Fictional beings from the Cthulhu Mythos, Dark Young are described as enormous writhing masses, formed out of ropy black tentacles. Here and there over the surfaces of the things are great puckered mouths which drip green goo. Beneath the creatures, tentacles end in black hooves, on which they stamp. The monsters roughly resemble trees in silhouette - the trunks being the short legs, and the tops of the trees represented by the ropy, branching bodies. The whole mass of these things smell like open graves. Dark young stand between 12 and 20 feet tall. Such entities are the "young" referred to in Shub-Niggurath's epithet, "Black Goat of the Woods with a Thousand Young". They are closely connected to her, and are found only in areas where she is worshipped. Dark young act as proxies for Shub-Niggurath in accepting sacrifices, accepting worship from cultists, devouring non-cultists, and spreading their mother's faith across the world.
"Something black in the road, something that wasn't a tree. Something big and black and ropy, just squatting there, waiting, with ropy arms squirming and reaching... It came crawling up the hillside... and it was the black thing of my dreams - that black, ropy, slime jelly tree-thing out of the woods. It crawled up and it flowed up on its hoofs and mouths and snaky arms." - Robert Bloch, "Notebook Found in a Deserted House."
DarkYoung consist of non-terrene material which grants it Adaptation Defense at zero power cost, 12 points of Invulnerability versus firearm damage, and 4 points of Invulnerability versus any other type of damage.
DarkYoungs naturally cause fear and insanity in humans around them (radius of 14" (I in inches) at no power cost), and it lasts until the victim can make a successful saving throw vs. Intelligence on percentage dice.
Once bound, the DarkYoung must obey one order by the caster, even to attacking its own kind, after which it is freed and returns whence it came.
While Young still seems crazy in the '80s, the records he made were straitjacketed by Young's insistence on playing characters: first he was a techno-rocker, then a rockabilly hipster, then a country conservative.
Young plowed through a half-dozen new songs that were much more personal than anything on the record, and he was playing guitar with more fire than he had in years.
Young could easily have picked unexpected and fresh material from the past - some of his best work is acoustic - but live it's generally the least creative part of his set.