian liturgy, a collect is both a liturgical action and a short, general prayer. ... An epistle (Greek επιστολη, epistolÄ“, letter) is a writing directed or sent to a person or group of persons, usually a letter and a very formal, often didactic and elegant one. ... The Gospel in Christian liturgy refers to a reading from the Gospels used during various religious services and mass. ... The Secret (Latin: Secreta, oratio secreta) is the prayer said in a low voice by the celebrant at the end of the Offertory in the Mass. ... In liturgical use the term Preface is applied to that portion of the Eucharistic service which immediately precedes the Canon or central portion; the preface, which begins at the words Vere dignum et justum est, aequum et salutare, It is very meet and just, right and salutary, is ushered in... This article incorporates text from the public domain Catholic Encyclopedia Canon of the Mass (Canon Missæ, Canon Actionis) is the name used in the Roman Missal of the Tridentine period for the part of the Mass that began after the Sanctus with the words Te igitur. ... Postcommunion (Latin: Postcommunio) is the text said or sung on a reciting tone following the Communion of the Mass. ...


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