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Shortly after in the United States the term "darkwave" became associated with music produced on the Projekt records label because of how it was used in their printed catalog. The Projekt label carried bands such as Lycia, Black tape for a blue girl and Love Spirals Downwards, all characterized by slow, moody ethereal female vocals, with a strong Cocteau Twins influence (something like the later music of Dead Can Dance). This sense of the term darkwave would also apply to similar music from other labels carrying similar work (e.g. World Serpent and Middle Pillar).
It is commonly suggested that the term "darkwave" is used in an organic meaning as a way to gain some distance from existing terms such as "gothic" or "industrial" that are feared to be too quickly judgemental towards this style of music. You will also notice that a lot of individuals tend to mix gothic rock with darkwave since both styles have close similarities. The genre is still evolving each and every year, expecting the best out of what fans call dark musical art.
This is orchestrated in a similar way to the other album's cuts, but is more complex in terms of an odd chord progression which seems to wander off to somewhere unexpected every time you think you know where it's going.
Tarántula was part of the first wave of Spanish progressive band from the 70's.
This album showed the two well-distinct sides of Tellahs music: their instrumental input is usually the most intense of their repertoire, showing influences from Yes and Moon Madness-era Camel, while their sung material leans closer to the realms of melodic prog with a definite romantic touch (not unlike other Italian and South American bands).