In humans, the cremaster muscle is a muscle that is part of genital anatomy.
In the pupae of certain species of butterfly, the cremaster is a hook-shaped protuberance from the rear of the chrysalis casing, by which the caterpillar fixes itself to the pad of silk it has cemented to the underside of a perch.
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Many of the set pieces and props in Cremaster 3, for instance, are his own sculptures; moreover, he got New York's Guggenheim Museum to allow him to film the last movement of the film in its famous spiraling rotunda.
Clearly, Barney's influences are as varied as his media, and the Cremaster Cycle consistently pushes the boundaries of what constitutes "art," "film," and "popular culture." All of the Cremaster films are visual abstractions, as well as excurses on themes like gender, sexuality, identity, freedom, and spiritual transcendence.
Cremaster 2 takes on madness, psychosexual development, independence, and the relationship of individual to state, through a retelling of the life story of Gary Gilmore (with Norman Mailer portraying Harry Houdini).
In humans, the cremaster muscle is a muscle that is part of genital anatomy.
In the pupae of certain species of butterfly, the cremaster is a hook-shaped protuberance from the rear of the chrysalis casing, by which the caterpillar fixes itself to the pad of silk it has cemented to the underside of a perch.
The Cremaster Cycle is the name of a sequence of five films by Matthew Barney, entitled Cremaster 1 to Cremaster 5.
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